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A CASKET OF JEWELS
SELECTED FROM POETS OF THE NINETEENTH CENTURY
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A CASKET OF JEWELS
SEEECTEI) FROM POETS
OF THE
NINETEENTH CENTURY
BV
_^£ E. J. I R V I N G -^.
S N E E K
H. PYTTERSEN Tz
1887
BIRLIOTHEEK OER
RIJKSUNIVERSITEIT
UTRECHT,
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l\'KINTEI» HV I». C. .V. THIKMK NYMKUKN.
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BOOK I
POETS OF THE FIRST GENERATIOM
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WILLIAM YVOROSWORTH.
WlLLlAM WoRDSWORTH, the poet of nature and the Hmf Ie
domestic affections, was bom at Cockermouth in Cu moerland,
April
71\'1 1870 From liis carliest years he determined to be
a poet and nothing bul a poet. An opportune legacy enabled
him to fulfil this rcsolntion. J/is tastes were simple and fru-
gal, and by a curieus run of good fortune money seetned
always to come to him when he needtdit. PVordsworth\'s early
poelry attracted littlt at tention; even Mis
Lyrical Ballads, 1798.
were received with small faveur, in his later years, Aowever,
Ais poems oblained wide rccognition, and his fame is noiv
established as one 0/ the most original and \'thoughtful\'writers
of modern times. Wordsworth\'s longest poem is
The Excur-
sion, 1814, which, very lengthy as it is, was intended to be
merelypart of\'aprojcctedMoral Epic.
The Prelude, orGrowth
of my Own Mind, was writtcn comparatively early, bul not
published till aft^r the author\'s death in
1850. Of the shor-
ter poems, the most important are the
Ode on the Inlimations
of Immortality, Laodamia, and the series of Sonnets on the
subject of
Liberty ; but much of the poefs finest Work is
found in his shorter lyrics.
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WILLIAM WORDSWORTH.
TO THE CUCKOO.
0  BLITHB new-comer | I have heard,
1   hear thee and rejoice :
0   Cuckoo ! shall I call thee bird,
Or but a wandering voice?
While I am lying on the grass,
Thy loud note smites my ear!
Krom hill to hill it seems to pass,
At once far off and near!
1   hear thee babbling to the vale
Üf sunshine and of flowers;
And unto me thou bring\'st a tale
Of visionary hours.
Thrice welcome, darling of the spring !
Even yet thou art to me
No bird, but an invisible thing,
A voice, a mystery.
The same whom in my school-boy days
I listen\'d to; that cry
Which made me look a thousand ways
In bush, and tree, and sky.
To seek thee did 1 often rove
Through woods and on the green;
And thou wert still a hope, a love;
Still long\'d for, never seen !
And I can listen to thee yet;
Can lie upon the plain
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TO THE SKYLARK,
9
And listen, till I do beget
That golden time again.
O blessed bird ! the earth we pace
Again appears to be
An unsubstantial, fairy place ;
That is fit home for thee!
TO THE SKYLARK.
Ethereai. minstrel ! pilgrim of the sky !
Dost thou despise the earth where cares abound ?
Or while the wings aspire, are heart and eye
Both with thy nest upon the dewy ground?
Thy nest which thou canst drop into at will,
Those quivering wings composed, that music still!
To the last point of vision, and beyond,
Mount, daring warbler! — that love-prompted stram
— \'Twixt thee and thine a never-failing bond —
Thrills not the less the bosom of the plain :
Vet mightst thou seem, proud privilege ! to ring
All independent of the leafy Spring.
Leave to the nightingale her shady wood ;
A privacy of glorious light is thine,
Whence thou dost pour upon the world a flood
Of harmony, with instinct more divine ;
Type of the wise, who soar, but never roam —
True to the kindred points of Heaven and Home.
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WILLIAM WORDSWORTH.
THE EDUCATION OF NATURE.
Th kek ycars she grew in sim and shower,
Then Xalure said ,,A lovelier flower
On earth was never sown :
This child I to myself will take :
She shall he mine, and I will make
A lady of my own.
„Myself will to my darling be
Both law and impulse; and with me
The girl, in rock and plain,
In earth and heaven, in glade and bower,
Shall feel an overseeing power
To kindie or restrain.
„She shall be sporlive as the fawn,
That, wild with glee, across the lawn
Or up the mountain springs ;
And hers shall be the breathing balm,
And hers the silence and the calm
Of mute, insensate thinys.
„The floating clouds their state shall lend
To her; for her the willow bend ;
Nor shall she fail to see
K\'en in the motions of the storm
Grace that shall mould the maiden\'s form
By silent sympathy.
„The stars of midnight shall be dear
To her; and she shall lean her ear
In many a secret place
Where rivulets dance their wayward round,
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THE LOST I.OVE.
I I
And beauty boni of murmuring sound
Shall pass into her face.
„And vital feelings of delight
Shall rear her form to stately height,
Her virgin bosom swell;
Such thoughts to Lucy I will give
Whde she and I together live
Here in this happy dell."
Thus Nature spake. The work was done —
How soon my Lucy\'s race was run |
She died, and left to me
This heath, this calin and quiet scène ;
The memory of what has been,
And never more will be.
THE LOST LOVE.
1.
She dwelt among the untrodden ways
Beside the springs of Dove,
A maid whom there were none to praise
And very few to love.
A violet by a mossy stone
Half hidden from the eye!
Fair as a star, when only one
Is shining in the sky.
She lived unknown, and  few could know
When Lucy ceased to  be;
But she is in her grave,  and, oh,
The difference to me!
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12                                  WIIXIAM WORDSWORTH.
It.
I travell\'d among unknown men,
In lands bevond the sea;
Nor, England ! did I know till then
What love I bore to thee.
\'Tis past, that melancholy dream !
Nor will I quit thy shore
A second time ; for still I seem
To love thee more and more.
Among thy mountains did I feel
The joy of my desire;
And she I cherish\'d turn\'d her wheel
Beside an English fire.
Thy mornings show\'d, thy nights conceal\'d
The bowers where Lucy play\'d;
And thine is too the last green field
That I.ucy\'s eyes survey\'d.
THE SAILOR\'S MOTHER.
One morning (raw it was and wet,
A foggy day in winter time)
A woman on the road I met,
Not old, though something past her prime:
Majestic in her person, tall and straight;
And like a Roman matron\'s was her mien and gait.
The ancient spirit is not dead :
Old times, thought I, are breathing there ;
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THE SAILOR\'S MOTHER.
\'3
Proud was I that my country bied
Such strength, a dignity so fair :
She begg\'d an alms, like one in poor estate;
I look\'d at her again, nor did my pride abate.
When from these lofty thoughts I woke,
VVith the first word I had to spare,
I said to her, „Beneath your cloak,
What\'s that which on your arms you bear?"
She answer\'d, soon as she the question heard,
,,A simple burthen, sir, a little singing biid."
And thus eontinuing, she said,
„I had a son, who many a day
Sail\'d on the seas ; but he is dead ;
In Denmark he was cast away ;
And I have travell\'d far as Huil, to see
What clothes he might have Ieft, or other property.
„The bird and cage tliey both were nis;
\'Twas my son\'s bird; and neat and trim
He kept it: many voyages
His singing-bird had gone with him ;
When last he sail\'d he left the bird behind,
As it might be, perhaps, from bodings of his mind.
„He to a fellow-lodger\'s care
Had left it, to be watch\'d and fed.
Till he came back again ; and there
I found it when my son was dead;
And now — God help me for my little wit —
I bear it with me, sir! he took so much delight in it."
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WII.UAM WORDSWORTH.
WE ARE SE VEN.
—   — A SIMPLB Chilct,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death .\'
I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.
She had a rustic, woodland air,
And she was wildly clad :
Her eyes were fair, and very fair:
—   Her beauty made me glad.
„Sisters and brothers, little Maid,
How many may you be ?"
„How many? Seven in all," she said,
And wondering looked at me.
„And where are they .: I pray you teil."
She answered, „Seven are we;
And two of us at Conway dweil,
And two are gone to sea.
Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dweil near them with my mother."
„Vou say that two at Conway dweil,
And two are gone to sea,
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WE ARE SEVEN.
Vet ye are seven ! — I pray you teil,
Sweet Maid, how this may be."
Then did the little Maid reply,
„Seven boys and girls are we :
Two of us in the church-yard lie,
Heneath the churchyard tree."
„You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only live."
„Their gravos are green, they may be seen,
The little Maid replied,
„Twelve steps or more from mother\'s door,
And they are side by side.
My stockings there I often knit,
My kerchief there I hem ;
And there upon the ground I sit,
And sing a song to them.
And often after sun-set, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.
The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.
So in the church-yard she was laid;
And, all the summer dry,
Together round her grave we played,
My brother John and I.
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6                                  WIl.LIAM WORDSWORTH.
And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go ;
And he lies by her side."
„How many are you, then," said I,
,,[f they two are in heaven ?"\'
Ouick was the little Maid\'s reply,
„O Master ! we are seven."
„Hut they are dead ; those two are dead !
Their spirits are in heaven I"
,,\'Twas throwing words away ; for still
The little Maid would have her wil],
And said, „Nay, we are seven" !
ENGLANfD AND SWITZERLAND.
1802.
Two voices are there — one is of the sea,
One of the mountains — each a mighty voice :
In both, from age to age, thou didst rejoice,
They were thy chosen music, Liberly !
There canie a tyrant, and with holy glee
Thou fought\'st against him ; but hast vainly striven,
Thou from thy Alpine hold at length art driven,
Where not a torrent murmurs heard by thee.
Of one deep bliss thine ear hath been bereft:
Then cleave, oh, cleave to that which still is left;
For, high-soulM maid, what sorrow would it be
Thnt niountain floods should thunder as before,
And ocean bellow from his rocky shore,
And neither awful voice be heard by thee!
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THE WORLD.
17
THE WORLD.
Tuk world is too much with us; late and soon,
(ïetting and spending, we lay waste our ]>o\\vers :
Little we see in Nature that is ours ;
We have given our hearts away, a sordid boon !
This sea that bears her bosom to the moon;
The winds that will be bowling at all hours
And are up garher\'d now like sleeping flowers;
Kor this, for everything we are out of tune ;
It moves us not. (ireat (Jod ! 1\'d rather be
A pagan suckled in a creed outworn ;
So might I, standing 011 this pleasant lea,
Have glimpses that would make me less forlorn,
Have sight of Proteus coming from the sea,
dr hear old Triton blow his wreathèd horn.
2
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SIR WALTER SCOTT.
The fame of Scotfs Waverley Novels, 1813—26, kas
cclipsed that of his metrical romances,
The Lay of the Last
Minstrel, Marmion, The Lady of the Lake, Rokeby, The
Lord of the Isles. But the ballads and lyrics scattered over
Ais novels and long poems retain a high place in public
cstimation. Scott was bom in Edinburgh, August
13"1 1871.
studied law, and devoled himself for a long time to the col-
lection of old ballads. /fis
Lay of the Last Minstrel wat
published in
1805, and from that time to 1825 his writings
were the delight of the reading world. They brought hint
enormous sums of money, which he invested partly in land,
partly in a secret partnership vjith his printers and publi-
shers. For Scott \'s great ambition was to become a large landed
proprietor, and found a new baronialfamily. Thepublishers
failed in
1825; Scott found himself resfonsible for a debl
of nearly £
120.000. Refusing to compound with his cre-
ditors, Scott set himself to pay the whole sui/t by his literary
labours, and had all but succceded when he was struck with
paralysis. After lingering for some time Sir Walter, who
had been. created a. baronet in
1820; died (1832) at the Gothic
Castte of Abbotsford, which he had built at great expense.
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JOCK O\' HAZELDEAN.
19
JOCK O\' HAZELDEAN. »)
\'Why weep ye by the tide, lady ?
Why weep ye by the tide ?
I\'ll wed ye to my youngest son,
And ye shall be his bride
And ye shall be his bride, lady,
So comely to be seen\' —
But aye she let the tears down fall
For Jock of Hazeldean.
\'Now let this wilful grief be done,
And dry that cheek so pale ;
Voung Frank is chief of Errington
And lord of Langley-dale ;
His step is flrst in peaceful hall,
His sword in battle keen —\'
Hut aye she let the tears down fall
For Jock of Hazeldean.
\'A chain of gold ye shall not lack.
Nor braid to bind your hair,
Nor mettled hound, nor managed hawk,
Nor palfrey fresh and fair;
And you the foremost of them all
Shall ride our forest-queen\' —
But aye she let the tears down fall
For Jock of Hazeldean.
The kirk was decked at morning tide,
The tapers glimmered fair:
1) The spelling of this lavourüe t>allad ia ilightly Mtered Trom the Scotch.
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SIR WALTER SCUTT.
20
The priest and bridegroom wait the bride,
And dame and knight are there :
They sought her both by bower and hall; \')
The lady was not seen !
She\'s o\'er the Border, and awa\'
With Jock of Hazeldean.
A SERENADE.
All! County Guy, the hour is nigh,
The sun has left the lea,
The orange-flower perfumes the bower,
The breeze is on the sea.
The lark, his lay who trilled all day,
Sits hushed his partner nigh;
Breeze, bird, and flower, confess the hour,
Bat where is County Guy?
The village maid steals through the shade
Her shepherd\'s suit to hear;
To Beauty shy, by lattice high,
Sings highborn Cavalier.
The star of Love, all stars above,
Xow reigns o\'er earth and sky,
And high and low the influence know —
Uut where is County Guy?
I) IlfilL is pronounced ha to rhyiue with ttt\'n\' (awny) in the "tli line.
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R03A1SELLE.
ROSAIiELLE.
() listen, listen, ladies gay!
No haaghty feat of arms I teil;
Soft is the note and sad the lay
That mourns the lovely Rosabelle.
Moor, moor the barge, ye gallant crew;
And, gentle lady, deign to stay!
Rest thee in Castle Ravensheuch,
Nor tempt the stormy tirth to-day \'),
The blackening wave is edgcd with white;
To inch 2) and rock the sea-mews fly;
The tishers have heard the Water Sprite,
Whose screams forbode that wreek is nigh.
Last night the gifted seer did view
A wet shroud swathed round lady gay •):
Then stay thee, Fair, in Ravensheuch;
Why cross the gloomy tirth to-day?
\'Tis not because Lord Lindesay\'s heir
To night at Roslin 4) leads the ball,
Rut that my lady-mother there
Sits lonely in her castle hall.
\'Tis not because the ring they ride,
And Lindesay at the ring rides well,
But that my sire the wine will chide
If \'tis not filled by Rosabelle!
1) The I\'i\'ith of 1\'orlh. — S) .V suiall tsland. — 3) tn old time» every
noble Scottian faiuüy niaiatained a hoUMhold poet. The hard was supposed
lo possess the gift of ..seeond stght", he wotud pri\'dict events tweiity-l\'oiir
hours heforehanil, — 4) The mins of RosUn Castte stand on the banks of
the Ksk. not far front Kdinbnrgh. The other places mention?d nre all in
the neifihbourhood.
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SIR WAI.TER SCOTT.
— O\'er Roslin all that dreary nighl
A wondrous blaze was seen to gleam;
\'Twas broader than the watch-fire\'s light.
And redder than the bright moonbeam.
It glared on Roslin\'s castled rock,
It ruddied all the copse-wood glen;
\'Twas seen from Dryden\'s groves of oak,
And seen from caverned Hawthornden.
Seemed all on lire that chapel proud
Where Roslin\'s chiefs uncoffined lie,
Kach Baron, for a sable shroud,
Shealhed in his iron panoply.
Seemed all on rlre within, around.
Deep sacristy and altar\'s pale:
Shone every pillar foliage-bound,
And glimmered all the dead men\'s mail.
Mazed battlement and pinnet high,
Blazed every rose-carved buttress fair —
So still they blaze, when fate is nigh
The lordly line of high Saint Clair.
There are twenty of Roslin\'s ba ons bold
Lie buried within that proud chapelle;
Each one the holy vault doth hold,
Bat the sea holds lovely Rosabelle!
And each Saint Clair was buried there
With candle, with book, and with knell:
Bul the sea caves rung, and the wild winds sung
The dirge of lovely Rosabelle.
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GATHBKING SONG OF DON AID THE 11LACK.
23
GATHERING SONG OF DONALD THE BLACK.
PlliROCH \') of Donuil Dhu
Pibroch of Donuil
Wake thy wild voice anew,
Summon Clan Conuil.
Come away, corae away,
Hark to the sumnions!
Come in your war-array,
Gentles and commons.
Come from deep glen, and
From mountain so rocky;
The war-pipe and pennon
Are at Inverlocky.
Come every hill plaid and
True heart that wears one,
Come every steel blade and
Strong hand that bears one.
Leave untended the herd,
The flock without sheler;
Leave the corpse uninterr\'d,
The bride at the altar :
Leave the deer, leave the steer,
Leave nets and barges ;
Come with your fighting-gear,
Broadswords and targes.
Come as the winds come, when
Forests are rended,
Come as the «aves come, when
11 The pibroch 11 a wild, Irregular pie™ of uraaic plavei! on thebagpipes.
It rentier* by imltative sounds the vnrimis phasps of a battle — the march,
thp ns*ault, the llpht. the llight nml pursuit, the lauient l\'or the lallen.
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24
SIR WAI.TER SCOTT.
Navies are stranded;
Kaster corae, faster come,
Faster and faster,
Chief, vassal, page and groom,
Tenant and master.
Kast they come, iast they come ;
See how they gather !
Wide wave» the eagle pldme
Blended with heather.
Cast your plaids, draw your blades,
Forward each man set!
Pibroch of Donuil Dhu.
Knell for the onset!
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SAMUEL TAYLOR COLERIDGE.
Coi.f.ridge was born in Devonsliire, October 2IS|, 1771,
and educated at C/irist Hospital, London, whetice he passed
to Cambridge. Likt his fricnds Wordsworth and Southey,
Colerii/ge looi a strong interest in the revolutionary agita-
tions of the feriod, and his early jioetry is f uil of the
democratie spirit. Almost all his best poems were wrilten in
lT)li the year af ter his marriage. These are
The Ancient
Mariner, published 179S as a part of the Lyrical Ballads :
Christabel, Part I. Ode to France, The Nightingale. Love,
the drcam-poem Kubla Khan, and the tragedy Remorse.
Coltridge\'s second period, 1802—1818, was devoted to lite-
rary and fine art criticism; his third, from
1818 to his
death in
1834, to theology and metaphysics. He wrote liltle
poetry after his thirlieth year.
LOVE.
All thoughts, all passions, all delights,
VVhatever stirs this mortal frame,
All are but ministers of Love,
And feed his sacred flame.
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SAMUEL TAYLOR COLERIDGE.
Oft in my waking dreams do I
Live oer again that happy hour
When midway on the mount I lay,
Beside the ruined tower.
The moonshine, stealing o\'er the scène
Had blended with the lights of eve ;
And she was there, my hope, my joy,
My own dear (lenevieve I
She lean\'d against the armed man,
The statue of the armed knight:
She stood and listened to my lay,
Amid the lingering light.
Kew sorrows hath she of her own,
My hope ! my joy! my Genevieve !
She loves me best, whene\'er I sing
The songs that make her grieve.
I played a soft and doleful air,
I sang an old and moving story —
An old rude song, that suited well
That ruin wild and hoary.
She listened with a rlitting blush,
With downcast eyes and modest grace;
Kor well she knew, I could not choose
Bot gaze upon her face.
I told her of the knight that wore
L\'pon his shield a burning brand ;
And that for ten long years he wooed
The lady of the land.
I told her how he pined; and ah !
The deep, the low, the pleading tone
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27
LOVE.
With which I sang another\'s love,
Interpreted my own.
She listened with a flitting blush,
With downcast eyes and modest grace ;
And she forgave me that I gazed
Too fondly on hei\' face.
But when I told the cruel scorn
That crazed that bold and lovely knight,
And that he crossed the mountain woods,
Nor rested day nor night ;
That sometimes from the savage den,
And sometimes from the darksome shade,
And sometimes starting up at once,
In green and sunny glade,
There came and looked him in the face
An angel beautiful and bright;
And that he knew it was a fiend,
This miserable knight!
And that, unknowing what he did,
He leaped amid a murderous band.
And saved from outrage wor?e than death
The lady of the land ;
And how she wept and clasped his knees,
And how she tended him in vain —
And ever strove to expiate
The scorn that crazed his brain.
And that she nursed him in a cave;
And how his madness went away,
When on the yellow forest leaves
A dying man he lay ;
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2S
SAMUF.I. TAVLOR COI.KRIIX3E.
II is dying words — but when I reached
That tenderest strain of all the ditty,
My faltering voice and pausing harp
Disturbed her sonl with pity!
All impulses of soul and sense
Had thrilled my guileless Genevieve —
The music and the doleful tale,
That rich and lialmy eve;
And hopes, and fears that kindie hope,
An undistinguishable throng;
And gentle wishes long subdued,
Subdued and cherished long !
She wept with pity and delight,
She blushed with love and virgin shame;
And like the murmur of a dream
I heavd her breathe my name.
Her bosom heaved, she stept aside ;
As conseious of my look she stept —
Then suddenly. with timorous eye,
She fled to me and wept.
She half enclosed me with her arms,
She pressed me with a meek embrace,
And bending back her head, looked up
And gazed upon my face.
\'Twas partly love, and partly fear,
And partly \'twas a bashful art,
That I might rather feel than sec
The swelling of her heart.
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YOUTH AND AÜK.
29
I calmed her fears ; and she was calm,
And told her love with virgin pride;
And so I won my Genevieve,
My bright and beauteous bride!
YOUTH AND AGE.
Krom Poems written in later i.ife.
Verse, a breezc \'mid blossoms straying,
Where Hope clung feeding, like a bee —
Both were mine ! Life went a-maying
With Nature, Hope, and Poesy,
When I was young |
When I was young ? Ah, woful when !
Ah, for the change \'twixt Now and Then !
This breathing house not built with hands,
This body that does me grievous wrong,
O\'er aery clitTs and glittering sands,
How lightly then it flashed along:
Like those trim skiffs, unknown of yore,
On winding lakes and rivers wide.
That ask no aid of sail or oar,
That fear no spite of wind or tide!
Nought cared this body for wind or weather,
When Youth and I lived in \'t together.
Flowers are lovely; Love is flower-like ;
Friendship is a sheltering tree;
O the joys that came down shower-like,
Of Friendship, Love, and Liberty,
Ere I was old!
Ere I was old ? Ah, woful Ere,
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SAMl\'EL TAYI.OR COLERILGE.
Which tells me, Youth\'s no longer here!
0   Youth ! for years so many and sweet,
\'Tis known that Ihou and I were one;
I\'ll think it but a fond conceit —
It cannot be that thou art gone !
Thy vesper-bell hath not yet tolled,
And thou wert ave a masker bold !
What strange disguise hast now put on,
To make-believe that thou art gone ?
1  see these locks in silvery slips,
This drooping gait, this altered size;
But springtide blossoms on thy lips,
And tears take sunshine from thine eyes!
Life is but thought: so think I will
That Youth and I are housemates still.
Dewdrops are the gems of morning,
Hut the tears of mournful eve!
Where no hope is, life\'s a warning
That only serves to make us grieve,
\\Yhen we are old :
That only serves to make us grieve
With oft and tedious taking leave;
Like some poor nigh related guest,
That may not rudely be dismissed,
Yet hath outstayed his welcome while,
And tells the jest without the smile.
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ROBERT SOUTHEY.
Of the one hundred and nine volumes published by
Sonthey very few are now in circulation: one volume of
selected poems,
The Life of Nelson, The History of the Penins-
ular War, and (recently reprinted) The Doctor. Southey\'s
poems consist of long Epics:
Joan of Are, Madoc, Thalaba,
Roderick the Last of the Goths, The Curse of Kehama;
and a number of ballads and lyrics. The two specimens
subjoined are considcred the most perfeet. Southey was bom
at Brhtol in
1774/ began to publish in his twentieth year;
was appointed Poet Lattreate in
1813; received a pension in
1835; ""d <&#* *• \'843.
AFTER BLENHEIM.
It was a summer evening,
Old Kaspar\'s work was done;
And he befoie his cottage door
Was sitting in the sun,
And by hun sported on the green
His little grandchild Wilhelmine.
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32
RoBKRT SOUTHEY
She saw her brother 1\'eterkin
Roll something large and round,
That he beside the rivulet
In playing there had found ;
He came to ask what he had found.
That was so large, and smooth. and round.
Old Kaspar took it from the boy,
Who stood expectant by ;
And then the old man shook his head,
And, with a natura! sigh,
\'Tis sorae poor fellow"s skull, said he,
Who feil in the great victory.
I lind them in the garden, for
There\'s many here about,
And often when I go to plough,
The ploughshare turns them out;
For many thousand men, said he,
Were slain in the great victory.
Now teil us what \'twas all about
Young 1\'eterkin he cries.
And little Wilhelmine looks up
With wonder-waiting eyes ;
Now teil us all about the war,
And what they kill\'d each other for.
It was the English, Kaspar eried,
That put the French to rout;
Bat what they kill\'d each other for,
1 could nol well make out.
Uut everybody said, quoth he,
That \'twas a famous victory.
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AFTER BLENHEIM.
My father lived at Blenheim then,
Yon little stream hard by,
They burnt his dweiling to the ground,
And he was forced to fly ;
So with his wife and child he fled,
Nor had he where to rest his head.
With tire and sword the country round
Was wasted far and wide,
And many a childing mother then,
And new-born infant died.
But things like that, you know, must be
At every famous victory.
They say it was a shocking sight
After the field was won,
For many thousand bodies here
Lay rotting in the sun;
But things like that, you know, must be
After a famous victory.
Great praise the Duke of Marlbro\' won,
And our good Prince Eugene. —
Why \'twas a very wicked thing!
Said little Wilhelmine.
Nay — nay — my little girl, quoth he,
It was a famous victory.
And everybody praised the Duke
Who such a fight did win.
But what good came of it at last? —
Quoth little Peterkin.
Why, that I cannot teil, said he,
But \'twas a famous victory.
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34                                         KOBERT SOUTHEY.
MARY THE MAID OF THE INN.
Who is yonder poor Maniac, whose wildly-fix\'d eyes
Seem a heart overcharged to express ?
She weeps not, vet often and deeply she sighs ;
She never complains, but her silence implies
The composure of settled distress.
Xo pity she looks for, no alms doth she seek ;
Nor for raiment nor food doth she care:
Tlirough her tatters the winds of the winter blow bleak
< >n her poor wither\'d bosom half bare, and her cheek
Math the hue of a mortal despair.
Vet cheerfo] acd happy, nor distant the day,
l\'oor Mary the Maniac hath been :
The Traveller remembers who journey\'d this way
No damsel so Iovely. no damsel so gay,
As Mary. the Maid of the Inn.
Her cheerful address till\'d the guests with delight
As she welcomed them in with a smile;
Her heart was a stranger to childish affright,
And Mary would walk by the Abbey at night
When the wind whistled down the dark aisle.
She loved; and young Richard had settled the day,
And she hoped to be happy for life :
Hut Richard was idle and worthless, and they
Who knew him would pity poor Mary, and say
That she was too good for his wife.
Twas in autumn, and stormy and dark was the night,
And fast were the Windows and door ;
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35
MARY THE MAID OK THE INN.
Two guests sat enjoying tlie lire that burnt bright.
And smoking in silence with tranquil delight
They listen\'d to hear the wind roar.
„Tis pleasant," cried one, „seated by the fire-side,
To hear the wind whistle without."
„What a night for the Abbey!" his comrade replied,
„Methinks a man\'s courage would now be well tried
Who should wander the ruins about.
„I myself, like a school-boy, should tremble to hear
The hoarse ivy shake over my head;
And could fancy 1 saw, half persuaded by fear,
Some ugly old Abbot\'s grim spirit appear,
For this wind might awaken the dead I"
„l\'ll wager a dinner," the other one cried,
„That Mary would venture there now."
„Then wager and lose I" with a sneer he replied,
„l\'ll warrant she\'d fancy a ghost by her side,
And faint if she saw a white cow,"
„Will Mary this charge on her courage allow ? \'
His companion exclaim\'d with a smile ;
„1 shall win, — for I know she will venture there now,
And earn a new bonnet by bringing a bough
Krom the elder that grows in the aisle."
With fearless good humour did Mary comply,
And her way to the Abbey she bent;
The night was dark, and the wind was high,
And as hollowly howling it swept through the sky.
She shiver\'d with cold as she went.
O\'er the path so well known still proceeded the Maid
Where the Abbey rosé dim on the sight;
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56
ROBERT SOUTHEY.
Through the gateway she enter\'d, she feit not afraid,
Yet the ruins were lonely and wild. and their shade
Seem\'d to deepen the gloom of the night.
All around her was silent, save when the rude binst
Howl\'d dismally round the old pile;
Over weed-cover\'d fragments she fearlessly pass\'d,
And arrived at the innermost ruin at last
Where the elder-tree grew in the aisle.
Well pleased did she reach it, and quickly drew near,
And hastily gather\'d the bough;
When the sound of a voice seem\'d to rise on her ear,
She paused, and she listen\'d all eager to hear,
And her heart panted fearfully now.
The wind blew, the hoarse ivy shook over her head,
She listen\'d, — nought else could she hear;
The wind feil; her heart sunk in her bosom with dread,
For she heard in the ruins distinctly the tread
Of footsteps approaching her near.
Kehind a wide column half breathless with fear
She crept to conceal herself there:
That instant the moon o\'er a dark cloud shone clear,
And she saw in the moonlight two ruffians appear.
And between them a corpse did they bear.
Then Mary could feel her heart-blood curdle cold;
Again the rough wind hurried by, —
It blew off the hat of the one, and behold
Even close to the feet of poor Mary it roll\'d, —
She feit, and expected to die.
„Curse the hat!" he exclaims: „Nay, come on till we hide
The dead body," his comrade replies.
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MARV THE MA1D OF THE INN.                      37
She beholds them in safety pass on by her side,
She seizes the hat, fear her courage supplied,
And fast through the Abbey she flies.
She ran with wild speed, she rush\'d in at the door,
She gazed in her terror around,
Then her limbs could support their faint burthen no more,
And exhausted and breathless she sank on the floor,
Unable to utter a sound.
Ere yet her pale lips could the story impart,
For a moment the hat met her view;
Her eyes from that object convulsively start,
For— O God! what cold horror then thrilled through her heart
When the name of her Richard she knew !
Where the old Abbey stands, on the common hard by,
His gibbet is now to be seen;
His irons you still from the road may espy;
The traveller beholds them, and thinks with a sigh
Of poor Mary, the Maid of the Inn.
THE SCHOLAR IN HIS LIBRARY.
My days among the Dead are past :
Around me I behold,
Where\'er these casual eyes are cast,
The mighty minds of old :
My never-failing friends are they,
With whom I converse day by day.
With them I take delight in weal
And seek relief in woe;
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38
ROKERT SOUTHEY.
And while I understand and feel
How much to them I owe,
My cheeks have often been bedewed
YVith tears of thoughtful gratitude.
My thoughts are with ihe Uead ; with them
I live in long-past years,
Their virtues love, their faults condemn,
l\'artake their hopes and fears,
And from their lessons seek and lind
Instruction with an humble mind.
My hopes are with the Uead; anon
My place with them will be,
And I with them shall travel on
Through all Futurity;
Vet leaving here a name, I trust,
That will not perish in the dust.
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WALTER SAVAGE LANDOR.
Tuis author is more famous for his prose thaii hispoetry.
His
Imaginary Conversations were published at intervals
(/uring /lis long literary career, and secure for kim a place
in the pront rank of prose ivriters. Landor was bom in
Warwickshire in
1775 and died at Florence in 1864, hoving
led a troubled and wandering life
; cheered hoivever, liy the
friendship of three generations of poets. Sotilhey, the Brow-
nings, Swinliume, were all friends of Savage jMtidor,
whose first poe/n,
Gebir, was published in 1798, his last.
Dry Sticks Kaggoted, in 1858. In kis ninetieth year He was
slill working at kis
Imaginary Conversations.
FAESULAN IDYL.
Here, where precipitate Spring, with one light bound,
Into hot Summer\'s lusty arms expires;
And where go forth at morn, at eve, at night,
Soft airs, that want the lute to play with them,
And softer sighs, that know not what they want :
Under a wall, beneath an orangetree
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40                                WALTER SA VAGE LANDOR.
Whose tallest flowers could teil the lowlier ones
Of sights in Fiesole right up above,
While I was gazing a few paces off
At what they seemed to show me with their nods,
Their frequent whispers and their pointing shoots,
A gentle maid came down the garden steps
And gathered the pure treasure in her lap.
I heard the branches rustle, and stept forth
To drive the ox away, or mule or goat,
(Such I believed it must be); for sweet scents
Are the swift vehicles of still sweeter thoughts,
And nurse and pillow the dull memory
That would let drop without them her best stores.
They bring me tales of youth and tones of love.
And \'tis and ever was my wish and way
To let all flowers live freely. and all die,
Whene\'er their Genius bids their souls depart,
Among their kindred in their native place.
I never pluck the rosé; the violet\'s head
Hath shaken with my breath upon its bank
And not reproached me; the eversacred cup
Of the pure lily hath between my hands
Kelt safe, unsoiled, nor lost one grain of gold.
I saw the light that made the glossy leaves
More glossy; the fair arm, the fairer cheek
Warmed by the eye intent on its pursuit;
I saw the foot, that although half-erect
Krom its grey slipper, could not lift her up
To what she wanted; I held down a branch,
And gathered her some blossoms, since their hour
Was come, and bees had wounded them, and flies
Of harder wing were working their way through
And scattering them in fragments under foot.
So crisp were some, they rattled unevolved,
Others, ere broken off, feil out like shells,
For such appear the petals when detached,
Unbending, brittle, lucid, white like snow,
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TWENTY YEARS HENCE.
4\'
And like snow not seen through, by eye or sun:
Yet every one her gown received from me
Was fairer than the first ... I thought not so,
But so she praised them to reward my care.
I said: You fimt the largesl.
This indeed
Cried she, is large and sweel.
She held one forth,
Whether for me to look at or to take
She knew not, nor did I; but taking it,
Would best have solved (and this she feit) her doubts.
I dared not touch it; for it seemed a part
Of her own self; fresh, full, the most mature
Of blossoms; yet a blossom; with a touch
To fall, and yet unfallen.
She drew back
The boon she tendered, and then finding not
The ribbon at her waist to fix it in,
Dropt it, as loath to drop it, on the rest.
TWENTY YEARS HENCE.
Twenty years hence my eyes may grow
If not quite dim, yet rather so;
Vet yours from others they shall know
Twenty years hence.
Twenty years hence, though it may hap
That I be called to take a nap
In a cool cell where thunder-clap
Is never heard,
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42                                WALTER SAVAGE LANDOR.
There breatbe but o\'er my arch of grass
A not too sadly sighed ,Alas!\'
And I shall catch, ere you can pass,
That wingéd word.
ON Hl MS EL F.
I STROVE with none, for none was worth my strife;
Nature I loved, and next to nature, art;
I warmed both hands before the fire of Iifc:
It sinks, and I am ready to depart.
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CHARLES LAMB.
The author of the dclightful Essays of Elia was lom
in London Feb,
18, 1775. He sfent all his life, or nearly
all, in the crowded city; for many years ai a clerk in the
East India House. In his leisure hours /ie studied £liza-
btthan literature, The fruit of this study was his
specimens
of The English Dramatists, with critical notes. Lamh\'t
Essays and Poems are f uil of fersonal reminiscences.
TO HESTER.
When maidens such as Hester die,
Their place ye may not well supply,
Though ye among a thousand try,
With vain endeavour.
A month or more she hath been dead,
Vet cannot I by force be led
To think upon the wormy bed
And her together.
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CHARLES LAMB.
44
A springy motion in her gait.
A rising step, did indicate
Of pride and joy no common rate,
That flushed her spirit.
I know not by what name beside
I shall it call: if \'twas not pride,
It was a joy to that allied,
She did inherit.
Her parents held the Quaker rule,
Which doth the human feeling cool;
But she was trained in Nature\'s school;
Nature had biest her.
A waking eye, a prying mimi,
A heart that stirs, is hard to bind,
A hawk\'s keen sight ye cannot blind,
Ye could not Hester.
My sprightly neighbour ! gone before
To that unknown and silent shore,
Shall we not meet, as heretofore,
Some summer moming,
When from thy cheerful eyes a ray
Hath struck a bliss upon the day,
A bliss that would not go away,
A sweet forewarning ?
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THE OLD FAM1L1AR FACES.
45
THE OLD FAMILIAR FACES.
I have had playmates, I have had companions,
In my days of childhood, in my joyful school-days ;
All, all are gone, the old familiar faces.
I have been laughing, I have been carousing,
Drinking late, sitting late, with my bosom-cronies ;
All, all are gone, the old familiar faces,
I loved a love once, fairest among women ;
Closed are her doors on me, I must not see her ;
All, all are gone, the old familiar faces.
I have a friend, a kinder friend has no man ;
Like an ingrate I left my friend abruptly ;
Left him, to muse on the old familiar faces.
Ghost-like I paced round the haunts of my childhood;
Earth seemed a desert I was bound to traverse,
Seeking to find the old familiar faces.
Friend of my bosom, thou more than a brother,
Why vrert not thou bom in my father\'s dweiling ?
So might we talk of the old familiar faces —
How some they have died, and some they have left me,
And some are taken from me; all are departed;
All, all are gone, the old familiar faces.
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THOMAS CAMPBELL.
Thomas Cami-hei.l -.oas bom in Glasgow, fitlv 27\'\'\'
1777. In his twenly-second year ht fublislieil /lis 1\'leasures
of Hope, and immediatcly af ter i/s publication starled for
the Continent. He wilnessed the battle of Ratisbon, and was
on good terms with General Morean and other Frencli
officers. In this way he gained the knowledge of warfare
and soldiers disflayed in his celebrated battlefieces. On
leaving the stat of war Campbell refaired to London and tooi:
tif literature as a f rofession, becoming a very industrious
and successful wriler. His fa/ne rcsts, hcrwcver, on his bal-
lads and lyrics. Longer foems are
Gertrude of Wyoming
and the beautiful O\'Connor\'s Child. Camfbell died at I>on-
lognc in
1844.
HOHEN LINDEN.
On Linden, when the sun was low,
All bloodless lay th\'untrodden snow,
And dark as winter was the flow
Of Iser, rolling rapidly.
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HOHENUNDEK.
47
But Linden saw another sight,
When the drum beat, at dead of night,
Comrnanding lires of death to light
The darkness of her scenery.
By torch and trumpet fast arrav\'d,
Each horseman drew his battleblade,
And furious every charger neigh\'d,
To join the dreadful revelry.
Then shook the hills with thunder riven,
Then rush\'d the steed to battle driven,
And louder than the bolts of heaven,
Far rlash\'d the red artillery.
But redder yet that light shall glow
On l.inden\'s hills of stainéd snow,
And bloodier yet the torrent flow
Of Iser, rolling rapidly.
\'Tis morn, but scarce yon level sun
Can pierce the war-clouds, rolling dun,
Where furious Frank, and tiery Hun,
Shout in their sulph\'rous canopy.
The combat deepens. On, ye brave,
Who rush to glory, or the grave!
Wave, Munich! all thy banners wave,
And charge with all thy chivalry!
Few, few, shall part where many meet!
The snow shall be their windingsheet,
And every turf beneath their feet
Shall be a soldier\'s sepulchre.
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4S
THOMAS CAMPBELL.
A SOLDIERS DREAM.
Our bugles sang truce—for the night-cloud had lower\'d,
And the sentinel stars set their watch in the sky;
And thousands had sunk on the ground overpower\'d,
The weary to sleep, and the wounded to die.
When reposing that night on my pallet of straw,
By the wolf-scaring faggot that guarded the slain;
At the dead of the night a sweet vision I saw,
And thrice ere the morning I dreamt it again.
Methought from the battle-lield\'s dreadful array.
Kar, far I had roam\'d on a desolate track:
\'Twas Autumn, — and sunshine arose on the way
To the home of my lathers, that welcom\'d me back.
I flew to the pleasant fields traversed so oft
In life\'s morning march, when my bosom was young;
I heard my own mountain-goats bleating aloft,
And knew the sweet strain that the corn-reapers sung.
Then pledged we the wine-cup, and fondly I swore
From my home and my weeping friends never to part ;
My little ones kiss\'d me a thousand times o\'er,
And my wife sobb\'d sloud in her fulness of heart.
Stay, stay with us, — rest. thou art weary and worn!
And fain was their warbroken soldier to stay; —
But sorrow return\'d with the dawning of morn,
And the voice in my dreaming ear melted away.
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I.OEI) ULLIN\'S DAUGHTER.
4\')
LORD ULLIN\'S DAUGHTER.
A Chieftain, to the Highlands bound,
Cries, "Boatman, do not tarry!
And I\'ll give thee a silver pound
To row us oer the ferry", —
"Now, who be ye would cross I.ochgyle,
This dark and stormy water?"
\'O, I\'m the chief of Ulva\'s isle,
And this Lord Ullin\'s daughter. —
"And fast before her father\'s men,
Three days we\'ve fled together;
For should he tind us in the glen
My blood would stain the heather.
"His horsemen hard behind us ride:
Should they our steps discover,
Then who would cheer my bonny bride,
When they have slain her lover?
Out spoke the hardy Highland wight,
"I\'ll go, my chief; — I\'m ready : —
It is not for your silver bright,
But for your winsome lady. —
"And by my word the bonny bird
In danger shall not tarry;
So though the waves are raging white
111 row you o\'er the ferry."\'
By this the storm grew loud apace,
The waterwraith was shrieking :
And in the scowl of heaven each face
Grew dark as they were speaking.
4
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THOMAS CAMPBELL.
Uut still as wilder blew the wind,
And as the night grew drearer,
Adown the glen rode armed men,
Thoir trampling sounded nearer.
"O haste thee, haste !" the lady cries,
"Though tempests round us gather;
I\'ll meet the raging of the skies,
But not an angry father."
The boat lias left a stormy land,
A stormy sea before her, —
When, O! too strong for human hand
The tempest gathered o\'er her.
And still they rowed amidst the roar
Of waters fast prevailing :
Lord Ullin reached that fatal shore, —
II is wrath was changed to wailing.
For, sore dismayed, throügh storm and shade
His child he did discover: --
One lovely hand she stretched for aid,
And one was round her lover.
"Come back! come back!" he cried in grief,
"Across this stormy water;
And I\'ll forgive your Highland chief.
My daughter ! O my daughter!"
\'Twas vain : the loud waves lashed the shore,
Return or aid preventing :
The waters wild went o\'er his child,
And hc was left lamenting.
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THOMAS MOORE.
Thomas Moore was born in Dublin, May 28"\' 1777,
and sfent most of Iris life in or near London. Nis Irish
Melodies, consisting of one hundred and twentyfive songs
comfosed lo existing national music, leert for nearly three
quarters of a century the delight of every draioingroom.
Moore\'s longest imaginative production is
l.alla Rookli, a
series of four foetus connected by a slight thread of graceful
narrative. His most important frose work is
The life
and Letters of Lord Byron Moore died Feb. 26"1 1S52\'
PRO PATRIA MORI.
Wiien he who adores thee has left but the name
Of his fault and his sorrows behind,
O! say, wilt thou weep, when they darken the fame
Of a life that for thee was resigned ?
Yes, weep, and however my foes may condemn,
Thy tears shall efface their decree ;
For, Heaven can witness, though guilly to them,
I have been but too faithful to thee.
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THOMAS MOORE.
5 2
With thee were the dreams of my earliest love;
Every thought of my reason was thine:
In my last humble prayer to the spirit above
Thy name shall be mingled with mine!
O! biest are the lovers and friends who shall live
The days of thy glory to see;
Bat the next dearest Messing that Heaven ean give
Is the pride of thus dying for thee.
THE LIVING TO THE ÜEAD.
At the mid hour of night, when stars are weeping, I rly
To the lone vale we loved, when life shone warm in thine eye;
And I think oft, if spirits can steal from the regions of air
To revisit past scènes of delight, thou wilt come to me there,
And teil me our love is remembered, even in the sky !
Then I sing the wild song it once was rapture to hear
When our voices, commingling, breathed like one on the ear;
And as Echo far off through the vale my sad orison rolls,
I think, O my Love! \'tis thy voice, from the Kingdom of Souls
Faintly answering still the notes that once were so dear.
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L EIG H HUN T.
Tuis prolific ]>oet, essayist, and journalist was bom at
Soutkgatt in Middleux.
1784, and died in London. 1859.
His life was a long stiuggle with feeuniary diffieulties
aggravated by his careless habits, and he suffend two years\'
imprisonmcnt for publishing a libel on the Piince Regent
He was elosely conneeted wiih A\'eats, Sheltey and Byron,
and shortly a/ter the death of the latter publiihed a work
entitled
Lord Byron and Some of His Conteinporaries,
Hunts peculiar experienees and assoeiations deeply eolou>-
his writings. His poetical 7uorks eonsist of
The Story of
Rimini, written duiing his impiiscnmeiit, and two small
volumes entitled
Foliage, and The Feast of the Poets.
TO THE GRASSHOPPER AND THE CRICKET.
Green little vaulter in the sunny grass,
Catching your heait up at the feel of June,
Sole voiee that\'s heard amidst the lazy noon,
When even the bees lag at the summoning brass ;
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54                                       LEIOH HUNT.
And you, warm little housekeeper, who class
With those who think the candles come too soon,
I-oving the lire, and with your tricksome tune
Xick the glad silent moments as they pass :
O sweet and tiny cousins, that belong,
One to the fields, the other to the hearth,
Both have your sunshine; botb, though small, are strong
At your clear hearts ; and both seem given to earth
To ring in thoughtful ears this natural song —
Indoors and out, summer and winter, Mirth.
ABOU BEN ADHEM AND THE ANGEL.
AllOU Ben Adhem — may his tribe increase ! —
Awoke one night frora a deep dreun of peace,
And saw, within the moonlight in his room,
Making it rich, and like a lily in bloom,
An angel writing in a book of gold.
Exceeding peace had made Ben Adhem bold,
And to the presence in the room he said :
"What writest thou ?" The vision raised its head,
And with a look made of all sweet accord,
Answered : "The names of those who love the Lord."
"And is mine one ?" said Abou. \'\'Nay, not so,"
Replied the angel. Abou spoke more low,
But cheerily still; and said : "I pray thee, then,
Write me as one that loves his fellow-men."
The angel wrote, and vanished. The next night
It came again with a great waken ing light,
And showed the names whom love of God had biest,
And !o ! Ben Adhem\'s name led all the rest.
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LORD BYRON.
Geor<;e (jordon Byron was bom in Loudon yanuary
22,1 1788. His childhood was spent in the Highlands of
Scotland, where his motlur liveii in very reduccd circumstances.
In his e/eventh year the lome boy sucteedtd his grand-nncle,
William, Lord Byron. He was then sent to school at Dul-
wich, thence to Harrow, from which he passed to Trinity
College, Cambridge While slill at college Byron pnblished his
Hours of Idleness, 1807. \'J\'hese boyish poems toert savagelv
reviewed; the young poet retorttd with
English Bards and
Scotch Reviewers. He thtn travelled for some time, resided
for a while in Greece and Tnrkey, and on his returnpublished
the first two Cantos of
Childe Harold (1812). His Eastern
Tales foilowed in rapid succession. In 1814 Byron married,
but the union proved unhappy; his wife left him ; and in
1815 he bade a last farewell to England. He then travelled
in Switzerland and Italy, residing for a time in Venice.
Between
1815 and 1823 were produced the third andfourth
Cantos of
Childe Harold, Manfred, Cain, Mazeppa, several
dramas, and the humorous and satiric
Vision of Judgment,
Beppo, and Don Juan. Byron had ahvays sympathisedstrongly
with struggling nationalities, and in the summer of
1823 he
sailed for Greece. To the cause of Greek independence he noiv
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LORD BYRON.
devoted his talenis, kis fortune and his lift. The poet had
/(>«;• been in delicate heallh; the climate ïvas very severe.
Maiarial fever set in, accompanied witk epileptic siizures
and Lord Byron e.xpired at Missolonghi April
I9\'!\' 1824.
ALL FOR LOVE.
0  TALK not to me of a name great in story ;
The days of our youth are the days of our glory ;
And the myrtle and ivy of sweet two and twenty
Are worth all your laurels, though ever so plenty.
What are garlands and crowns to the brow that is wrinkled?
\'Tis but as a dead flower with May-dew besprinkled :
Then away with all such from the head that is hoary —
What care I for wreaths that can only give glory ?
ü Fame ! — if I e\'er took delight in thy praises,
\'Twas less for the sake of thy high-sounding phrases,
Than to see the bright eyes of the dear 011e discover
She thought that I was not unworthy to love her.
There chiefly I sought thee, there only I found thee ;
Her glance was the best of the rays that surround thee;
When it sparkled o\'er aught that was bright in my story,
1   knew it was love, and I feit it was glory.
ELEGY ON THYRZA.
And thou art dead, as young and fair
As aught of mortal birth ;
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ELEGY ON THYRZA.                                  57
And forms so soft and charms so rare
Too soon returned to Earth |
Though Earth received them in her bed,
And o\'er the sput the crowd may tread
In carelessness or mirtb,
There is an eye which could not brook
A moment on that grave to look.
I will not ask where thou liest low
Nor gaze upon the spot:
There flowers or weeds at will may grow
So I behold them not:
It is enough for me to prove
That what I loved and long must love
Like common earth can rot;
To me there needs no stone to teil
\'Tis Nothing that I loved so well.
Yet did I love thee to the last,
As fervently as thou
Who didst not change through all the past,
And canst not alter now.
The love where Death has set his seal
Nor age can chili nor rival steal,
Nor falsehood disavow :
And, what were worse, thou canst not see
Or wrong, or change, or fault in me.
The better days of life were ours ;
The worst can but be mine :
The sun that cheers, the storm that lours,
Shall never more be thine.
The silence of that dreamless sleep
I envy now too much to weep;
Nor need I to repine
That all those charms have passed away
I might have watched through long decay.
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58                                       I.OKD BYRON.
The rlower in ripened bloom unmatched
Must fall the earliest prey;
Though by 110 hand untimely snatched,
The leaves must drop away.
And yet it «ere a greater grief,
To watch it withering, leaf by leaf,
Than see it plucked to-day ;
Since earthly eye but ill can bear
To tracé the change from foul to fair.
I know not if I could have borne
To see thy beauties fade ;
The night that foliowed such a mom
Had worn a deeper shade :
Thy day without a cloud hath past,
And thou wert lovely to the last,
Extinguished, not dvjcay\'d;
As stars that shoot along the sky
Shine brightest as they fall from high.
As once I wept if I could weep,
My tears might well be shed
To think I was not near, to keep
One vigil o\'er thy bed:
To gaze, how fondly ! on thy face,
To fold thee in a faint embrace,
Uphold thy drooping head ;
And show that love, however vain,
Nor thou nor I can feel again.
Yet how much less it were to gain,
Though thou hast left me free,
The loveliest things that still remain
Than \'hus vemember thee!
The all of thine that cannot die
Through dark and dread Elernity
Returns again to me,
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FAKE THEE WELL.                                  59
And more thy buried love endears
Than aught except its living years.
FARE THEE WELL.
Fare thee well! and if for ever,
Still for ever, fare thee ~vell;
Even though unforgiving, never
\'Gainst thee shall my heait rebel.
Would that breast were bared before thee
Where thy head so oft hath lain,
While that placid sleep came o\'er thee
Which thou ne\'er canst know again:
Would that breast, by thee glanced over,
Every inmost thought could show !
Then thou wouldst at last discover
\'Twas not well to spurn it so.
Though the world for this commend thee —
Though it smile upon the blow,
Even its praises must ofl\'end thee,
Founded on another\'s woe:
Though my many faults defaced me,
Could no other arm be found,
Than the one which once embraced me,
To inrlict a cureless wound?
Yet, oh yet, thyself deceive not:
Love may sink by slow decay,
But by sudden wrench, believe not
Hearts can thus be torn away;
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LORD BYRON.
Still thinc own its life retaineth —
Still must mine, though bleeding. beat;
Anti ihe undying thought which paineth
Is — that we no more niay meet.
These are words of deeper sorrow
Than the wail above the dead ;
15oth shall live, but every morrow
Wake us from a widow\'d bed.
And «hen thou wouldst solace gather,
When our child\'s lirst accents fiow,
Wilt thou teach her to say „Father!"
Though his care she must forego ?
When her little hands shall press thee,
When her lip to thine is press\'d,
Think of him whose prayer shall bless thee,
Think of him thy love had bless\'d !
Should her lineaments resemble
Those thou never more mayst see,
Then thy heart will softly tremble
With a pulse yet true to me.
All my faults percbance thou knowest,
All my madness none can know ;
All my hopes, where\'er thou goest,
Wither, yet with thee they go.
Every feeling hath been shaken ;
Pride, which not a world could bow,
Bows to thee — by thee forsaken,
Even my soul forsakes- me now :
But \'tis done — all words are idle —
Words from me are vainer still;
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STANZAS TO AÜGÜSTA.
But the thoughts we cannot bridle
Force their way without the will.
Kare thee well! — thus disunited.
Torn from every nearer tie.
Sear\'d in heart, and lone, and hlighted.
More than this I scarce can die.
STANZAS TO AUGUSTA »).
Thoügii the day of my destiny\'s over.
And the star of my fate hath declined,
Thy soft heart refused to discover
The faults which so many could find ;
Though thy soul with my grief was acquainted,
[t shrunk not to share it with me,
And the love which my spirit hath painted.
It never hath found but in thee.
Then when nature around me is smiling,
The last smile which answers to mine,
I do not believe it beguiling,
Because ie reminds me of thine ;
And when winds are at war with the ocean,
As the breasts I believed in with me,
If their billows excite an emotion,
It is that they bear me from thee.
Though the rock of my last hope is shivered,
And its fragments are sunk in the wave,
Though I feel that my soul is delivered
To pain — it shall not be its slave.
1) The Honour&ble Mra. Leigh, Byron\'i half-sister.
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l.ORD IiYRON.
Therc is many a pang to pursue me:
They may crush, but they shall not contemn —
Thcy may torture, but shall not subdue me —
\'Tis of thee that I think — not of them.
Though human, thou didst not deceive me,
Though woman, thou didst not forsake,
Though Ioved, thou forborest to grieve me,
Though slandered thou never couldst shake, —
Though trusted, thou didst not disclaim me.
Though parted, it «as not to fly,
Though watchful. \'twas not to defanie me,
Nor mute, that the world might belie.
Yet I blame not the world, nor despise it,
Nor the war of the many wilh one —
If my soul was not titted to prize it,
\'T was folly not sooner to shun :
And if dearly that error hath cost me,
And more than I once could foresee,
I have found that, whatever il lost me,
Il could not deprive me of thee.
From the wreek of the past, which hath perished.
Thus much I at least may recall,
It hath taught me that what I most cherished
Peserved to be dearest of all.
In the desert a fountain is springing,
In the wide waste there still is a tree,
And a bird in the solitude singing,
Which speaks to my spirit of thee,
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THE DESTRUCTION OF SENNACHERIB.
THE DESTRUCTION OF SENNACHERIB.
The Assyrian came down like a wolf on the fold,
And his cohorts were gleaming in purple and gold ;
And the sheen of their spears was like stars on the sea
When the blue wave rolls nightly on deep Galilee.
Like the leaves of the forest when Slimmer is green,
That host with their banners at midnight were seen;
Like the leaves of the forest when Autumn hath blown,
That host on the morrow lay withered and strown.
For the Angel of Death spread his wings on the blast,
And breathed in the face of the foe as he passed;
And the eyes of the sleepers waxed deadly and chili,
And their hearts but once heaved, and for ever grew still!
And there lay the steed with his nostril all wide,
But through it there rolled not the breath of his pride :
And the foam of his gasping lay white on the turf,
And cold as the spray of the rock-beating surf.
And there lay the rider, distorted and pale,
With the dew on his brow and the rust on his mail
And the tents were all silent, the banners alone,
The lances unlifted, the trumpet unblown.
And the widows of Ashur are loud in their wail,
And the idols are broke in the temple of Baal;
And the might of the Gentile, unsmote by the sword,
Hath melted like snow in the glance of the Lord!
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PERCY BYSSHE SHELLEY.
Percy ByssHE Shelley was bom at Field Place, Sussex,
August
4"1 1792. Front Ais cariiest years he was rebellious
to authority, anti disfosed to prefer the revolutionary theo
ries of the period to the laws and customs of social life.
Mortoner the wonderful imagittation which made hint the
greatest poet of Iris era freijitently betrayed kim into strange
tlelusions and haliucinations; and t/u\'s f act furnishes the best
explanation of certain fainful circumstances in hts erratic
career. While slill a schoolboy at Elon Shelley published two
wild romances entitled
Zastrozzi, and St. Irvyne, or The
Rosicrucian. Fiom Eton he fassed to Oxford; luit after a
short residence therc he 7oas exfelled for refusing to disavow
the authorship of a certain trad. Shelley \'s fat/ter now forbade
kim his house, and the grandfather, Sir Bysshe Shelley, made
infortant alterations in Iris will, The young man look lodgitigs
in London; married a gul of humble birth; and wrole the
Jaring rhafsody entitled
Queen Mab. At this time Shelley was
still in his nineteenth year. Unfortunately the young coup/e seem
to have tired of each othcr; at all cvents Shelley, who had
always frofessed revolutionary theories in regard to marriage,
bccame altached to the daughttr of William Godwin, philo-
sophar and nove/isl; and lefl England with her. He was
then in his twenty-second year; Miss Godwin in her seven-
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TUK POET\'S DKKAM.                                 65
teeuth, Two years /a/er Afrs, Shelley committcd stoeide, and
the poet immediately married .Miss Godwin,
In //u\'s same year, iSió, was fub/ished Shelley s firstgreat
poew, Alastor. or The Spirit of Solitude. The Kevolt of
Islam folltnved in 1818. The fo\'.l, with his xuife and chil-
dren, then went to Italy, where al/ his greatest poems were
witten:
Prometheus Unbound, a glorieuslyritdrama; The
Cenei, an afpalling Iragedy, Adonais, the noble elegy on
A\'eats;
Epipsychidion; Hellas; The Witch of Atlas; The
Triumph of Life ; and all the lovelv lyrics by which the UI11-
strious poft is most generally known. On the
8"\' of Ju/y
1822, Shelley was drowtted by the foimderiitg of his boat in
the Gulf of Spezzia.
THE POET\'S DREAM.
(is a poet\'s lips I slept
Dreaming Iike a love-adept
In the sound his breathing kept;
Nor seeks nor finds he mortal blisses,
Bat feeds on the aërial kisscs
Of shapes that haunt TLought\'s wildernesses,
He will watch from dawn to gloom
The lake reflected sun illiime
The yellow bees in the ivy blooni,
Xor heed nor see what things they be —
Hut from those create he can
Kornis more real than living Man,
Xurslings of Immortality.
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l\'ERCY HYSSIIE SHBLLEV.
THE POETS WORSHIP.
One word is too often profaned
For me to profane it,
One feeling too falsely disdained
For thee to disdain it.
One hope is too like despair
For prudence to smother,
And pity from thee more dear
Than that from another.
I can give not what men call love:
Hut wilt thou accept not
The worship the heart lifts above
And the Heavens reject not:
The desire of the moth for the star,
Of the night for the morrow,
The devotion to something afar
From the sphere of our sorrow ?
INVOCATION.
Rakely, rarely comest thou,
Spirit of Delight!
Wherefore hast thou left me now
Many a day and night ?
Many a weary night and day
\'Tis since thou hast fled away.
How shall ever one like me
Win thee back again ?
With the joynus and the free
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INVOCATIOX.
Thou wilt scoff at pain.
Spirit false ! thou hast forgot
All bot those who neetl thee not
As a lizard with the shade
Of a trembling leaf,
Thou with sorrow art dismayed ;
Even the sighs of grief
Reproach thee, that thou art not near,
And reproach thou wilt not hear.
Let me set my mournful ditly
To a merry measure; —
Thou wilt never rome for pily.
Thou wilt come for pleasure ; —
Pity then will cut away
Those cruel wings, and thou wilt stay.
I love all that thou lovest,
Spirit of Delight!
The fresh Karth in new leaves dre>t
And the starry night:
Autumn even ing, and the mom
When the golden mists are born.
I love snow and all the forms
Of the radiant frost;
I love waves and winds and storms,
Everything almost
Which is nature\'s, and may be
Untainted by man\'s misery.
I love tranquil solitude,
And such society
As is «juiet, wise, and good ;
Between thee and me
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I\'ERCY 1SYS.SI1E 5HELLEY
What difference ? hut thou dost possess
The things I seek, not love thcm less.
I love Love — though he bas wings,
And like light can flee,
But above all other things,
Spirit, I love thee —
Thon art love and life ! O come !
Make my heart once more thy home.
STANZAS VVRITTEN IN DEJECTION NEAR
NAPLES.
The san is warm, the sky is clear,
\'I he waves are dancing fast and bright,
Blue isles and snowy mountains wear
The ptirple noon\'s transparent light :
The breath of the moist air is light
Around its unexpnnded buds;
Like many a voice of one delight —
The winds\', the birds\', the ocean floods\' —
The City\'s voice itself is soft like solitude\'s.
I see the Deep\'s untrampled Hoor
With green and purple sca-weeds strown ;
I see the waves upon the shore
Like light dissolved in star-showers thrown :
I sit upon the sands alone ;
The lightning of the noontide ocean
Is tlashing round me, and a tone
Arises from its measured motion —
IIow sweet! did any heart now share in my emotion
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TO A SKYLARK.
Alas ! I have nor hope nor health.
Nor peace within nor calm around,
Nor that Content surpassing wealth
The sage in meditation found
And walked with inward glory crowned —
Nor fame, nor power, nor love, nor leisure :
Others I see whom these surround —
Smiling they live, and call life pleasure ;
To me that cup has been dealt in another measure.
Yet now despair itself is mild
Even as the winds and waters are ;
I could lie down like a tired child,
And weep away the life of care
Which I have borne, and yet must bear.
Till death like sleep might steal on me.
And 1 might feel in the warm air
My cheek grow cold, and hear the sea
Breathe o\'er my dying brain its last monotony.
TO A SKYLARR.
Hail to thee, blithe spirit!
Bird thou never wert,
That from heaven, or near il,
Pourest thy full heart
In profuse strains of unpremeditated art
Higher still and higher
From the earth thou springest;
Like a cloud of fire
The blue deep thou wingest,
And singing still dost soar, and soaring ever singest.
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I\'KRCY BYSSHE SHELLEY.
7"
In the golden lightning
Of the sunken sun,
Oer which clouds are brightening,
Thou dost tloat and run;
Tike an embodied joy whose race is just begun
The pale purple even
Melts around thy flight ;
Like a star of heaven,
In the broad daylight
Thou art unseen, but yet I hear thy shrill delight :
Keen as are the arrows
Of that silver sphere,
Whose intense lamp narrows
In the white dawn clear.
l\'ntil we hardly see, we feel that il is there.
All the earth and air
With thy voice is loud,
As, when night is bare,
Krom one lonely cloud
The moon rains out her beams and heaven is overflowed.
What thou art we know not;
What is most like thee?
Frora rainbow clouds there flow not
Drops so bright to see,
As from thy presence showers a rain of melody.
Like a poet hidden
In the light of thought,
Singing hymns unbidden,
Till the world is wrought
To sympathy with hopes and fears it heeded not:
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TO A SKYLARK.
I.ike a high-bom maiden
In a palace tower,
Soothing her love-laden
Soul in secret hour
With music sweet as love, which over-flows her bower:
Like a glow-wonn golden
In a dell of dew,
Scattering unbeholden
lts aerial hue
Among the flowers and grass. which screen it from the view:
I.ike a rosé embowered
In its own green leaves,
By warm winds detlowered,
Till the scent it gives
Makes faint with too inuch sweet these heavy-wingèd thieves:
Sound of vernal showers
On the twinkling grass,
Rain awakened flowers,
All that ever was
Joyous, and clear, and fresh, thy music doth surpass:
Teach us, sprile or bird,
What sweet thoughts are thine:
I have never heard
Praise of love or wine
That panted forth a flood of rapture so divine.
Chorus Hymemval
Or triumphal chaunt
Matched with thine would be all
Uut an empty vaunt,
A thing wherein we feel there is some hidden want.
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I\'Ei-CY BVSSHE SIIELI.EY.
What objects are the fountains
Of thy happy strain?
What fielcls, or waves, or mountains ?
What shapes of sky ot plain •
What love of thine oivn kind? what ignorance of pain?
With thy cle.ir keen joyance
Languor cannot be:
Shadow of annoyance
Never came near thee:
Thou lovest : hut ne*er knew love\'s sad satiety.
Waking or asleep
Thou of death must deern
Things more true and deep
Than we mortals dream,
Or how could thy notes flow in such a crystal stream ?
We look before and after
And pine for what is not:
Our sincerest laughter
With simie pain is fraught;
Our sweetest songs are those that teil of saddest thought.
Vet if we could scom
Hate, and pride, and fear,
If we were things bom
Not to shed a tear,
I know not how thy joy we ever should come near.
Better than all measures
Of Helightful sound,
Ketter than all treasures
That in books are found,
Thy skill to poet were, thou scorner of the ground!
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INVOCATION TO NIGHT.
73
Teach me half the gladness
That thy brain must know,
Such harmonious madness
1\'Yom my lips woulcl tlow,
The world should listen then as 1 am listening now!
INVOCATION TO NIGHT.
Swiftly «alk over the western wave.
Spirit of Night !
Out of the misty eastern cave
Where all the long and lone daylight
Thou wovest dreams of joy and fear
Which make thee terrible and dear,
Swift be thy flight!
Wrap thy forin in a mantle gray
Star-inwrought!
Blind with thine hair the eyes of day.
Kiss her until she be wearied out,
Then «ander o\'er city, and sea, and land
Touching all with thine opiate wand —
Come, long-sought!
When I arose and saw the dawn,
I sighed for thee;
When light rosé high and the de\\v was gone,
And noon lay heavy on flower and tree,
And the weary Day turned to his rest
Lingering like an unloved guest,
I sighed for thee.
Thy brother Death came, and cried
Wouldst thou me ?
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I\'ERCY BYSSHE SHEL1.EY.
74
Thy sweet child Sleep, the lilmy eyed,
Murmured like a noontide bee
Shall I nestle near thy side ?
Wouldst thou me ? — And I replied
No, not thee!
Death will come when thou art dead,
Soon, too soon —
Sleep will come when thou art fled ;
Of neither would I ask the boon
I ask of thee, beloved Night —
Swift be thine approaching flight,
Come, soon, soon !
HYMN TO THE SPIRIT OF NATURE.
Life of Life 1 Thy lips enkindle
With their love the breath between them ;
And thy smiles before they dwindle
Make the cold air fire; then screen them
In those looks, where whoso gazes
Kaints, entangled in their mazes.
Child oi Light! Thy limbs are burning
Through the veil that seems to hide them,
As the radiant lines of morning
Through thin clouds, ere they divide them ;
And this atmosphere divinest
Shrouds thee wheresoe\'er thou shinest.
Fair are others : none beholds Thee;
But thy voice sounds low and tender
Like the fairest, for it folds thee
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IIY.MN TO THE SPIRIT OF NATURE.                    75
From the sight, that liquid splendour;
And all feel, vet see thee liever, —
As I feel now, lost for ever!
Lamp of Earth ! where\'er thou movest
lts dim shapes are clad with hrightness,
And the souls of whom thou lovest
Walk upon the winds with lightness
Till they fail, as I am failing,
Dizzy, lost, yet unhewailing !
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JOHN KEATS.
Th is illustrious young poel was bom in Lok Jon October
29\'h 1795, "iiJ Jitd at Kom; in liis Iwenty-sixlh year.
A\'otwilh standing his humb/e birth, dtftctive cducation,delicate
health, and the uneongenial profcssion to which He was
apprentiecd (t/iat of surgeou), Keats contrived to familiarist
himself with the masterfieces of English poetry and to imbibe
much of the atuient Gr eek spirit, althongh he read the classics
through the medium of translations. In
1817 KeatspublisheJ
a small volume of
poems, which met with no success. Nothing
daunted the poet abanJoned liis profession. Jevoted hemself to
literatiire and camejorwardthe followingyear with
Endymion.
This poem was savagely criticised bv the Quarterly Review
and Blackwood\'s Magazine, whose politics were ultra conser-
vative, whereas Leigh limit and his circle, Keats\'s close
friends, were ultra-Liberal. And in those days party feeling
ran so high that few critici were Just to a politica\'. adver-
sary or his friends. It was long thought that the
Quarterly
artic/e /tastene J A\'eats\'s death. bul thefact is that his bestpoems
were wri\'len afterwards, with no Jim\'inution of heart or
hope. The frincipal of these are
I.amia, The Pot of Basil;
Hyperion, a Fragment, Eve of St Agnes. Odes to Autumn,
A Nightingale, and A < Irecian Urn; La Helle Dame Sans
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oliE TO AÜTUMN
77
Merci. In the nimmer of 1820 A\'eat\'s hereditary diseast,
coiisumfficn, devtloptd itself to au alarming extent; and /ie
•vent to Rome in search of htalth.
On the 23\'\' of Febiuary
1S21 he died, dirtcting the following inscriftioii to be plactd
above his toinb:
Ilere lies one whose name was writ in
water.
ODE TO AUTÜMN.
SEASON of mists and mellow fruitfulness!
Close bosom-fricnd of the maturing sun;
Conspiring with hini how to load and bless
With fruit the vines that round the thatch eaves run;
To bend «ith apples the moss\'d cottege-trees.
And till all fruit with ripeness to the core;
And swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later llowers for the bees,
L\'ntil they think warm days will never cease,
For Summer has o\'er-britv.m\'d their clammy cells.
Who hath not seen thee of\', amid thy store ?
Sometimes whoever seeks abroad may find
Thee silting careless 011 a granary tloor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap\'d furrow sound asleep,
iJrowsed with the fume of poppies, while thy hook
Spares the next swath and all ils twinéd tlowers;
And sometimes like a gleaner thou dost keep
Steady thy laden head acruss a brook;
Or by a cider press, with patiënt look,
Thou watchest the last oozings. hours by hours.
Where are the songs of Spring ? Ay, where are they ?
Think not of them, thou hast thy music too, —
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JOHN KEATS.
While barred cluucls bloom the soft-dying da)*,
And touch the stubble-plains with rosy hue ;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-ci ickets sing; and now with treble suft
The redbreast whistles from a garden croft;
And gathering swallows twitter in the skies.
ODE TO A NIGHTINGALE.
My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drank,
Or eniptied some dull opiate lo the drains
One minute past, and Lethe wards had sunk :
\'Tis not through envy of thy happy lot,
Hut being too happy in thy happiness,
That thou, light-wingéd Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.
O for a draught of vintage, that hath been
Cooled a long age in the deep-delvéd earth,
Tasting of Flora and the country green,
Dance, and Provencal song, and sunburnt mirth!
O for a beaker full of the warm south,
Full of the tiue, the blushful Hippocrene,
With bcaded bubbles winking at the brim,
And purple-stainéd mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
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ODE TO A NIGHTlNGALE.                             79
Fade far away, dissolve, and cjuite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret,
Here, where men sit and hear each other groan :
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies:
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.
Away! away ! for I will fly to thee :
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee ! tender is the night,
And haply the queen-moon is on her thnme.
Clustered around by all her starry fays ;
Hut here there is no light,
Save what from heaven is with the breezes blown
Through verdurous blooms and winding mossy ways.
I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalméd darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthom, and the pastoral eglantine;
Fast fading violets covered up in leaves;
And mid-May\'s eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves
Darkling I listen; and for many a time
I have been half in love with easeful Ueath,
Called him soft names in many a muséd rhyme.
To take into the air my quiet breath;
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80                                       JOHN KEATS.
Now more than ever seenis it rich to die,
To cease upon tlie midnight witli no pain,
While thou art pouring forth thy soul abroad
In such an ecstacy!
Still wouldst tliou sing, and I have ears in vain —
To thy high requiem hecome a sod,
Thou «ast not bom for death, immortal bird!
Xo hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by eniperor and clown :
Perhaps tlie selfsame song that found a path
Through the sad liearl of Ruth, when, sick for home,
.She stood in tears amid the alien corn;
The sanie that ofttimes hath
Charmed magie casements, opening on the foam
Of perilous seas, in faery lands forlorn.
Forlorn ! the very word is like a bell
To toll me back frorn thee to my sole self!
Adieu ! the fan cv cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Tast the near meadows, over the hill-stream,
Up the hillside ; and now \'tis buried deep
In tlie next volleys glades :
Was it a vision or a waking dream ?
Fled is that music: — do I wake or sleep ?
LA BELLE DAME SANS MERCI.
\'O what can ail thee. knight at-arms,
Alone and palely loitering ?
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8l
LA BELLE DAME SANS MERCI.
The sedge has withered from the lake,
And 110 birds sing.
"O what can ail thee, knight-at-arms !
So haggard and so woe begone ?
The squirrel\'s granary is full,
And the harvest\'s done.
"I see a lily on thy brow
With anguish moist and fever-dew,
And on thy cheeks a fading rosé
Kast withereth too.\'\'
"I met a lady in the meads,
Full beautiful — a fairy\'s child,
Her hair was long, her foot was light,
And her eyes were wild.
\'T made a garland for her head,
And bracelets too, and fragrant zone;
She looked al me as she did love,
And made sweet moan.
"I set her on my prancing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A fairy\'s song.
"She found me roots of relish sweet,
And honey wild and manna-dew,
And sure in language strange she said
"I love thee true."
"She took me to her elfin grot,
And there she wept and sighed full sore,
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82                                        JOHN KEATS.
And there I shut her wild wild eyes
With kisses four.
"And there she lulled me asleep,
And there I drcamed — ah! woe betide!
The latest dream I ever dreamed
On the cold hill\'s side.
"I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried "La Helle Dame sans Merci
Hath thee in thrall I"
"I saw their starved lips in the gloani
With horrid warning gapéd wide,
And ! awoke and found me here
On the cold hill\'s side.
"And this is why I sojourn here
Alone and palely loitering,
Though the sedge is withered Grom the lak
And no birds sing !"
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THOMAS HOOD.
HoOD was bom in Lnndon in 1798, and brought tip Ie
the business of his father, a bookseller. But /u\'s health was
bad, and he songht to eam a precarious living by writing
for the comic papers. He had little time for serious poetry.
Yet the exquisite quality of pieces likc
The Bridge ofSighs,
Past and Present. The Death-Bed ; the grim fower of others
sucli as
The Dream of Eugene Aram and The Song of the
Shirt, entitle their aitthor to a high rank among poets. Se-
rious poe nis of consideratie merit are
Hero and Leander,
The Plea of the Midsummer Fairies, Lycus the Centaur. The
Haunted House, The Lady\'s Dream, The I.ay of the Labourer.
.1 large proportion of Hood\'s productions consists of a curiotts
mingling of firn and gravity. He was au invctcratepunstcr,
and his constant play upon words renders his humorouspieces
difficult reading to many. This good and gift;d man died
in
1845.
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«4
I HOM AS HOOI).
PAST AND PRESENT.
I REMEMBER, I remember
The house where I was bom,
The Httle window where the san
Came peeping in at mom ;
He never came a wink too soon,
Nor brought too long a day ;
But now, I often wish the night
Had borne my breath away.
I remember, I remember
The roses red and white,
The violets and the lily-cups —
Those flowers made of light !
The lilacs where the robin built.
And where my brother set
The laburnum on his birth day, —
The tree is living yet!
I remember, I remember
Where I was used to swing,
And thought the air must rush as fresh
To swallow s on the wing ;
My spirit rlew in feathers then
That is so heavy now,
And summer pools could hardly cool
The fever on my brow.
1 remember, I remember
The fir-trees dark and high ;
I used to think their slender tops
Were close against the sky.
It was a childish ignorance:
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THE DEATH-BED.
Uut now \'tis little joy
To know I\'m farther off fiom heaven
Than when I was a l>oy.
THE DEATH-BED.
We watched her breathing through the nig
Her breathing soft and low,
As in her breast the wave of life
Kept heaving to and fro.
So silently we seemed to speak,
So slowly moved about,
As we had lent her half our powers
To eke her living out.
Our very hopes belied our fears,
Our fears our hopes beüed —
We thought her dying when she slept,
And sleeping when she died.
For when the mom came dim and sad
And chili with early showers,
Her quiet eyelids closed — she had
Another mom than ours.
THE SONG OF THE SHIRT.
With fingers weary and worn,
With eyelids heavy and red,
A woman sat, in unwomanly rags,
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THOMAS IIOÜD.
Hying her needie and thread.
Slitch - stitch—stitch !
In poverty, hunger, and dirt;
And still, with a voice of dolorous pitcb,
She sang the \'Song of the Shirt!\'
"Work — work — work !
While the cock is crowing aloof!
And work—work—work !
TUI the stars shine through the roof!
lts oh ! to be a slave,
Along with the barbarous Turk,
Where woman has never a soul to save.
If this is Christian work \'
•\'Work —work work!
Till the brain begins to swim ;
Work—work—work \'
Till the eyes are heavy and dim !
Seam, and gusset, and band,
Band, and gu.-set, and seam,
Till over the buttons I fall asleep.
And sew them on in a dream !
"<) men, with sisters dear!
O men, with mothers and wives,
It is not linen you\'re w earing out!
But human creatures\' lives !
Stitcb — stitch - stitch!
In poverty, hunger. and dirt;
Sewing at once, with a doublé thread,
A shroud as well as a shirt.
"But why do I talk of Death i
That Phantom of grisly bone ;
I hardly fear its terrible shape,
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THE SONG UF TUK SHIRT.                           87
It seems so like my own.
It seems so like my own,
liecause of the fasts I keep •
ü God ! that braad should be so dear,
And tlesh and blood so cheap !
"Work — work — work !
My labour never Mags :
And what are its wages ? A bed of straw,
A crust of bread, and rags
That shattered roof and this naked Hoor —
A table —a broken chair;
And a wal] so blank, my shadow I thank
Kor sometimes falling there !
"Work — work — work I
Krom weary chime to chime,
Work — work — work —
As prisoners work for crime !
Hand, and gusset. and seam,
Seani, and gusset, and band,
Till the heart is sick, and the brain benumbed,
As well as the weary hand.
"Work—work—work !
In the dull December üght.
And work work — work !
When the weather is warm and bright —
While underneath the eaves
The brooding swallows cling.
As if to show me theii sunny backs.
And twit me wilh the spring.
"Oh, but to breathe the breath
Of the cowslip and primrose sweet
With the sky above my head,
And the grass beneath my feet;
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88                                     THOMAS IIO"I).
For only one short hour
To feel as I used to feel.
Before I knew the woes of want,
And the walk that costs a meal !
"Oh, but for one short hour!
A respite however brief!
No blessed leisure for love or hope,
Hut only time for grief!
A little weeping would ease my heart,
But in their briny bed
My tears must stop, for every drop
Minders needie and thread."
With tingers weary and worn,
With eyelids heavy and red,
A woman sat, in unwomanly rags,
Plying lier needie and thread.
Stitch — stitch — stitch !
In poverty, hunger, and dirt;
And still, with a voice of dolorous pitch —
Wuuld that its tone could reach the 1 ich! —
She sang this \'Song of the Shirt!
THE BRIDGE OF SIGHS.
One more Unfortunate
Weary of breath,
Rashly importunate,
Oone to her death !
Take her up tenderly,
Lift her with care;
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THE HRIDf:E OF SIGHS.
Fashion\'d so slenderly,
Voung, and so fair.
Look at her garments
Clinging like cerements;
Whilst the wave constant!)\'
Diïps from her clothing;
Take her up instantly.
Loving. not loathing.
Touch her not scornfully :
Think of her mournfully,
Gently and humanly ;
Not of the stains of her,
All that remains of her
Now is pure womanly.
Make no deep scrutiny
Into her mutiny
Rash and undutiful:
Past all dishonour,
Death has left on her
Only the beautiful.
Still, for all slips of hers,
One of Eve\'s family,
Wipe those poor lips of hers
Oozing so clammily.
Loop up her tresses
Escaped from the comb,
Her fair auburn tresses ;
Whilst wonderment guesses
Where was her home?
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THOMAS HOOI).
Who was her father ?
Who was her mother?
Had she a sister?
Had she a brother ?
Or was there a dearer one
Still, and a nearer one
Vet, than all other ?
Alas ! for the rarity
Of C\'hristian Charity
Under the sun !
Oh! it was pitiful,
Near a whole city full,
Home she had none !
Sisterly, brotherly,
Fatherly, motherly
• Feelings had changed ;
Love, by harsh evidence
Tbrown from its eminence,
Even Ood\'s Providence
Seeming estranged.
Wheie the lamps quiver
So far in the river,
With manv a light
From window and casenient,
From garret to basement,
She stood, with amazement,
Houseless by night
The bleak wind of March
Made her tremble and shiver;
But not the dark arch
(\'r the black rlowing river.
Mad from life\'s history,
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THE BRIDGE OF S1GHS.
(ilad lo death\'s mystery,
Swift to be hurl\'d
Anywhere ! anywhere
(Jut of the world !
In she plung\'d boldly,
No matter how coldly
The rough river ran,
Over the brink of it,
Picture it — think of it.
Dissolute man !
Lave in it — drink of it,
Then, if you can \\
Take her up tenderly,
Lift her with care ;
Fashion\'d so slenderly,
Young, and so fair |
Ere her limbs frigidly
Stillen too rigidly,
Decently, kindly,
Smooth and compose them ;
And her eyes, close them,
Staring so blindly |
Dreadfully staring
Thro\' muddy impurity,
As when with the daring
Last look of despairing
Fixed on futurity.
Perishing gloomily,
Spurned by contumely,
Cold inhumanity,
Burning insanity,
Into her rest,
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THOMAS 1IOOD.
Cross her hands humbly
As if praying dumbly,
Over her breast!
Owning her weakness,
Her evil behaviour,
And leaving, with meekness,
lier sins to her Saviour.
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BOOK II.
POETS OF THE SECOND GENERATIO\\T
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LORD TENNYSON.
Alfked Tennyson was bom in the Kectory of Somersby,
Lincolnshire, August
6,h 1809, and traces his descent to the
Plantagenets through the ancien! Norman family ofD\'Eyncourt.
Three of the Rectors seven sons essayedpmtry, but Alfred
alone attained eminence. The future Laureate was fust tur-
ned five when he made his first plunge into poetry,prompted
by his eliier brother Charles. The subject of this infantile
effusion was
The Klowers of the Garden; and the ferm was
blank verse modelled on Thomson s
Seasons. In 1827 afpearcd
Poems by Two Brothers, Charles and Alfred Tennyson. In
1828 the brothers waiit to Cambridge, and in 1830 Alfred
published
Poems, Chiefiy I.yrical. In the winter of 1832—3
appeared another volume, which contained among other im~
portant productions
the May Queen and The Miller\'s Daugh-
ter. Tennyson published nothing more until 1842, in which
year he issucd
Poems in two volumes: a perfect treasury of
noble poetry. Since that time he has been the most widely
popular writer of his age. In
1847 appeared The Princess.
its anthor\'s first long poem ; in 1850, In Memoriam, that
great elegy on Tennyson\'s college friend, Arthur Hcnry Hal-
lam, who died in
1832.
In the same year, 1850, Tennyson mar ried, the lady being
a nicce of Sir föhn Franklin; and was made Poet Lau-
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96                                    LORD TENNYSON.
reate, nu office ennobled bv the virtues of his predecessor,
IVordsworth. The prineipal produclions of Tennyson sinee
uppointment to the I.aureateship are
Maud, 1855 ; Idylls of
The King, 1S59—1872; Enoch Arden and Other Poems,
1864; a series of historica/ draiuas, Queen Mary, Harold,
Thomas a Hecket; two foetical dramas, The Cup and The
Promise uf May; Poems and Ballads, 1880. Locksley Hall;
Sixty years After, December 1SS6. In January 1884 the
Laureate ïoas raised to the peerage.
LADY CLARA VERE DE VERE.
LADY Clara \\ ere de Vere,
(Jf me you shall not win renown ;
Vou thought to break a country heart
Kor pastime, ere you went to town.
At me you smiled, but unbeguiled
I saw the snare, and I retired :
The daughter of a hundred Earls,
You are not one to be desired.
Lady Clara Vere de Vere, "
I know you proud to bear your name :
Your pride is yet no mate for mine,
Too proud tn care from whence I came.
Nor would I break for your sweet sake
A heart that doats 011 truer charms.
A simple maiden in her rlower
Is worth a hundred coats-ofarms.
Lady Clara Vere de Vere,
Some meeker pupil you must find,
Kor were you cjueen of all that is,
I could not stoop to such a mind.
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LADY CIARA VKRE DE VERE.
You sought to prove how I could love,
And my disdain is my reply.
The lion on your old stone gates
Is not more cold to you than I.
Lady Clara Vere de Vere,
You put strange memories in my head.
Not thrice your branching limes have blown
Since I beheld young Laurence dead.
Oh your sweet eyes, your low replies :
A great enchantress you may be;
But there was that across his throat
Which you had hardly cared to see
I.ady Clara Vere de Vere,
When thus he met his mother\'s view,
She had the passions of her kind,
She spake some certain truths of you.
Indeed I heard one bitter word
That scarce is fit for you to hear;
Her manners had not that repose
Which stamps the caste of Vere de Vere.
Lady Clara Vere de Vere,
There stands a spectre in your hall:
The guilt of blood is at your door:
You changed a wholesome heart to gall.
You held your course without remorse,
To make him trust his modest worth,
And, last, you fix\'d a vacant stare,
And slew him with your noble birth.
Trust me, Clara Vere de Vere,
From yon blue heavens above 08 bent
The gardener Adam and his wife
Smile at the claims of long descent.
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98                                          LORD TENNYSON.
Howe\'er it be, it seems to me,
\'T is only noble to be good.
Kind hearts are more than coronets,
And simple faith than Norman blood.
I know you, Clara Vere de Vere,
Vou pine among your halls and towers :
The languid light of your proud eyes
Is vvearied of the rolling hours.
In glowing health, with boundless wealth,
But sickening of a vague disease,
Vou know so ill to deal with time,
Vou needs must play such pranks as these.
Clara, Clara Vere de Vere,
If Time be heavy on your hands,
Are there no beggitrs at your gate,
Xor any poor about your lands?
Oh! teach the orphanboy to read,
Or teach the orphan girl to sew,
Pray Heaven for a human heart,
And let the foolish yeoman go
THE MAY QUEEN.
Vou must wake and call me early, call me early, mother dear;
Tomorrow \'ill be the happiest time of all the glad New year ;
Of all the glad Newyear, mother, the maddest merriest day ;
For I\'m to be Queen o\' rhe May, mother, I\'m to be Queen
(o\' the May.
There\'s many a black black eye, they say, but none so bright
(as mine;
There\'s Margaret and Mary, there\'s Kate and Caroline:
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THE MAY QUKKN.                                   99
Uut none so fair as little Alice in all the land they say ;
So I\'m to he Queen o\' the May, mot her, I\'m to beQueen
(o\' the May.
I sleep so sound all night, mother, that I shall never wake,
It you do not call me loud vhen the day begins to break :
But 1 must gather knots of flowers, and buds and garlands gay,
For I\'m to be Queen o\' the May, mother, I\'m to be Queen
(o\' the May.
As I came up the valley whom think ye should I see,
But Kobin leaning on the bridge beneath the hazel-tree ?
He thought of that sharp look, mother, I gave him yesterday,
But I\'m to be Queen o\' the May, mother, I\'m to be Queen
(o\' the May.
He thought I was a ghost, mother, for I was all in white,
And I ran by him without speaking, like a flash of light;
They call me cruel-hearted, but l care not what they say ;
For I\'m to be Queen o\' the May, mother, I\'m to be Queen
(o\' the May.
They say he\'s dying all for love, but that can never be:
They say his heart is breaking, mother — what is that to me?
There\'s many a bolder lad \'ill woo me any summer day,
And I\'m to be Queen o\'the May, mother. [\'m to be Queen
(o\' the May.
Little Effie shall go with me to-morrow to the green,
And you\'1! be there, too, mother, to see me made the Queen ;
For the shepherd lads on every side \'ill come from far away,
And I\'m to be Queen o\' the May, mother, I\'m to be Queen
(o\' the May,
The honeysuckle round the porch has wov\'n its wavy bowers,
And by themeadowtrenches blow the faint sw eet cuckoo flowers;
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IOO                                       LORD TENNYSON\'.
And the wild marsh-marigold shines like lire in swamps and
(hollows gray,
Aml I\'m to be Queen o\' the May, mother, I\'m to be Queen
(o\' the May.
The night-winds come and go, mother, upon the meadow-grass>
And the happy stars above them seem to brighten astheypass:
There wil] not be a drop of rain the whole of the livelong day.
And I\'m to be Queen o\' the May, mother, I\'m to be Queen
(o1 the May.
All the valley, mother, \'ill be fresh and green and still.
And the cowslip and the crowfoot are over all the hill.
And the rivulet in the rloweiy dale \'ill merrily glance and play.
And I\'m to be Queen o\' the May, mother, I\'m to be Queen
(o\' the May.
So you must wake and call me early, call me early, motherdear,
To-morrow \'ill be the happiest time of all the glad New-year :
To-morrow \'ill be of all the year the maddest merriest day,
Kor I\'m to be Queen o\' the May, mother, I\'m to be Queen
(o\' the May.
THE SISTERS.
We were two daughters of one race:
She was the fairest in the face :
The wind is blowing in turret and tree.
They were together, and she feil;
Therefore revenge became me wel],
O the Earl was fair to see!
She died: she went to burning llame :
She mix\'d her ancient blood with shame.
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THE SISTERS.
The wind is hovvling in turret and tree.
Whole weeks and months, and early and late,
To win his love I lay in wait:
U the Earl was fair to see !
I made a feast; I bade him come ;
I won his love, I brought him home.
The wind is roaring in turret and tree.
And after supper, on a bed,
Upon my lap he laid his head :
O the Earl was fair to see !
I kiss\'d his eyelids into rest:
His ruddy cheek upon my breast
The wind is raging in turret and tree.
I hated him with the hate of heil,
But I loved his beauty passing well.
O the Earl was fair to see !
1 rosé up in the silent night:
1 made my dagger sharp and bright.
The wind is reving in turret and tree.
As half-asleep his breath he drew,
Three times I stabb\'d him thro\' and thro\'.
O the Earl was fair to see !
I curl\'d and comb\'d his comely head,
He look\'d so grand when he was dead.
The wind is blowing in turret and tree.
I wrapt his body in the sheet,
And laid him at his mother\'s feet.
O the Earl was fair to see!
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LORD TENNYSON.
102
GODIVA.
/ ïvaited for the train at Coventry ;
ƒ hung with groovis and porters on the bridge,
To watch the three tall spires ; and the re Ishaped
The city\'s ancien! legend into this: —
Xot only we, the latest seed of Time,
New men, that in the flying of a wheel
Cry down the past, not only we, that prate
Of rights and wrongs, have loved the people well,
And loathed to see them overtax\'d; but she
Did more, and underwent, and overcame,
The woman of a thousand summers back.
Godiva, wife to that grim Earl, who ruled
In Coventry : for when he laid a tax
Upon his town, and all the mothers brought
Their children, clainouring, "If we pay, we starve !"
She sought her lord, and found him, where he strode
About the hall, among his dogs, alone,
His beard a foot before him, and his hair
A yard behind. She told him of their tears,
And pray\'d him, "If they pay this tax, they starve."
Whereat he stared, replying, half-amazed,
"You would not let your little finger ache
For such as these f — "But I would die," said she.
He laugh\'d. and swore by Peter and by Paul:
Then hllip\'d at the diamond in her ear;
"O ay, ay, ay, you talkI" — "Alas !" she said,
"But prove me what it is I would not do."
And from a heart as rough as Esau\'s hand,
He answer\'d, "Ride you naked thro\' the town,
And I repeal it;" and nodding, as in scom,
He parted, with great strides among his dogs.
So left alone, the passions of her mind,
As winds from all the compass shift and blow,
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GODIVA.
Made war upon each other for an hour,
Till pity won. She sent a herald forth,
And bade him cry. with sound of trumpet, all
The hard condition ; but that she would loose
The people ; therefore, as they loved her well,
From then till noon no foot should pace the street,
No eye look down, she passing : but that all
Should keep within, door shut, and window barr\'d
Then ried she to her inmost bower, and there
Unclasp\'d the wedded eagles of her belt,
The grim Earl\'s gift; but ever at a breath
She linger\'d, looking like a summer moon
Half-dipt in cloud : anon she shook her head,
And shower\'d the rippled ringlets to her knee;
Unclad herself in haste ; adown the stair
Stole on ; and, like a creeping sunbeam, slid
From pillar unto pillar, until she reach\'d
The gateway; there she found her palfrey trapt
In purple blazon\'d with armorial gold.
Then she rode forth, clothed on with chastity :
The deep air listen\'d round her as she rode,
And all the low wind hardly breathed for fear.
The little wide-mouth\'d heads upon the spout
Had cunning eyes to see : the barking cur
Made her cheek flame : her palfrey\'s footfall shot
Light horrors thro\' her pulses : the blind walls
Were full of chinks and holes ; and overhead
Fantastic gables, crowding, stared : but she
Not less thro all bore up, till, last, she saw
The white-flower\'d elder-thicket from the field
Gleam thro\' the Gothic* archways in the walL
Then she rode back, clothed on with chastity :
And one low churl, compact of thankless earth,
The fatal byword of all years to come,
Boring a little auger-hole in fear,
Peep\'d — but his eyes, before they had their will.
Were shrivell\'d into darkness in his head.
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104                                       l.ORD TESNYSON.
And dropt before him. So the Powers, who wait
< \'n noble deeds, cancell\'d a sense misused ;
And she. that knew not, pass\'d : and all at once,
With twelve great shocks of sound, the shameless noon
Was clash\'d and hammer\'d from a hundred towers,
(toe after one : but even then she gain\'d
lier bower ; whence reissuing, robed and crown\'d,
To meet her lord, she took the tax away
And built herself an evejlasting name.
THE VICTIM.
A plague upon the people feil.
A famine after laid them low,
Then thorpe and byre arose in tire,
For on them brake the sudden foe;
So thick they died the people cried,
"The Gods are moved against the land.\'
The Priest in horror about his altar
To Thor and Odin lifted a hand:
"Help us from famine
And plague and strife!
What would you have of us ?
Hum.in life?
Were it our nearest,
Were it our dearest,
(Answer, O, answer)
We give you his life."
But still the foeman spoil d and burn\'d,
And cattle died, and deer in wood,
And bird in air, and t\'ishes turn\'d
And whiten\'d all the rolling flood;
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los
THE VICTIM.
And dead men lay all over the way,
Or down in a furrow scathed witli tlame :
And ever and aye the Priesthood moan\'d,
Till at last it seem\'d that an answer came.
"The King is happy
In child and wife;
Take you his dearest,
Give us a life.\'\'
The 1\'riest went out by heath and hill ;
The King was hunting in the wild ;
They found the mother sitting still;
She cast her arms about the child.
The child was only eight summers old,
His beauty still with his years increased,
His face was ruddy, his hair was gold.
He seem\'d a victim due to the priest.
The Priest beheld him,
And cried with joy,
"The Gods have answer\'d :
We give them the boy."
The King return\'d front out the wild,
He bore but little game in hand ;
The mother said, "They have taken the child
To spill his blood and heal the land :
The land is sick, the people diseased,
And blight and famine on all the lea :
The holy Gods, they must be appeased,
So I pray you teil the truth to me.
They have taken our son,
They will have his life.
Is he your dearest ?
Or I, the wife ?"
The King bent low, with hand on brow,
He stay\'d his arms upon his knee:
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IOÓ                                       LORD TENNYSON.
"O wife, what use to answer now?
For now the Priest has judged for me."
The King was shaken with holy fear;
"The Gods," he said, "would have chosen well,
Vet both are near, and both are dear.
And which the dearest 1 cannot tel! I"
But the Priest was happy,
Mis victim won :
"We have his dearest,
His only son !"
The rites prepared, the victim bared,
The knife uprising toward the blow,
To the altar-stone she sprang alone,
"Me, not my darling, no !"
He caught her away with a sudden cry;
Suddenly from Mm brake his wife,
And shrieking "I am his dearest, I—
ƒ am his dearest!" rush\'d on the knife.
And the Priest was happy,
"O, Father Odin,
We give you a life.
Which was his nearest ?
Who was his dearest ?
The Gods have answer\'d ;
We give them the wife !"
LADY CLARE.
It was the time when lilies blow,
And clouds are highest up in air,
Lord Ronald brought a lily-white doe
To give his cousin, Lady Clare.
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107
LADY CI.ARE.
I trow they did not part in scorn:
Lovers long-betroth\'d were they :
They two will wed the morrow mom :
God\'s blessing on the day!
"He does not love me for my birth,
Nor for my lands so broad and fair ;
He loves me for my own true worth,
And that is well," said Lady Clare.
In there came old Alice the nurse,
Said, "Who was this that went from thee?
"It was my cousin," said Lady Clare,
"To-morrow he weds with me."
"O God be thank\'d!" said Alice the nurse,
"That all comes round so just and fair :
Lord Ronald is heir of all your lands,
And you are not the Lady Clare."
"Are ye out of your mind, my nurse, my nurse ?"
Said Lady Clare, "that ye speak so wild?"
"As God\'s above," said Alice the nurse,
"I speak the truth : you are my child."
"The old Earl\'s daughter died at my breast;
I speak the truth, as I live by bread !
1 buried her like my own sweet child,
And put my child in her stead."
"Falsely, falsely have ye done,
O mother," she said, "if this be true,
To keep the best man under the sun
So many years from his due."
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Io8                                        LORD TENNYSON.
"-\\"ay now, my child," said Alice the nurse,
"But keep the secret for your life,
And all you have will be I.ord Ronald\'s,
W hen you are man and wife."
"If 1\'m a beggar bom," she said,
"I will speak out, for I dare not lie,
Pull off, pull off, the brooch of gold,
And fling the diamond necklace by."
"Nay now, my child," said Alice the nurse,
"But keep the secret all ye can."
She said, "Not so : but I will know
If there be any faith in man."
"Nay now, what faith ?" said Alice the nurse,
"The man will cleave unto his right."
"And he shall have it," the lady replied,
"Tho\' I should die to night."
"Vet give one kiss to your mother dear !
Alas, my child, I sinn\'d for thee."
"O mother, mother, mother," the said,
"So strange it seems to me.
"Vet here\'s a kiss for my mother dear,
My mother dear, if this be so,
And lay your hand upon my head,
And bless me, mother, ere I go."
She clad herself in a russet gown,
She was no longer Lady Clare :
She went by dale, and she went by down,
\\\\ ith a single rosé in her hair.
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I.ADY CLARE.                                           I09
The lily-white doe Lord Ronald had brought
Leapt up from where she lay,
Dropt her head in Ihe maiden\'s hand,
And follow\'d her all the way.
Down stept Lord Ronald from his tower :
"O Lady Clare, you shame your worth •
Why come you drest like a village maid,
That are the flower of the earth }"
"If I come drest like a village maid,
I am but as my fortunes are :
I am a beggar bom," she said,
And not the Lady Clare."
"I\'lay me 110 tricks," ^aid Lord Ronald,
"For I am yours in word and in deed.
Play me no tricks," said Lord Ronald,
"Your riddle is hard to read."
<) and proudly stood she up !
Her heart within her did not fail:
She look\'d into Lord Ronald\'s eyes,
And told him all her nurse\'s tale.
He laugh\'d a laugh of merry scorn:
He turn\'d and kiss\'d her where she stood :
"If you are not the heiress bom,
And 1," said he, "the next in blood —
"If you are not the heiress born,
And I," said he, "the lawful heir,
We two will wed to-morrow mom,
And you shall still be Lady Clare."
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I.ORI) TENNVSUN.
IIO
IN THE GARDEN AT SWAINSTON.
NlGHTINGALES warbled without,
Within was weeping for thee :
Shadows of three dead men
Walk\'d in the walks with me,
Shadows of three dead men and thou
wast one of the three.
Nightingales sang in his woods :
The Master was far away :
Nightingales warbled and sang
Of a passion that lasts but a day;
Still in the house in his coffin the Prince
of courtesy lay.
Two dead men have 1 known
In courtesy like to thee :
Two dead men have I loved
With a love that ever wil] be :
Three dead men have I loved and thou
art last of the three.
THE SA1LOR BOY.
He rosé at dawn and, tired with hope,
Shot o\'er the seething harbour-bar,
And reach\'d the ship and caught the rope,
And whistled to the moming star.
And while he whistled long and loud
He heard a tiercé mermaiden cry,
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THE CHARGE OF THE LIGHT BRIGADE.                 III
"O boy, tho\' thou art young and proud,
I see the place where thou wilt lie.
"The sands and yeasty surges mix
In caves about the dreary bay,
And on thy ribs the limpet sticks,
And in thy heart the scrawl shall play."
"Fooi," he answer\'d, "death is sure
To those that stay and those that roam,
But I will nevermore endure
To sit with empty hands at home.
"My mother clings about my neck,
My sisters crying, "Stay for shame;"
My father raves of death and wreek,
They are all lo blame, they are all to blame.
"God help me! save I take my part
Of danger on the roaring sea,
A devil rises in my heart,
Far worse than any death to me."
THE CHARGE OF THE LIGHT BRIGADE.
Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
"Forward, the Light Brigade !
Charge for the guns !" he said :
"Into the valley of Death
Rode the six hundred.
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112
LORD TENNYSON.
"Forward, the Light Brigade!"
Was there a man dismay\'d ?
Not tho\' the soldier knew
Some one had blunder\'d:
Theirs not to make reply,
Theirt not to reason why,
Theirs but to do an<l die :
Into the valley of Death
Rode the six htindred.
Cannon to right of them,
Cannon to left of them,
Cannon in front of them,
Volley\'d and thunder\'d ;
Storm\'d at with shot and shell,
Boldly they rode and well,
Inlo the jaws of Death,
Into the mouth of Heil
Rode the six hundred.
Flash\'d all their sabres bare,
Flash\'d as they tnrn\'d in air
Sabring the gunners there,
C\'harging an army, while
All the World wonder\'d :
Plunged in the batterysmoke
Right thro\' the line they broke;
Cossack and Russian
Reel\'d from the sabre-stroke
Shatter\'d and sunder d.
Then they rode back, but not
Not the six hundred.
Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley d and thunder\'d ;
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THE BROOK.
Storm\'d at with shot and shell,
While horse and hero feil,
They that had fought so well
C\'ame thro\' the jaws of Üeath,
liack from the mouth of Heli,
All that was left of them,
l.eft of six hundred.
When can their glory fade ?
Oh the wild charge they made !
All the world wonder\'d.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!
THE BROOK.
I come from haunts of coot and hem,
I make a sudden sally,
And sparkle out among the fern,
To bicker down a valley.
By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorps, a little town,
And half a hundred bridges.
Till last by Philip\'s farm 1 flow
To join the brimming river,
Kor men may come and men may go,
But I go on for ever.
I chatter over stony ways,
In little sharps and trebles,
8
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114                                       LORD TKNNVSON.
I bubble into eddying bays,
I babble on the pebbles.
Witli niany a curve my banks I fret
By niany a held aml bllow,
And niany a fairy foreland set
With willow-weed and niallow.
I chatter, chatter, as I Huw
To join the brimming river,
Kor men may conie and men may go,
But I go on for ever.
I wind about, and in and out,
With liere a blossom sailing,
And here and there a lusty trout,
And here and there a grayling.
And here and there a foamy llake
L\'pon ine, as I travel
With niany a silvery waterbreak
Above the golden gravel,
And draw them all along. and How
To join the brimming river,
Kor men may come anti men may go.
But I go on for ever.
I steal by lawns and grassy plots,
I slide by hazel covers ;
I move the sweet forget-me-nols
Tliat grow for happy lovers.
I slip, I slide, I gloom. 1 glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows.
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BUGLE SONG.
1 murmur umlei* moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiler round my cre^ses ;
And uul again I curve and flow
To join ihe brimming river,
)r men may come and !
Hut I go on for ever.
BUGLE SONG.
The splendour falls on caslle walls
And snowy summits old in story :
The long light shakes across the lakes,
And the wild cataract leaps in glory
Blow, bugle, blow, set the wild echoes flying.
BKnv, bugle; answer, echoes, dying, dying, dying
l) hark, O hear ! how thin and clear,
And thinner, clearer, farther going !
O sweet and far from clill" and scar
The horns of lilfland faintlv blowing !
Blow, let us hear the purple glens replying :
Blow, bugle; answer, echoes, dying, dying, dying.
O love. they die in yon rich sky,
They faint on hill or Beid or river :
Our echoes roll from soul to soul,
And grow for ever and for ever,
Blow. bugle, blow, set the wild echoes flying,
And answer. echoes, answer, dying, dying. dying.
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LOR» TKNNYSON.
1II.
TEARS, IDLE TEARS.
"Tears. idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and galher to the eyes,
In looking on the happy AuUimn-tields,
And thinking of the days that are no more.
•\'Kresh as the lïrst beam glittering on a sail,
That brings oiir friends up from the itnderworld,
Sad as the last which reddens over one
That sinks with all we love below the verge ;
So sad, so fresh, the days that are no more.
"Ah, sad and strange as in dark sumnier dawns
The earliest pipe of halfawaken\'d birds
To dying ears, when tinto dying eyes
The casement slowly grows a glimmering square ;
So sad, so strange, the days that are no more.
"Uear as remember\'d kisses after death.
And sweet as those by h.ipeless fancy feign\'d
(>n lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in I.ife, the days that are no more."
EDWARD GRAY.
Sweet Emma Moreland of yonder town
Met me walking on yonder way,
„And have you lost your heait ?" she said,
„And are you married yet, Edward Gray ?"
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BDWARD OKAY.
"7
Sweet Emma Moreland spoko to me:
Bitterly weeping I turn\'d away :
„Sweet Emma Moreland, love no more
Can touch the heart of Edward (iray.
„lillen Adair she loved me well,
Against her father\'s and mother\'s will:
To-dny I sat for an hour and wept,
By Ellens grave. on the windy hill.
„Shy she was, and I thought her cold ;
Thought her proud, and lied over the sea :
Fill\'d I was with folly and spile,
When Ellen Adair was dying for me.
„Cruel, cruel the words I said!
Cruelly came they back to-day :
\'Vo\'.-.\'re too slight and fickle,\' 1 said,
„To trouble the heart of Edward Gray.\'\'
„There I put my face in the grass —
Whisper\'d, \'Listen to my despair:
1 repent me of all I did:
Speak a little, Ellen Adair !"
„Then I took a pencil, and wrote
On the mossy stone, as I lay,
\'llere lies the body of Ellen Adair;
And here the heart of Edward Gray I"
„Love may come, and love may go,
And Hy, like a bird, from tree to tree:
But I will love no more, no more,
Till Ellen Adair come back to me.
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1 I S
LORD TKNNYSON.
„Hitterly wept I over the stone :
Bitterly «reeping I turn\'d away :
There lies ihe body of Ellen Adair
And there the heart of Kdward (ir.iy !"
BREAK, BREAK, BREAK.
Break, break, break,
\' >n thy cold gray stones, O Sea !
And I would that my tongue coidd utter
The thoughts that arise in me.
O well  for the fisherman\'s boy,
That  he shouts with his sister at play !
O well  for the sailor lad,
That  he sings in his boat on the bay !
And the stately ships go on
To their haven tinder the hill ;
Bnt O for the touch of a vanish\'d hand,
And the sound of a voice that is still !
Break, break, break,
At the foot of thy crags, O Sea,
Rut the tender grace of a day that is dead
Will never come back to me.
LOVE AND DEATH.
What time the mighty moon was gathering light
Love paced the thymy plots of Paradise,
And all about him roll\'d his lustrous eyes;
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„A SMALL SVVEET IDYL\'-.
ii\'i
When, turning round a cassia, full in view,
Death, walking all alone beneath a yew,
And tallcing to himself, lirst met his sight:
"You must begone,\' said Deatb, \'tbese walks are mine."
Love wept and spread his sheeny vans for rlight:
Yet ere he parted said, \'This hour is thine :
Thon art the shadow of life, and as the tree
Stands in the san and shadows all beneath,
So in the light of great eternity
Life eminent creates the shade of death ;
The shadow passeth when the tree shall f all,
Rut I shall reign for ever over all.\'
„A SMALL, SWEET IDYL"
"Come down, 0 maid, from yonder mountain lieight :
What pleasure lives in height (the shepherd sangï
In height and cold, the splendour of the hills .\'
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire ;
And come, for Love is of the valley, come,
For Love is of the valley. come thou down
And tind him ; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine ; nor cares to walk
With Death and Minning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the lirths of ice.
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow : let the torrent dance thee down
To find him in the valley ; let the wild
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I.ORD TENNYSTON
l.ean-headed Eagles yelp alone, and leave
The monstrous ledges there to dope, and spill
Their thousand wreaths of dangling water-smoke,
That like a broken purpose waste in air :
So waste not thou; Init come; for all the vales
Await thee ; azure pillars of the hearth
Arise to thee ; the children eall, and I
Thy shepherd pipe, and sweet is every sound.
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying thro\'the lawn,
The moan of doves in immemorial elms,
And inurniuring of innumerable bees.\'\'
LIFE TRANSFIGURED BY LOVE.
I have led her home, my love, my onlv friend.
There is none like her, none.
And never yet so warmly ran my blood
And sweelly, on and on
("alming itself to the long-wish\'dfor end.
Kuil to the banks, close on the promised good.
None like her, none.
Just now the dry-tongued laurel\'s pattering talk
Seem\'d her light foot along the garden walk.
And shook my heart to think she comes once more;
But even then I heard her close the door,
The gates of Heaven are closed, and she is gone.
There is none like her, none.
Nor will be when our summers have deceased.
O, art thou sighing for Lebanon
In the long breeze that streams to thy delicious Kast,
Sighing for Lebanon,
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LIFE TRANSFIGURKD HV LOVK.
Dark cedar, tho\' thy limbs have here increased,
Upon a pastoral slope as fair,
And looking lo the South, and fed
With honey\'d rain and delicate air,
And haunted by the starry head
Of her whose gentle will has ehanged niy fate,
And made niy life a perfumed altar-llame;
And over whora thy darkness must have spread.
With such delight as theirs of old, thy great
Forefathers of the thornless garden, there
Shadowing the snow-limb\'d Eve Grom whora she came.
Ilere will I lie, while these long branches sway.
And you fair stars that crown a happy day
Go in and out as if at merry play,
Who am no more so all forloru,
As when it seem\'d far better to be bom
To lal mui and the mattock-harden\'d hand,
Than nursed at ease and brought to understand
A sad astrology, the boundless plan
That makes you tyrants in your iron skies,
Innumerable, pitiless, passionless eyes,
Cold tires, vet with power to burn and brand
His nothingness into man.
But now shine on, and what care I,
Who in this stormy gulf have found a pearl
The countercharm of space and hollow sky,
And do accept my madness, and would die
To save from some slight shame one simple girl.
Would die; for sullenseeming Death may give
More life to Love than is or ever was
In our low world, where yet \'tis sweet to live.
Let no one ask me how it came to pass ;
It seems that I am happy, that to me
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122                                       I.ORI) TENNYSON.
A livelier emerald twinkles in the grass,
A purer sapphire melts into the sea.
Not die ; but live a life of truest breath,
And teach true life to light with mortal wrongs.
ü, why should Love, like men in drinking songs,
Spice his fair banquet with the dust of death ?
Make answer, Maud my bliss.
Maud made my Maud by that long lover\'s kiss,
l.ife of my life, wilt thou not answer this ?
"The dusky strand of Death inwoven here
With dear Love\'s tie,makes Love himself more dear."
Is that enchanted nioan only the swell
Of the long waves that roll in yonder bay?
And hark the clock within, the silver knell
Of twelve sweet bours that past in bridal white,
And died to live, long as my pulses play ;
But now by this my love has closed her sight
And given false death her hand, and stol\'n away
To dreamful wastes where footless fancies dweil
Among the fragments of the golden day.
May nothing there her niaiden grace arlright!
Dear heart, 1 feel with thee the drowsy spell.
My bride to be, my evermore delight,
My own heart\'s heart, my ownest own, farewell;
It is but for a little space I go :
And ye meanwhile far over moor and feil
Beat to the noiseless music of the night!
Has our whole earth gone nearer to the glow
Of your soft splendours that you look so bright ?
/ have cliinb\'d nearer out of lonely Heil.
Heat, happy stars, timing with things below,
Beat with my heart more biest than heart can teil,
Biest, but for some dark undercurrent woe
That seems to draw — but it shall not be so:
l.et all be well, be well.
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RIZPAH.
12.?
RIZPAH.
17.—.
WAILING, wailing, wailing, the wind over land and sea—
And Willy\'s voice in the wind, ,,<) mother, come out to me."
Why should he call me to-night, when he knows that I
(cannot go ?
For the downs are as bright as day, and the full moon
\'stares at the snow.
We should be seen, my dear; they would spy us out of
(the town.
The loud black nights for us, and the storm rushing over
(the down,
When I cannot see my own hand, bat am led by the creak
(of the chain,
And grovel and grope for my son till I find myself
(drenched with the rain.
Anything fallen aeain ? nay—what was there left to fall ?
I have taken them home, [ have number\'d the bones, I
have bidden them all.
What am I saying? and what areyon? do you come as a spy ?
Falls? what falls ? who knows? As the tree falls so must
it lie.
Who let her in ? how long has she been ? you — what have
(you heard ?
Why did you sit so quiet? you never have spoken a word.
O — to pray with me — yes - a lady — none of their spies —
But the night has crept into my heart, and begun to darken
(my eyes.
Ah — you, that have lived so soft, what should you know
(of the night,
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I.ORI) ÏENNYSON.
124
The blast and the bnrning shame and the bitter frost and
(the fright ?
I have done it, while jou were asleep — you were only
(made for the day.
I have gather\'d my baby together— and now you may go
(your way.
Nay — for U\'s kind of you. Madam, to sit by an olddying
wife
But sav nothing hard of my bov, I have only an hour of
(life.
I kiss\'d my boy in the prison, before he went out to die.
„They dared me to do it," he said, and he never has told
(me a lie.
I whipt him for robbing an orchard onee when he was
(but a child —
„The farmer dared me to do it," he said ; he was al way s
(so wild —
And idle — and couldn\'t be idle — my Willy — he never
could rest.
The King should have made him a soldier, he would have
(been one of his best.
Hut he lived with a lot of wild mates, and they never
(would let him be good ;
They swore that he dare not rob the mail, and he swore
(that he would;
And he took no life, but he took one purse, and when all
(was done
He flung it among his fellows —I\'ll none of it, said my son.
I came into court to the Judge and the lawyers. I told
(them my tale,
God\'s own truth — but they kill\'d him, they kill\'d him for
(robbing the mail.
They hang\'d him in chains for a show — we had always
(borne a good name —
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RIZl\'AH.
I25
To be hang\'d for a thief — and then put away — isn\'t that
(enough shame ?
Dust to dust — low down — let us hide! but they set him
(so high
That all the ships of the world coidd stare at him, passing by.
God \'ill pardon the hell-black raven and horrible fowls of
(the air,
But not the l)lack heart of the lawyer who kill\'d him and
(hang\'d him there.
And the jailer forced me away. I had bid him my last
(goodbye;
They had fasten\'d the door of his cell. "O mother!" I
heard him cry.
I couldn\'t get back tho\' I tried, he had something further
(to say,
And now [ never shall know it. The jailer forced me away.
Then since I couldn\'t but hear that cry of my boy that
(was dead,
They seized me and shut me up : they fasten\'d me down
(on my bed.
"Mother, O mother!" — he call\'d in the dark to mevear
(after year —
They beat me for that, they beat me — you know that I
(couldn t but hear ;
And then at the last they found I had grown so stupid
(and still
They \'et me abroad again — but the creatures had worked
(their wil].
Flesh of my rlesh was gone, but boneofmybone wasleft —
I stole them all from the lawyers — and you, will you call
(it a theft ? —
My baby, the bones that had suck\'d me, the bones that had
(laughed and had cried —
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12 6
LORD TENNYSON.
Theirs ? O 110 ! they are mine — not theirs — they had
(moved in my side.
Do you think I was scared by the bones ? J kiss\'d \'em, I
(buried \'em all —
I can\'t dig deep, I am old — in the night by the churchyard
(wall,
My Willy \'ill rise up whole when the trumpet of judgment
(\'ill sound,
But I eharge you never to say that I laid him in holy ground.
They would scratch him up — they would hang him again
(on the cursed tree.
Sin ? O yes — we are sinners, I know — let all that be.
And read me a Bible verse of the Lord\'s good will toward
(men —
"Full of compassion and mercy, the Lord" — let me hear
(it again ;
"Kuil of compassion and mercy — long-sutïering " Ves,
(O yes!
Kor the lawyer is boni but to murder — the Saviour lives
(but to bless.
He 11 never put on the black cap except for the worst of
(the worst,
And the lirst niay be last — I have heard it in church —
(and the last may be tirst.
Suffering — O long-suflering—yes, as the I.ord must know.
Year after year in the mist and the wind and the shower
(and the snow.
Heard, have you ? what ? they have told you he never
(repented his sin.
How do they know it ? are they his mother ? are you of
(his kin ?
Heard ! have you ever heard, when the storm on the downs
(began,
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KIZPAJI                                            127
The wind that \'ill wail like a chikl and the sea that \'il!
in ilin like a man ?
Election, Election and Reprobation — it\'s all very well.
Hut I go to-night to mv boy, and 1 shall not lind hini in
(Heil.
For I cared so much for iny boy that the Lord has look d
(my care,
And He means me I\'ni sure to be happy with Willy, I
(know not where.
And if hl be lost — hut to save my soul, that is all your
(desire :
Do you think that I care for my soul if my boy be gone
(to the tire .\'
I have been with God in the dark —go, go, you may leave
i me alone —
You never have horne a chikl - you are just as hard as a stone.
Madam, I beg vour pardon ! I think that you mean to be kind.
Uut 1 cannot hear what you say for my Willy\'s voice in the
(wind—
The snow and the sky so bright - he used but to call in the
(dark,
And he calls to me now from the church and not from the
(gibbet — for hark I
Nay — you can hear it yourself — it is coming — shaking the
(walls-
Willy — the moon\'s in a cloud-----Ciood night. Iamgoing.
He calls.
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LORD HOUGHTON.
KlciiAKl» MoncktoN Mii.nes, Lord Houghton, (1807—
1885) was more distingnished for his genereus friendshif
towards struggling men of genius than for his own achie-
vements as a foei. Most of his verses were writlen between
1834 and 1844; a large froportion consist of memorials of
Travel and studies of /uistern life and manners Many more
are didactie. Lord Houghton\'s principal service to lileralure
consisls in his enthusiastic admiration for Keats ; his edition
of the foet\'s ivorks, and the researehts he initjated.
THE BROOK SIDE.
I wandereii by the brook-side,
I wandered by the mill, —
I could not hear the brook tlow,
The noisy wheel was still;
There was no burr of grasshopper,
Xor chirp of any bird,
But the beating of my own heart
Was all the sound 1 heard.
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SHADOWS.
I sat beneath the elm-tree,
I watched the long, long shade,
And as it grew still longer,
I did not feel afraid ;
But I listened for a footfall,
I listened for a word, —
But the beating of my own heart
Was all the sound I heard.
He came not, — no, he came not, —
The night came on alone, —
The little stars sat, one by one,
Each on his golden throne :
The evening air passed by my cheek,
The leaves above were stirr\'d, —
Bat the beating of my own heart
Was all the sound I heard.
Fast silent tears were flowing,
When something stood behind, —
A hand was on my shoulder, —
I knew its touch was kind;
It drew me nearer, — nearer, —
We did not speak one word,
For the beating of our own hearts
Was all the sound we heard.
SHADOWS.
Beneath an Indian palm a girl
Of other blood reposes,
Her cheek is clear and pale as pearl,
Amid that wild of roses.
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130                                      LORD HOLGHTON.
Beside a irorthem pine a boy
Is leaning fancy-bound,
Nnr listens where with noisy joy
Awaits the impatient hound.
Cool grows the sick and feverish calm, —
Relaxed the frosty twine, —
The pine-tree dreameth of the palm,
The palm-tree of the pine.
As soon shall nature interlace
Those dimly-visioned boughs,
As these yuung lovers face to face
Renew their early vows !
THE LETTERS OF VOUTH.
Look at the leaves I gather up in trembling, —
Little to see, and sere, and time-bewasted.
Kut they are other than the tree can bear now,
For they are mine !
Deep as the tumult in an archéd seacave,
Out of the past these antiquated voices
Kali on my heart\'s ear; I must listen to them,
Kor they are mine !
Whose is this hand that, wheresoe\'er it vranders,
Tracés in light words thoughts that corae as lightly ?
Who was the king of all this soul-dominion ?
I ? Was it mine ?
With what a healthful appetite of spirit
Sits he at Life\'s inevitable banquet,
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a child\'s song.
Tasting delight in everything before him !
Could this be mine ?
See! how he twists his coronals of fancy
Out of all blossoms, knowing not the poison —
How his young eye is meshed in the enchantment!
And it was mine!
What is this I ? — this miserable complex,
Losing and gaining, only knit together
By the ever bursting fibves of remembrance —
What is this mine ?
Surely we are by feeling as by knowing —
Changing our hearts our being changes with them :
Take them away — these spectres of my boyhood.
They are not mine !
A CHILD\'S SONG.
Lady Moon, Lady Moon, where are you roving ?
Over the sea.
Lady Moon, Lady Moon, whom are you loving?
All that love me.
Are you not tired with rolling, and never
Resting to sleep ?
Why look so pale and so sad, as for ever
Wishing to weep ?
Ask me not this, little child ! if you love me;
You are too bold ;
I must obey my dear Father above me,
And do as 1\'m told.
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132                                 I.ORD HOUGHTON.
Lady Moon, Lady Moon, where are you roving ?
Over the sea.
Lady Moon, Lady Moon, whom are you loving?
All thr.t love me.
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ELIZABETH KARRETT BROWNING.
ElIZABBTH BARRETT, England\'s greatestpoetess, was bom
at Hopt End. near Ltdbury. in
1809, and died at Florence
in jfune
1861, hoving been for fifteen years the wife of onc
of the greatest of English poets. Miss Borrelt began to write
verse in her eighth year ; she was an eager student, in fact
the most learncd of literary wennen. In her seventeenlh year
she published a tnetaphysical
Essay on Mind, and in her
twenty-fourth year a translation of .\'Eschylus\'
Prometheus
Bound. Miss Borrelt\'s health, however, became very delicate ;
she was sent to Ton/ttay, and Ihere her favourite brother
was drowned before her eyes. This shock a/most cost the
poeless her life. After a time she was removed to London
and there she lay for years in a darkened room, reading
almosl every book worth reading in every language, andpu-
blishing some of the most sponlaneous andimpassionedpoetry
that this century Aas produced. In
1839 appeared The Ro-
maunt of the Page and Other Poems; in 1844 Collected
Poems, including The Rhyme of the Duchess May, Bertha
in the Lane, Lady Geraldine\'s Couitship, The Cry of the
Children, etc.
A compliment paid in Lady Geraldine\'s Courtship to Mr.
Brcnvning, led, it is said, to apersonal intervieio, and in
1846 the poetess was taken from her couch to the altar and
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134                      ELIZABETH I1ARRKÏT BROWNING.
thence to Italy ; where she enjoyed fifteen years of domestic
happincst, literary triumph. and comparatively goodhealth.
Mr. and Mrs. Browning wei e deeply interested in the cause
of Italian independcnce.
Casa Guidi Windows, 1848, Poems
Before Congress, etc. celebrate this great subject; and won
for the authoress the enthusiastic affection and gratitude of
the Italians, who erected a tablet to her memory on the house
in Florence where she lived and sang.
Sonnets frum the
Portuguese, 1850, are a record of her o7on experience.
Aurora Leigh, 1856, purports to l/e a novel in verse, but
in reality gives expression to the writer\'s deepest convictions
In regard to art and social life.
Last Poems wcrepublished
in
IS62, some months af ter the death of the poetess.
THE CRY OF THE CH1LDREN.
. Do YE hear the children weeping, Ü my brothers,
Ere the sorrow comes with years ?
They are leaning their young heads against their mothers,
And that cannot stop their tears.
The young lambs are bleating in the raeadows,
The young birds are chirping in the nest.
The young fawns are playing with the shadows.
The young rlowers are blowing toward the west —
But the young, young children, O my brothers,
They are weeping bitterly !
They are weeping in the playtime of the others,
In the country of the free.
Do you question the young children in the sorrow,
Why their tears are falling so ?
The old man may weep for his to-morrow
Which is lost in Long Ago ;
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«35
THE CRY OF THE CHILDREN.
The old tree is learless in the forest.
The old year is ending in the frost,
The old wound, if stricken, is the sorest,
The old hope is hardest to be lost:
Uut the young, young children. O my brothers,
Do you ask them why they stand
VVeeping sore before the bosoms of their mothers,
In our happy Fatherland ?
They look up with their pale and sunken faces,
And their looks are sad to see,
Kor the mans hoary anguish draws and presses
Down the cheeks of infancy;
"Your old earth," they say, "is very dreary,"
"Our young feet," they say, "are very weak,
Few paces have we taken, yet are weary —
Our grave-rest is very far to seek :
Ask the aged why they weep, and not the children,
For the outside earth is cold,
And we young ones stand without, in our bewildering,
And the graves are for the old."
"True," say the children, "it may happen
That we die before our time :
Little Alice died last year, her grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her:
Was no room for any work in the close clay !
From the sleep wherein she lieth none will wake her,
Crying, \'Get up, little Alice ! it is day.\'
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries ;
Could we see her face, be sure we should nut know her,
For the smile has time for growing in her eyes :
And nierry go her moments, lulled and stilled in
The shroud by the kirk-chime."
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13\'\'                    ELIZAHETH BARRETT BROWNING.
"It is good when it happens," say the children,
"That we die before our time.\'\'
Alas, alas, the children ! they are seeking
Death in life, as best to have ;
They are binding up their hearts away from breaking
With a cerement from the grave.
Go out, children, from the mine and from the city,
Sing out, children, as the little thrushes do ;
Pluck your handfuls of the meadow-cowslips pretty,
Laugh aloud, to feel your fingers let them through !
But they answer, "Are your cowslips of the meadows
Like our weeds anear the mine ?
Leave us <iuiet in the dark of the coal-shadows,
From your pleasures fair and fine !
„For oh," say the children, "we are weary,
And we cannot run or leap ;
If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping,
We fall upon our faces, trying to go ;
And, underneath our heavy eyelids drooping,
The reddest rlower would look as pale as snow.
For, all day, we drag our burden tiring
Through the coal-dark underground;
Or, all day. we drive the wheels of iron
In the factories, round and round.
"For all day, the wheels are droning, turning;
Their wind comes in our faces,
Till our hearts turn, our heads with pulses burtling.
And the walls turn in their places :
Turns the sky in the high window blank and reeling,
Turns the long light that drops adown the wal!.
Turn the black flies that crawl along the ceiling,
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THE CRY OF THE CHILDREN
\'37
All are turning, all the day, and we with all.
And all day, the iron wheels are droning.
And sometimes we could pray,
\'O ye wheels,\' ^breaking out in a mad moaning)
\'Stop I be silent for to-day !\' "
Ay, be silent! Let them hear each other breathing
For a moment, mouth to mouth !
Let them touch each ofher\'s hinds, in a fresh wreathing
Of their tender human youth !
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals :
Let them prove their living souls against the notion
That they live in you, or under you, O wheels !
Still, all day, the iron wheels go onward,
Grinding life down from its mark ;
And the children\'s souls, which God is calling sunward,
Spin on blindly in the dark.
Now teil the poor young children, O my brothers,
To look up to Mim and pray;
So the blessed One who blesseth all the others,
Will bless them another day.
They answer, "Who is God thal He should hear us,
While the rushing of the iron wheels is stirred ?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word.
And we hear not (for the wheels in their resounding)
Strangers speaking at the door ;
Is it likely God, with angels singing round him.
Hears our weeping any more ?
"Two words, indeed, of praying we remember,
And at midnight\'s hour of harm,
\'Our Father,\' looking upward in the chamber,
We say softly for a charm.
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IJS                      KI.IZA1ÏETH HARRETT BROWNING
We know do other words except \'Our Kather,\'
And we think that, in some pause of angels\' song,
God niay pluck them with the silence sweet to gather.
And hold both within His riglit hand which is strong.
\'Our Kather!\' If He heard os, He would surely
(Kor they call Him good and mild)
Ansuer, smiling down the steep world very purely.
\'Come and rest with me, my child.\' "
"Kut nu!" say the children, weeping faster,
"Ile is speechless as a stone :
And they teil us, of His image is the master
Who commands us to work on.
"Go to I" say the children, — "up in heaven,
Dark, wheel-like, turning clouds are all we rind.
Do not mock us ; grief has made us unbelieving:
We look uj) for God, but tears have made us blind."
Do you hear the children weeping and disproving,
ü my brothers, what ye preach ?
Kor Gods possible is taught by His world\'s loving,
And the children doubt of each.
And well may the children weep before you |
They are weary ere they run :
They have never seen the sunshine, nor the glory
Which is brighter than the sun.
They know the grief of man, without its wisdom ;
They sink in man\'s despair, without its calm;
Are slaves, without the liberty in Christdom,
Are martyrs. by the pang without the palm :
Are worn as if with age, yet unretrievingly
The harvest of its memories cannot reap, —
Are orphans of the earthly love and heavenly.
I.et them weep! let them weep!
They look up with their pale and stinken faces,
And their look is dread to see,
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ÜERTHA IN THE I.ANE
«39
For they mind you of their angels in high places.
With eyes turned on Deity.
"How long," they say, "how long, O cruel nation,
Will you stand, to move the world, on a child\'s hearl,
Stitle down with a mailed heel its palpitation,
And tread onward to your throne aniid the mart ?
Oor blood splashes upward, O gold-heaper.
And your purple shows your path \'
But the child\'s sob in the silence curses deeper
Than the strong man in his wrath."
BERTHA IN THE LANE.
Pur the broidery frame away.
Kor my sew ing is all done !
The last thread is used to-day,
And I need not join it on,
Though the clock stands at the noon
I am weary ! I have sewn,
Sweet, for thee, a wedding-gown.
Sister, help me to the bed,
And stand near me. Dearest sweet!
Do not shrink nor be afraid,
Blushing with a sudden heat!
No one standeth in the street ? —
By God\'s love I go to meet,
Love I thee with love complete.
Lean thy face down! drop it in
These two hands, that I may hold
Twixt their palms thy cheek andchin,
Stroking back the curls of gold. —
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RLIZABETH BARRF.TT BROWNING.
l4o
\'I\'his a fair, fair face, in sooth —
I.arger eyes and redder mouth
Than mine were in my tirst youth!
Thou art younger by seven years. —
Ah! — So bashful at my gaze.
That the lashes. hung with tears,
Grow too heavy to upraise.
I would wound thee by no touch
Which thy shyness feels as such. —
Dost thou mind me, Dear, so much.
Have I not been nigh a mother
To thy sweetness ? Teil me. Dear !
Have we not loved one another
Tenderly, from year to year.
Since our dying mother mild
Said, with accents undefiled,
"Child, be mother to this child !\'!
Mother, mother, up in heaven,
Stand up on the Jasper sea,
And be witness I have given
All the gifts required of me, —
Hope that blessed me, bliss that crowned,
Love, that left me with a wound,
Life itself that turneth round!
Mother, mother, thou art kind !
Thou art standing in the room,
In a molten glory shrined,
That rays off into the gloom !
But thy smile is bright and bleak
Like cold waves — I cannot speak:
I sob in it, and grow weak.
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BEKTHA IN THK LANE.
IM
Ghostly mother, keep aloof
One hour longer from my soul —
For I still am thinking of
Earth\'s warm-beating joy and dole :
On my finger is a ring
Which I still see glittering,
When the night hides everything!
— Little sister, thou art pale.\'
Ah, I have a wandering brain, —
But I lose that fever-bale,
And my thoughts grow calm again.
I.ean down closer, closer still!
I have words thine ear to fill, —
And would kiss thee at my will.
Dear, I heard thee in the spring,
Thee and Robert — through the trees —
When we all went gathering
Boughs of May-bloom for the bees.
Do not start so ! think instead
How the sunshine overhead
Seemed to trickle through the shade.
What a day it was, that day !
Hills and vales did openly
Seem to heave and throb away
At the sight of the great sky.
And the Silence, as it stood
In the Glory\'s golden rlood,
Audibly did bud and bud.
Though the winding hedgerows green,
How I wandered, I and you, —
With the bowery tops shut in,
And the gates that showed the view —
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ELIZABBTH BARKETT BROWNING.
How we talked there! thrushes soft
Sang our praises out — or oft
Bleatings took them, Grom the croft.
Till the pleasure grown too strong
Left me muter evermore ;
And, the winding road being long,
I walked out of sight, before,
And so, rapt in musings fond,
Issued (past the wayside pond)
On the meadow-lands beyond.
I sat down l>eneath the beech
Which leans over to the lane.
And the far sound of your speech
Did not promise any pain ;
And I blessed you full and free
With a smile stooped tenderly
ü\'er the May-flowers on my knee.
But the sound grew into word
As the speakers drew more near —
Sweet, forgive me that I heard
What you wished me not to hear.
Do not weep so — do not shake —
Oh, — I heard thee, Bertha, make
Good true answers for my sake.
Yes, and He too ! let him stand
In thy thoughts untouched by blame;
Could he help it, if my hand
He had claimed with l\'.asty claim ? —
That was wrong, perhaps — but then
Such things be - and will, again !
Women cannot judge for men.
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11ERTHA IN THE LANS.
143
Had he seen thee when he swore
He would love hut me alone ?
Thou wert absent — sent before
To our kin in Sidmouth town.
When he saw thee who art best
Past compare, and loveliest,
He but jndged thee as the rest.
Could we blatne him with »jrave words,
Thou and I, Oear. if we might ?
Thy brown eyes have looks like birds
Flying straighlway to the light —
Mine are older. — Hush ! — look out —
Up the street! Is none without ?
— How the poplar sways about !
And that hour — beneath the beech,
When I listened in a dream
And he said, in his deep speech,
That he owed me all esteem. - -
Each word swam in on my brain
With a dim, dilating :)ain,
Till it burst with that last strain \\ —
I feil flooded with a Uark,
In the silence of a swoon -
When I rosé, still cold and stark,
There was night, — I saw the moon;
And the stars, each in its place.
And the May-blooms on the grass,
Seemed to wonder what I was.
And I walked as if apart
From myself. when I could stand ; —
And I pitied my own heart,
As if I held it in my hand,
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144                      KI.IZABETH KARRETT BROWNING.
Somewhat coldly, — with a sence
Of fullilled benevolence.
And a "Poor thing!" negligence.
And I answered coldly too,
When you met me at the door;
And I only htard the dew
Ui ipping from me to the tloor ;
And the tlowers 1 bade you see
Were too wither.-d lor the bee, —
As my life henceforth for me.
Do not weep so, Dear. heart-warm !
All was best as it befell!
If I say he did me harm,
I speak wild. I am not well.
AH his words were kind and good —
He esteemed me.\' Only — blood
Runs so faint in womanhood.
Then I always was too grave, —
l.ike the saddest ballad sung. —
With that look, besides, we have
In our faces, who die young.
I had died, Dear, all the same —
Life\'s long, joyous, jostling game
Is too loud for my weak shame.
We are so unlike each other
Thou and I — that none could guess
We were children of one inother
But for mutual tenderness.
Thou art rose-leaved from the cold,
And nieant, verily, to hold
I.ife\'s pure pleasures manifold.
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HERTHA IN THE LANK.                              145
I am pale as crocus grows
Close beside a rose-tree\'s root!
Whosoe\'er would reach the rosé
Treads the crocus underfoot!
/ like may-bloom on thorn tree,
Thou like merry summer bee,
Kit that / l>e plucked for thee .\'
Vet, who plucks me ? — No one mourns !
I have lived my season out,
And now die of my own thorns
Which I could not live without. —
Sweet, be merry! IIow the light
Comes and goes ! — If it be night,
Keep the candles in my sight.
Are there footsteps at the door ?
Look out (juickly. — Vea, or nay ? —
Some one might be waiting for
Some last word that I might say —
Xay ? So best! So angels would
Stand oft" clear from deathly road,
Not to cross the sight of God.
Colder grow my hands and feet. —
When I wear the shroud I made,
Let the folds lie straight and neat,
And the rosemary be spread ;
That if any friend should come
(To see thee, sweet!) all the room
May be lifted out of gloom.
And, dear Bertha, let me keep
On my hand this little ring,
Which, at nights when others sleep,
I can still see glittering.
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I46                   ELIZABETH BAKRETT BROWNING.
Let me wear il out of sight,
In the grave, where it wijl light
All the clark up, day and night.
< )n that grave drop not a tear !
Else, though fathom-deep the place.
Through the woollen shroud I wear
1 shall feel it on my face.
Kather smile there, blessed one,
Thinking of me in the sun, —
Or forget me — smiling on!
Art thou near me ? nearer ! so —
Kiss me close upon the eyes,
That the earthly light may go
Sweetly, as it used to rise,
When I watched the niorninggray
Strike, betwixt the hills, the way
He was sure to come that day.
So, — 110 more vain words be said !
Tiie hosannas nearer roll!
Mother, smile now on thy Dead, —
I am death-strong in my soul.
Mystic Love alit on Cross,
Guide the poor bird of the snows
Through the snow-wind above loss !
BIANCA AMONG THE NIGHTiNGALES.
The cypress stood up like a church
That nighl we feit our love would hold,
And saintly moonlight seemed to search
And wash the whole world clean as gold;
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BIANCA AMONG THE NIGHTlNOAI.ES.                   I47
The olives crystallised the vales\'
liroad slopes until the hills grew strong
The tireflies and the nightingales
Throbhed each to either, flame and song.
The nightingales, the nightingales.
Upon rhe angle of its shade
The cypress stood, self bnlanced high
Half up, half down, as double-made ,
Along the ground, against the sky.
And we, too ! from such soul-heights went
Such leaps of blood, so blindly driven,
We scarce knew if our nature meant
Most passionate earth or intense hcaven
The nightingales, the nightingales.
We paled with love, we shook with love,
We kissed so close we could not vow :
Till Giulio whispered, "Sweet, above,
God\'s Ever guarantees this now."
And through his words the nightingales
Drove straight and full their long clear call,
Like arrows through heroic mails,
And love was awful in il all.
The nightingales. the nightingales.
O cold white moonlight of the north,
Kefresh these pulses, quench this heil:
O coverture of death drawn forth
Across this garden chamber .... well!
But what have nightingales to do
In gloomy England, called the free....
.... Ves, free to die in ! when we two
Are sundered, singing still to me ?
And still they sing, the nightingales.
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ELIZABETH BARRKTT BROWNINC
I think I hear him ; how he cried
„My own soul\'s life !" between their notes:
Ea:h man his hut oni soul supplied,
And that\'s immortal. Though his throat\'s
On fire with passion now, to her
He can\'t say what to me he said !
AnJ yet he moves lier, they aver.
The nightingales sing through my head.
The nightingales, the nightingales.
He says to her what moves her most :
He would not name his soul witbin
Her hearing. — rather pays her cost
With praises to her lips and chin.
Man has bul one soul, \'t is ordained,
And each soul but one love, 1 add :
Vet souls are damned and love\'s profaned !
The nightingales will sing me mad !
The nightingales, the nightingales.
I marvel how the birds can sing :
There\'s liule diflerence, in their view,
Betwixt our Tuscan trees thnt spring
As vital flames into the blue,
And dull round blots of foliage meant
I.ike saturated sponges here
To suck the fogs up — as content
Is h; too in this land, tis clear.
And still they sing, the nightingales.
My native Florence, dear, foregone !
I see across the Alpine ridge
How the last feast-day of St. John
Shot rockets trom Carraia bridge.
The luminous city, tall with fire,
Trod deep down in that river of ours,
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I 1.6
BIANCA AMONO THE NIGHTINGALES.
While many a boat with lamp and choir
Skimmed bird like over glittering towers.
I will not hear these nightingales.
I seem to float, we seem to float
Down Arno\'s stream in festive guiïe;
A boat strikes tlame into our boat,
And up that lady seems to rise
As ihen she rosé. The shock had tlashed
A vision on us.\' What a head !
What leaping eyeballs ! — beauty dashed
To splendour by a sudden dread!
And still they sing, the nightingales.
Too bold to sin, too weak to die :
Such «omen are so. As for me,
I would we had drowned there, he and I,
That moment, loving perfectly.
He had not caught her with her loosed
Gold rmglets . . . rarer in the soulh .. .
Nor heard the "Grazio tanto" bruised
To sweetne-s by her F.nglish mouth.
And still ihey sing, the nightingales.
She had not reached liim at my heart
With her line tongue, as snakes indeed
Kill flies : nor had l for my part
Vearned after, in my desperate need,
And foliowed him as he did her
To coasts left bitter by the tide,
Whose very nightingales, elsewhere
Delighting, torture and deride !
For still they sing, the nightingales.
A worthless woman ! Mere cold clay
As all filse things are! but so fair,
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150                       EI.IZA11ETH KARRETT KROWNINO.
She takes the breath of men away
Who (j,ue upon her unaware.
1 would nut play her larcenous tricks
To have her looks ! She lied and stole,
And spat into my love\'s pure pyx
The rank saliva of her soul.
And still they sing, the nightingales.
I would not for her white and ])ink,
Though such he likes — her grace of limb,
Though such he has praised — nor yet, 1 think,
For life itself, though spent with him.
Commit such sacrilege, affront
God\'s nature which is love, intrude
\'Twist two affianced souls, and hunt
Like spiders, in the altar\'s wood. —
I cannot bear these nightingales \'.
If she chose sin, some gentier guise
She might have sinned in, so it seems :
She might have pricked out both mine eyes,
And I still seen him in my dreams ! —
— Or drugged me in my soup or wine.
Nor left me angry afterwards:
To die thus with his hand in mine,
His breath upon me. were not hard.
(Our I.ady hush those nightingales!)
But set a springe for him, mio ben ;
My only good, my first, last love! —
Though Christ knows well what sin is, when
He sees some things done they must move
Himself to wonder. I.et her pass.
I think of her by night and day.
Must 1 too join her . . out, alas !. . .
With Giulio, in each word I say ?
And evermore the nightingales!
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MOTHF.R AND POET.                                     151
Giulio, my Giulio! — sing they so,
And you be silent ? Do I speak
And you not hear ? An arm you throw
Round some one, and I feel so weak !
— Oh. owllike birds ! They sing for spite,
They sing for hate, they sing for doom !
They\'11 sing through death who sing !hrou<;h night,
They\'11 sing and stun me in the tomb —
The nightingales, the nightingales !
MOTHER AND POET.
(Tmin. Af ter ncwt from Gaeta. 1861.)
DEAD ! one of them shot by the sea in the east.
And one ot them shot in the west by the sea !
Dead 1 both my boys! When you sit at the feast
And are wanting a great song for Italy free,
Let none look at me!
Yet I was a poetess only last year,
And good at my art for a «oman, men said.
But //u\'s woman, t/iis, who is agonised here,
The east sea and west sea rhyme on in her head
Kor ever instead.
What\'s art for a woinan ? To hold on her knees
Both darlings ! To feel all their arms round her throat
Cling, strangle a little | To sew by degrees,
And broider the long clothes and neat little coat;
To dream and to dote.
To teach them .... It stings there. / made them indeed
Speak plain the word „country :" ƒ taught them, no doubt,
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"5*
ELIZABETH HARRETT BROWNING.
That a county\'s a thing men should die for at need.
/ prated of liberty, rights, and abont
The tyrant turned out.
And when their eyes flashed .. . . O, my beautiful eyes?
I exulted ! nay, let them go forth at the wheels
I >f the gans, and denied not. Uut then the surprise
When one sits quite alone! Then one weeps, then one kneels!
God! how the house feels !
At tirst happy news caine, in gay letters moiled
With my kisses, of camp-life and glory, and how
They both loved me ; and soon, coming home to be spoiled,
In return would fan off every fly from my brow
With their green laurel bough.
There was triumph at Turin. Ancona was free !
And some one caine out of the cheers in the slreet
With a face pale as stone, to say something to me.
— My Guido was dead ! — I feil clown at bis feet,
While they cheered in the Street.
I bore it — friends soolhed me : my grief looked sublime
As the ransom of Italy. One boy remained
To be leaned on and walked with, recalling the time
When the tirst grew immortal, while both of us strained
To the height he had gained.
And letters still came, — shorter, sadder, more strong,
Writ now but in one hand ! I was not to fainl:
One loved me for two.... would be with me ere long :
And \'Viva Italia\' he died for, our saint
Who forbids our complaint.
My Nanni would add, he was safe, and aware
Of a presence that tumed off the balls .... was imprest
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MOTHBR AND POET.
•53
It was Guido himself, who knew what I could bear.
And how \'t was impossible, quite dispossest,
To live on for the rest.
On which, without pause, up the telegraph line
Swept smoothly the next news from Gaeta : Shot:
Teil his mother. Ah, ah ! — \'his\', \'their\' mother: nut \'mine\'.
No voice says \'my mother\' again to me. What!
Vou think Guido forgot ?
Are souls straight so happy that, dizzy with Heaven,
They drop Earth\'s afiection, conceive not of woe ?
I think not. Themselves were too lately forgiven
Through that Love and Sorrow which reconciled so
The Above and Below.
O Christ of the tive wounds, who look\'dst through the ilark
To the face of thy mother ! Consider, I pray,
How we common mothers ttand desolate, mark,
VVhose sons, not being Christs, die with eyes turned away,
And no last words to say !
Both boys dead! But that\'s out of nature. We all
Have been patriots, yet each house must always keep one;
\'Twere imbecile, hewing out roads to a wall. —
And when Italy\'s made, for what end is it done
If we have not a son ?
Ah, ah, ah! when Gaeta\'s taken, what then ?
When the fair wicked queen sits no more at her sport
Of the fire-balls of death crashing souls out of men ?
When your guns of Cavalli with final retort
Have cut the game short, —
W hen Venice and Rome keep their new jubilee,
When your flag takes all heaven for its white, green, and red,
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BLIZABETH l\'.ARRETT BROWNING.
"54
When you have your country from mountain to sea,
When King Victor has Italy\'s crown on his head, —
(And I have my dead).
\\Yhat then ? Do not mock me ? Ah, ring your bells low,
And burn your lights faintly. My country is there,
Above the star pricked by the last peak of snow;
My Italy\'s there — with my brave civic pair,
To disfranchise despair.
Dead ! — one of them shot by the sea in the west !
And one of them shot in the east by the sea!
Both ! both my boys | Ff in keeping the feast
You want a great song for your Italy free,
Let none look at me !
TO FLUSH, MY DOG.
Loving friend, the gift of one
Wh o her own true faith hath run
Through thy lower nature;
Be my benediction said
With my hand upon thy head,
Gentle fellow-creature!
Like a lady\'s ringlets brown
Flow thy silken ringlets down
Either side demurely
üf thy silver-suited breast
Shining out from all the rest
Of thy body purely.
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TO FLUSH, MY DOG.
Darkly brown thy body is,
Till the sunshine striking this
AlchemNe its dullness:
When tïie sleek curls manifold
Flash all over into gold
With a burnished fullness.
Underneath my stroking hand,
Startled eyes of hazel hland
Kindling, growing larger.
Up thou leapest with a spring,
Full of prank and curvetting,
I.eaping like a charger.
Leap! thy broad tail\'waves a light;
Leap! thy slender feet are bright.
Canopied in fringes.
Leap! those tasselled ears of thine
Flicker strangely, fair and line,
Down their golden inches.
Yet, my pretty, sportive friend,
Little is \'t to siuh an end
That I praise thy rareness!
Other dogs may be thy peers
Haply in these drooping ears,
And this glossy fairness.
But of thee it shall be said,
This dog watched beside a bed
Day and night unweary —
Watched within a curtained room,
Where no sunbeam brake the gloom
Round the sick and dreary.
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156                   BLIZABETH BARRRTT BROWNING.
Roses, gathered for a vase,
In that chamber died apace,
Beam and breeze resigning.
This dog only, waited on,
Knowing that when light is gone,
Love remains for shining.
Other dogs in thymy dew
Tracked the hares, and foliowed through
Sunny moor or nieadow.
This dog only, crept and crept
Next a languid cheek that slept,
Sharing in the shadow.
Other dogs of loyal cheer
Bounded at the whistle clear,
Up the woodside hieing.
This dog only, watched in reach
Of a faintly uttered speech,
Or a louder sighing.
And if one or two quick tears
Uropped upon bis glossy ears,
Or a sigh came doublé —
Up he sprang in eager haste,
Fawning, fondling, breathing fast,
In a tender trouble.
And this dog was satislied
If a pale thin hand would glide
Down his dewlaps sloping —
Which he pushed his nose within,
After — platforming his chin
On the palm left open.
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TO FI.USH, MY DOG.
This dog, if a friendly voice
Call him now to hlither choio:
Than such chamber-keeping.
\'Come out!\' praying from the door, —
Presseth backward as before,
Lp against me leaping.
Therefore, to this dog will I,
Tenderly, not scornfully,
Render praise and favour:
With my hand upon his head,
Is my benediction said,
Therefore. and forever.
And because he loves me so,
Ketter than his kind will do,
< )ften, man or woman,
Give I back more love again
Than dogs often take of men,
Leaning from my Human.
Blessings on thee, dog of mine,
Pretty collars make thee fine,
Sugared milk make fat thee !
Pleasures wag on in thy tail —
Hands of gentle motion fail
Never more, to to pet thee !
Downy pillow take thy head,
Silken coverlid bestead,
Sunshine help thy sleeping!
No fly\'s buzzing wake thee up, —
No man break thy purple cup.
Set for drinking deep in.
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i5s
Kl.IZUSETH UARKETT BROWNING.
Whiskered eals arointed rlee —
Sturdy stoppers keep from thee
Cologne distillations;
Nuts lie in thy path for stones,
And thy feast-day macaroons
Turn ti) daily rations !
Mock I thee, in wishing weal?
Tears are in my eyes to feel
Thou art made so strai\'ly
Blessing needs must straiten too, —
Little canst thou joy or do,
Thou who lovest greatly.
Yet be blessed to the height
I \'f all good and all delight
Pervious to thy nature,
Only lovid beyond that line,
With a love that answers thine,
Loving fellow-creature !
A MUSICAL INSTRUMENT.
WHAT was he doing, the great god Pan,
Down in the reeds by the river -
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon fly on the river?
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A MUSICAL INSTRUMENT.                           159
He tore out a reed, the great god Pan.
Krom the deep cool lied of the river.
The linipid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-Hy had fled away,
Ere he brought it out of the river.
High on the shore sat the great god 1\'an,
While turbidly tlov.ed the river,
And hacked and hewed as a great god can
With his hard bleak steel at the patiënt reed,
Till tliere was not a sign of a leaf indeed
To prove it fresh from the river.
He cut it short, did the great god Pan,
(IIow tall it stood in the river!)
Then drew out the pith like the heart of a man,
Steadily from the outside ring,
Then notched the poor dry empty thing
In holes as he at by the river.
"This is the way", laughtd the great god Pan,
(I.aughed while he sat by the river!;
"The only way, since gods began
\'l\'o make sweet music, they eould succeed!"
Then dropping his mouth to a hole in the reed,
He blew in power by the river.
Sweet, sweet, sweet, ü Pan |
Piercing sweet by the river !
Blinding sweet, ü great god Pan !
The sun on the hill forgot to die,
And the lilies revived, and the dragon fly
Caine back to dream on the river.
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IÖO                      ELIZAHE1II BARRF.TT BROWNING.
Vet half a beast is the great god Pan,
To laugh as he sits by the river,
Making a poet out of a man.
The true gods sigh for the cost and the pain —
Kor the reed that grows never more again
As a reed with the reeds of the river.
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ROBERT BROWNING.
The biography of Robert Browning, born in Londen,
May
7"\'\' 1812, rcsolves i/self for the present in/o a mere
chronicle of the publication of kis woris. He has neither
allowed himself to bc "interviewen,\'\' nor "sonnet-sung" us
about himself. Likt kis great conlemporaries, Mr. Browning
began early to write verse; while like the poets of the aesthetic
school he appears to have deemed the single field of poetry too
narrow for him, and made some attempt to master the arts
of painting and music. Mr. Browning\'s first published
poem,
Pauline, appeared in 1833, I\'aracelsus, a closet drama
wilh speeches three hundred Unes long
, in 1834. Straf-
ford , an historica! drama, was played successfully in
1837 ; A Mot in the \'Scutcheon, in 1843. Hells and
Pomegranates, a collection of dramatic and lyrical poems
appeared between
1K41 and 1846, and contain tnany of the
simplest and noblest of Mr. Browning\'s produclions. I.onger
Poems are Sordello,
The Ring and the Book, Fifine at the
Fair etc. Later woris are Dramatic Idyls, and I\'arleyings with
Certain People of Importance in Their Day, (1887).
11
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IÓ2                                ROBERT BROWNING.
HOME THOUGHTS FROM ABROAD.
Oh, to be in England
Now that April\'s there.
And whoever wakes in England
Sees some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchaid bough
In England — now !
And after April, when May follows,
And the white-throat builds, and all the swallows !
Hark, where my blossomed pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dew-drops — at the bent spray\'s edge —
That\'s the wise thrush ; he sings each song twice over,
Lest you should think he never conld recapture
The lirst fine careless rapture !
And though the fields look rough with hoary dew,
All will be gay when noontide wakes anew
The buttercups, the little children\'s dower
— Kar brighter than this gaudy melon-flower.
SONG FROM «PIPPA PASSES".
The year\'s at the spring,
And day\'s at the mom ;
Morning\'s at seven ;
The hill-side\'s dew-pearled ;
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SONG FROM „A BLOT IN THE \'SCUTCHEON\'".         163
The lark\'s on the wing
The snail\'s on the thorn ;
God\'s in His heaven —
All\'s right with the world.
SONG FROM "A BLOT IN THE \'SCUTCHEON"
TllERE\'sawoman likeadew-drop, she\'s so purerthanthepurest;
And her noble heart\'s the noblest, yes, and her sure faith\'s
(the surest:
And her eyes are dark and humid, like the depth on depth
(of lustre
Hid in the harebell, while her tresses, sunnier than the \\vild-
grape cluster,
Gush in golden-tinted plenty down her neck\'s rose-misted
(marble :
Then her voice\'s music .... call it the welPs bubbling, the
(bird\'s warble !
And this woman says, "My days were sunless and my nights
(were raoonless,
Parched the pleasant April herbage, and the lark\'s heart\'s
(outbreak tuneless,
If you loved me not!" — And I who — (ah, for words
(of dame !) adore her,
Who am mad to lay my spirit prostrate palpably before her —
I may enter at her portal soon, as now her lattice takes me,
And by noontide as by midnight make her mine as mine
(she makes me !
•
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\'\'M
ROliERT BROWNING.
HERVÉ RIEL.
On the sea and at the Ilogue, sixteen hundred ninety-two,
Did the English tight the French, — woe to Trance !
And the thirty-tirst of May, helter-skelter through the blue,
Like a crowd of frightened porpoises a shoal of sharks
(pursue,
Came crowding ship on ship to St. Malo on the Kance,
With the English Heet in view.
\'T was the squadron that escaped, with the victor in full chase ;
First and foremost of the drove, in his great ship, Dani-
(freville ;
Close on him fled, great and small,
Twenty-two good ships in all;
And they signalled to the place.
„Help the winners of the race!
„Get us guidance, give us harbour, take us rjuick — or,
quicker still,
Ilere\'s the English can and will!"
Then the pilots of the place put out brisk and leapt on board ;
„Why wbat hope or chance have ships like these topass?"
(laughed they :
Rocks to starboard, rocks to port, all the passage scarred
(and scored,
Shall the FormidabU here with her twelve and eighty guns
Think to make the river-mouth by the single narrow way,
Trust to enter where \'t is ticklish for a craft of twenty tons ?
Kather say
„While rock stands or water runs,
Xot a ship will leave the bay!"
Then was called a council straight.
ISrief and bitter the debate :
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HERVÉ RIEI.
|65
"Here\'s the English at our heels; would you have theni
(take in tow
"All that\'s left us of the fieet, linked together stern and bow,
"Kor a prize to Plymoi.th Sound ?
"lietter run the ships aground !
"Not a minute more to wait !
"Let the Captains all and each
"Shove ashore, then blow up, burn the vessels on the beach!
"France must undergo her fate.
"Give the word !" Uut no such word
Was ever spoke or heard ;
For up stood, for in struck amid all these
-- A Captain ? A Lieutenant ? A Mate — lïrst, second, third ?
No such man of mark, and meet
With his betters to compete !
Hut a simple Breton sailor pressed by Tourville for the fleet,
A poor coasting pilot he. Hervé Kiel the Croisickese.
And, "What mockery or malice have we here ?" cries Hervé
(Riel:
"Are you mad, you Malouins? Are you cowards, fools, or
(rogues ?
"Talk to me of rocks and shoals, me who took the soun-
(dings, teil
On my fingers every bank, every shallow, every swell
Twixt the offing here and Grève where the river disem-
(bogues ?
"Are you bought by English gold ? Is it love the lying\'s for ?
„Mom and eve, night and day,
Have I piloted your bay,
"Entered free and anchored fast at the foot of Solidor
"Burn the fleet and ruin France ? That were worse than tïfty
(Hogues !
"Sirs, they know I speak the truth ! Sirs, believe me, there\'s
(a way!
"Only let me lead the line,
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166                               ROBERT BROWNING.
"Have the biggest ship to steer,
"Make the others folluw mine,
"And I lead them, most and least, by a passage I know well,
"Kight to Solidor past Grève,
"And there lay ihem safe and sound ;
"And if one ship misbehave
"— Keel so much as grate the ground,
"Why, I\'ve nothing but my life; here\'s my head !" cries
(Hervé Riel.
Not a minute more to wait.
"Steer us in then, small and great!
"Take the helm, lead the line, save the squadron !" cried
(its chief.
Captains, give the sailor place!
He is Admiral, in brief.
Still the nortb-wind, by God\'s grace!
See the noble fellow\'s face
As the big ship, with a bound,
Clears the entry like a hound,
Keeps the passage as its inch of way were the wide sea\'s
(profound.
See, safe through shoal and rock,
How they follow in a flock,
Not a ship that misbehaves, not a keel thatgrates the ground,
Not a spar that comes to grief!
The peril, see, is past,
All are harboured to the last,
And just as Hervé Riel hollas, "Anchor!" — sure as fate,
Up the English come, too late!
So the storm subsides to calm :
They see the green trees wave
On the heights o\'erlooking Grève.
Heails that bied are stanched with balm.
"Just our rapture to enhance,
•\'Iet the English rake the bay,
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167
IIKKVE RIEI .
"Gnash their teeth and glare askance
"As they cannonade away I"
Now hope succeeds despair on each Captain\'s countenance !
Out buist all with one accord,
"This is Paradise for Heil!
"Let trance, let France\'s king
"Thank the man that did the thing 1"
What a shout, and all one word,
"Hervé Riel !"
As he stepped in front once more,
Not a symptom of surprise
In the frank blue Breton eyes,
Just the same man as before.
Then said Damfreville, "My friend,
"1 must speak out at the end,
"Though I tind the speaking hard,
"Praise is deeper than the lips :
"Vou have saved the King nis ships,
"V\'ou must name your own reward.
"Faith, our sun was near eclipse!
"Demand whate\'er you will,
"France remains your debtor still.
"Ask to heart\'s content and have,
or my name\'s not
(Damfreville."
Then a beam of fun outbroke
On the bearded mouth that spoke,
As the honest heart laughed through
Those frank eyes of Breton blue :
"Since I needs must say my say,
"Since on board my daty\'s done,
And from Malo Roads to Croisic Point, what is it but a run?
"Since \'t is ask and have, 1 may —
"Come ! a good whole holiday !
"Leave to go and see my wife, whom I call the Belle Aurore !"
That he asked and that he got, — nothing more.
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168
ROHERT BROWNING.
Nulhing more ?
Nothing more!
Name and deed alike are lost; —
Not a pillar or a post
In his Croisic keeps alive the feat as it befell;
Not a single ligure-head on a single fishing-smack,
In memory of the man but for whom had gone to wrack
All that France saved from the lïght whence England bore
(the bell.
Go to Paris : rank on rank
Search the heroes llung pell-mell
l )n the Louvre, face and tlank !
Vou shall look long enough ere you come to Hervé Kiel.
So for betier and for worse,
Hervé Hiel, accept my verse!
In my verse, Hervé Kiel, do thou once more
Save the squadron, honour France, love thy wife the Helle
(Aurore.
INCIDENT OF THE FRENCH CAMP.
You know, we French stormed Ratisbon :
A mile or so away
On a little mound, Napoleon
Stood on our storming-day ;
With neck out-thrust, you fancy how,
Legs wide, arms locked behind,
As if to balance the prone brow
Oppressive with its mind.
Just as perhaps he mused "My plans
"That soar, to earth may fall,
"Let once my arniy-leader Lannes
"Waver at yonder wall," -
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INCIDENT OF THE FRESCH CAMP.                     169
Out \'twixt the battery-smokes there flew
A rider, bound on bound
Full galloping ; nor bridle drew
Until he reached the mound.
Then off there flung in smiling joy,
And held himself erect,
By just his horse\'s mane, a boy :
You hardly could suspect —
(So tight he kept his lips compressed,
Scarce any blood came through)
You looked twice ere you saw his breast
Was all hut shot in two.
"Well," cried he, "Emperor, by Gods grace
"We\'ve got you Ratisbon !
"The Marshal\'s in the niarket-place,
"And you\'U be there anon
"To see your flagbird flap his vans
"Where I, to heart\'s desire,
"Perched him !" The chief\'s eye flashed ; his plans
Soared up again like fire.
The chief\'s eye flashed ; but presently
Softened itself, as sheathes
A film the mother-eagle\'s eye
When her bruised eaglet breathes ;
"You\'re wounded !" "Nay," the soldier\'s pride
Touched to the quick, he said :
"I\'m killed, Sire!\'\' And his chief beside,
Smiling the boy feil dead.
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170
ROBERT BROWNING.
THE PATRIOT.
AN OLI) STORY.
It was roses, roses, all the way,
With myrtle mixed in my path like mad :
The house-roofs seenied to heave and sway,
The church-spires tlained, sueh flags they had,
A year ago on this very day.
The air broke into a mist with bells,
The old walls rocked with the crowd and cries.
Had I said, "Good folk, mere noise repels —
"But give me your sun from yonder skies |"
They had answered. "And afterward, what else?"
Alack, it was I who leaped at the sun
To give it my loving friends to keep !
Nought man could do, have I left undone :
And you see my harvest. what I reap
This very day, now a year is run.
There\'s nobody on the house-tops now -
Just a palsied few at the windows set;
For the best of the sight is, all allow,
At the Shambles\'üate — or, better yet,
By the very scaffold\'s foot, I trow.
I go in the rain, and, more than needs,
A rope cuts both my wrists behind ;
And I think, by the feel, my forehead bleeds,
For they fling, whoever has a mind,
Stones at me for my year\'s misdeeds.
Thus I entered, and thus I go !
In triumphs, people have dropped down <lead.
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171
THE PATRIOT.
"I\'aid by ihe world, what (lost thou owe
"Me?" —God might question: now instead,
\'T is God shall repay : I am safer so.
HOW THEY BROUGHT THE GOOD NEWS
FROM GHENT TO AIX.
(16- ).
I SPRANG to the stirrup, and Joris, and he ;
I galloped, Dirck galloped, we galloped all tliree ;
"Good speed!" cried the watch, as the gate-bolts undrew ;
"Speed !" echoed the wall to us galloping through ;
Behind shut the postern, the lights sank to rest,
And into the midnight we galloped abreast.
Not a word to each other, we kept the great pace
Neck by neck, stride by stride, never changing our place;
I tumed in the saddle and made i\'s girths tight,
Then shortened each stirrup, and set the piqué right,
Rebuckled the cheek-strap, chained slacker the bit,
Nor galloped less steadily Roland a whit.
\'T was moonset at starting ; but while we drew near
Lokeren, the cocks crew and twilight dawned clear;
At Hoorn a great yellow star came out to see;
At Düflield, \'t was morning as plain as could be ;
And froin Mecheln church-steeple we heard the half-chime,
So Joris broke silence with, "Vet there is time!"
At Aershot, up leaped of a sudden the sun,
And against him the cattle stood black every one,
To stare through the mist at us galloping past,
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ROBERT BROWNING.
\'7-
And I saw my stout galloper Roland at last,
Wilh resolute shoulders, each butting away
The haze, as some bluff river headland its spray ;
And liis low head and crest, just one sharp ear bent back
For niy voice. and the other pricked out on his track;
And one eye\'s black intelligence — ever that glance
O\'er its white cdge al rne, his own master, askancel
And the thick heavy spume flakes which aye and anon
His fierce lips shook upwards in galloping on.
Uy Hasselt Dirck groaned ; and cried Joris, "Stay spur!
Your Roos galloped bravely, the fault\'s not in her;
We\'11 remember at Aix" — for one heard the <iuick wheeze
Of her chest, saw the stretched neck and staggering knees,
And sunk tail. and horrible heave of the flank.
As down on her haunches she shuddered and sank.
So we were left galloping, Joris and I,
1\'ast I.ooz and past Tongres. no cloud in the sky;
The broad sun above laughed a pitiless Iaugh,
\'Xeath our feet broke the brittle bright stubble like chalï;
Till over by Dalhelm a dome-spire sprang white,
And, "Gallop" gasped Joris, "for Aix is in sight !
"How lhey\'11 greet us!" — and all in a moment his roan
Rolled neck and croup over, feil dead as a stone;
And there was my Roland to bear the whole weight
< )f the news which alone could save Aix from her fate
With his nostrils like pits full of blood to the brim,
And with circles of red for his eye-sockets\' rim
Then I cast loose my bufï-coat, each holster let fall,
Shook ofï both my jack-boots, let go belt and all,
Stood up in the slirrup, leaned, patted his ear,
Called my Roland his pet-name, my horse without peer,
Clapped my hands, laughed and sang, any noise, bad or good,
Till at length into Aix Roland galloped and stood.
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THE LAST KIDE TOCETIIER.                            173
And all I rememher is friends llocking round,
As I sat with his head \'t wixt my knees on the ground;
And no voice but was praising this Roland of mine
As I poured down his throat our last measure of wine.
Which (the burgesses voted by common consent)
Was no more than his due who brought good new s from (Ihent.
THE LAST RIDK TOGETHER.
I SAII) - Then, dearest, since \'t is so,
Since now at length my fate I know,
Since nothing all my love avails,
Since ail my life seemed meant for, fails,
Since this was written and needs must be
My whole heart rises up to bless
Your name in pride and thankfulness!
Take back the hope you gave, — I claim
Only a memory of the sarae,
— And this beside, if you will not blame,
Your leave for one more last ride with me.
My mistress bent that brow of Iers;
Those deep dark eyes where pride demurs
When pity would be softening through,
Fixed me a breathing-while or two
With life or death in the balance: right!
The blood replenished me again ;
My last thought was at least not vain :
I and my mistress, side by side
Shall be together, breathe and ride,
So, one day more am I deified.
Who knows but the world may end to-night ?
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174
ROBKRT BROWNING.
Hush! if you saw sorae western cloucl
All billowy bosomed, over-bowed
liy many benedictions — sun\'s
And moon\'s and evening-star\'s at once —
And so, you, looking and loving best,
Conscious grew, your passion drew
Cloud, sunset, moonrise. star shine too,
Down on you, near and yet more near,
Till tlesh must fade for heaven was here! —
Thus leant she and lingered — joy and fear!
Thus lay she a moment on my breast.
Then we began to ride. My soul
Smoothed itself out, a long-cramped scroll
Fresbening and lluttering in the wind.
Past hupes already lay behind.
What need to strive with a life awry ?
Had I said that. had I done this,
So might I gain, so might I miss.
Might she have loved me? just as well
She might have bated, who can teil !
Where had I been now if the worst befell ?
And here we are riding, she and 1.
Fail I alone, in words and deeds ?
Why, all men strive and who succeeds ?
We rode; it seemed my spirit flew,
Saw other regions, cities new,
As the world rushed by on either side.
I thought, — All labour, yet no less
Bear up beneath their unsuccess :
Look at the end of work, contrast
The petty IJone, the Undone vast,
This Present of theirs with the hopeful Past !
I hoped she would love me; here we ride.
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THE I.AST KIDE TOGETHER.
What hand arul brain went ever paired ?
What heart alike conceived and darecl :
What act proved all its thought had been ?
What wil] but feit the fleshly screen ?
We ride and I see her bosom heave.
There\'s many a crown for who can reach.
Ten lines, a statesman\'s life in each!
The fiag stuck on a heap of bones.
A soldier\'s doing ! what atones ?
They scratch his name on the Abbey-stones.
My riding is better, by their leave.
What does it all mean, poet ? Well,
Your brains beat intu rhythm, you teil
What we feit only ; you expressed
You hold things beautiful the best.
And pace them in rhyme so, side by side.
\'T is something, nay \'t is much : but then,
Have you yourself what\'s best for men ?
Are you — poor, sick, old ere your time —
Nearer one whit your own sublime
Than we who never have tumed a rhyme ?
Sing, riding\'s a joy ! For me I ride.
And you, great sculptor — so, you gave
A score of years to Art, her slave,
And that\'s your Venus, whence we turn
To yonder girl that fords the burn !
You acquiesce, and shall I repine ?
What, man of music, you grown grey
With notes and nothing else to say,
Is this your sole praise from a friend,
"Greatly his opera\'s strains intend,
"But in music we know how fashions end!"
I gave my youth; but we ride, in fine.
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t76
RÜI1ERT BROWNING.
Who knows what\'s tit for us ? I lad fate
Proposed bliss here should sublimate
My being — had I signed the bond —
Still one must lead some life beyond,
Have a bliss to die with. dim descried.
This foot once planted on the goal,
This glory-garland round my soul,
Could I descry such ? Try and test!
I sink back shuddering from the quest.
Earth being so good, would Heaven seem best?
Now, Heaven and she are beyond this ride.
And yet — she has not spoke so long !
What if Heaven be that, fair and strong
At life\'s best, with our eyes upturned
Whither life\'s tlower is tirst discerned,
We, tixed so, ever should so abide?
What if we still ride on, we two,
With life for ever old yet new,
Changed not in kind but in degiee,
The instant made eternity, —
And Heaven just prove that I and she
Ride, ride, together, for ever ride?
EVELYN HOPE
Beautikul Evelyn Hope is dead !
Sit and watch by her side an hour.
That is her book-shelf, this is her bed ;
She plucked that piece of geranium tlower
Beginning to die too, in the glass ;
Little has yet been changed, I think ;
The shutters are shut; no light may pass
Save two long rays thro\' the hinge\'s chink.
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EVELYN HOI\'E.
177
Sixteen years old when she died!
Perhaps she had hardly heard my name ;
It was not her time to love ; beside,
Hei" life had many a hope and aim ;
Duties enough and little cares,
And now was quiet, now astir,
Till God\'s hand heckoned unawares,
And the sweet white brow is all of her.
Is it too late then. Evelyn Hope?
What, your soul was pure and true —
The good stars met in your horoscope,
Made you of spirit, fire and dew —
And. just because I was thrice as old,
And our paths in the world diverged so wide,
Each was nought to each, must I be told ?
We were fellowmortals, nought beside ?
Xo indeed ! for (Jod above
Is great to grant as mighty to make,
And creates the love to reward the love :
I claim you still, for my own love\'s sake!
Delayed it may be for more ives yet,
Through worlds I shall traverse, not a few :
Much is to learn, much to forget,
Ere the time be come for taking you.
Bat the time will come — at last it will,
When, Evelyn Hope, what meant (I shall say)
In the lower earth, in the years long still,
That body and soul so pure and gay.
Why your hair was amber, I shall divine,
And your mouth of your own geranium\'s red —
And what you would do with me, in fine,
In the new life come in the old one\'s stead.
i 2
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i78
ROBERT BROWNING.
I have lived (I shall say) so much since then,
Given up myself so many times,
Gained me the gains of various men,
Ransacked the ages, spoiled the climes;
Yet one thing, one, in my soui\'s full scope,
Either I missed or itself missed me :
And I want and find you, Kvelyn Hope !
What is the issue ? let us see!
I loved you, Evelyn, all the while!
My heart seemed as full as it could hold —
There was place and to spare for the frank young smile,
And the red young mouth, and the hair\'s young gold.
So hush — I will give you this leaf to keep :
See, I shut it inside the sweet cold hand!
There, that is our secret; go to sleep!
You will wake, and remember, and understand.
PR O SPI CE.
FiiAR death ? — to feel the fog in my throat,
The mist in my face,
When the snows begin, and the blasts denote
I am nearing the place,
The power of the night, the press of the storm,
The post of the foe ;
Where he stands, the Arch Fear in a visible form,
Yet the strong man must go:
For the journey is done and the summit attained,
And the barriers fall,
Though a battle \'s to tight ere the guerdon be gained,
The icwaid of it all.
I was ever a fighter, so — one fight more.
The best and the last!
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PROSPICE.
1-9
I would hate that Ueath bandaged my eyes, and forbore,
And bade me creep past.
No! let me taste the whole of it, fare like my peers
The heroes of old,
Bear the brunt, in a minute pay glad life\'s arrears
()f pain, darkness and cold.
For sudden the worst turns the best to the brave,
The black minute \'s at end,
And the elements\' rage, the liend-voices that rave,
Shall dwindle, shall blend,
Shall change, shall become first a peace out of pnin,
Then a light, then thy breast,
O thou soul of my soul ! I shall clasp thee again,
And with God be the rest!
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ARTHUR HUGH CLOUGH.
Tms writer\'s productions are moslly "poems of the inner
/i/e", although Ais principal vork.
The Kothie ofTober-na-
Vuolich, 1848, is a descriptive poem with a love-story inter-
weven. Clough was bom at Liverpool in
1819 ,• passed some
of //is ear/y years in Virginia, was educated at Rugby and
Oxford, resigned his university appoinlments in
1848, offi-
ciatcd for a short time as Principa/ of University /fa//,
London; s/ent a year in America in intimate association
with Emerson and his circ/e ; retiirned to Eng/and to take
a post in the Education Office; lost his health and died al
Florence in
1861. Clough\'s collectedpoems, with a selection from
his letters and olhcr papers, and a memoir by his widow,
were piiblished in two volumes in
1869.
THE STREAM OF LIFE.
O Stream descending to the sea,
Thy mossy banks between,
The flowerets blow, the grasses grow,
The leafy trees are green.
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AN INCIDENT.
In garden plots the children play,
The tields the labourers till,
And houses stand on either hand,
And thou descendest still.
O life descending into death,
Our waking eyes behold,
Patent and friend thy lapse attend,
Companions young and old.
Strong purposes our minds possess,
Our hearts aflections fill,
We toil and earn, we seek and learn,
And thou descendest still.
O end to which our currents tend,
Inevitable sea,
To which we flow, what do we know,
What shall we guess of thee ?
A roar we hear upon thy shore,
As we our course fultil;
Scarce we divine a sun will shine
And be above us still.
AN INCIDENT.
\'T was on a sunny slimmer day
I trod a mighty city\'s str.-et,
And when I started on my way
My heart was full of fancies sweet:
But soon, as nothing could be seen
But countenances sharp and keen,
Nought heard or seen around but told
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i8a
ARTHUR HUGH CI.OUGH.
Of something bought or something sold,
And none that seemed to think or care
That any save himself was there, —
Full soon my heart began to sink
With a strange shame and inward pain,
For I was sad within to think
Of this absorbing love of gain,
And various thoughts my bosom tossed;
When suddenly my path there crossed,
Locked hand in hand with one another,
A little maiden and her brolher —
A little maiden, and she wore
Around her waist a pinafore
And hand in hand along the street
This pretty pair did softly go,
And as they went, their little feet
Moved in short even steps and slow :
It was a sight to see and bless,
That little sister\'s tenderness :
One hand a tidy basket bore
Of flowers and fruit — a chosen store,
Such as kind friends oft send to others —
And one was fastened in her brother\'s.
It was a voice of meaning sweel,
And spake amid that scène of strife
Of home and homely duties meet,
And charities of daily life\';
And often, should my spirit fail,
And under cold strange glances quail
\'Mid busy shops and busier throng,
That speed upon their ways along
The thick and crowded thoroughfare,
Til call to mind that little pair.
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183
DIPSYCHUS\' VISION.
DIPSYCHUS\' VISION.
I HAD a vision ; was it in my sleep ?
And if it were, what then ? But sleep or wake,
I saw a great light open o\'er my head ;
And, sleep or wake, uplifted to that light,
Out of that light proceeding heard a voice,
Uttering high words, which whether sleep or wake,
In me were fixed, and in me must abide.
When the enemy is near thee,
Call on us!
In our hands we will upbear thee,
He shall neither scathe nor scare thee,
He shall fly thee, and shall fear thee,
Call on us !
Call when all good friends have left thee,
Of all\' good sights and sounds bereft thee;
Call when hope and heart are sinking,
And the brain is sick with thinking,
Help, O help !
Call, and following close behind thee
There shall haste, and there shall find thee,
Help, sure help.
When the panic comes upon thee,
When necessity seems on thee,
Hope and choice have all foregone thee,
Fate and force are closing o\'er thee,
And but one way stands before thee —
Call on us !
O, and if thou dost not call,
Be but faithful, that is all,
Go right on, and close behind thee
There shall follow still and find thee
Help, sure help.
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184                               ARTHUR HUGH CLOÜGH.
SONG IN ABSENCE.
Co.me home, come home ! and where is home for me
Whose ship is driving o\'er the trackless sea ?
To the frail bark here plunging on its way,
To the wild waters, shall I turn and say
To the plunging bark, or to the salt sea foam,
You are my home ?
1\'ields I once walked in, faces once I knew,
Familiar things so old my heart believed them true,
These far, far back, behind me lie, before
The dark clouds muiter, and the deep seas roar,
And speak to them that \'neath and o\'er them roam
No words of home.
Beyond the clouds, beyond the waves that roar,
There may indeed, or may not be, a shore,
Where lields as green, and hands and hearts as true,
The old forgotten semblance may renew,
And offer exiles driven far o\'er the salt sea foam
Another home.
But toil and pain must wear out many a day,
And days bear weeks, and weeks bear mouths away,
Ere, if at all, the weary travelier hear,
With accents whispered in his wayworn ear,
A voice he dares to listen to, say, Come
To thy true home.
Come home, home, home ! and where a home hath he
Whose ship is driving o\'er the driving sea ?
Through clouds that mutter, and o\'er waves that soar,
Say, shall we iind, or shall we not, a shore
That is, as is not ship or ocean foam,
Indeed our home ?
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JEAN INGELOW.
Tms popular poetess was bom at Boston, Lineolnshire, in
1820. Her poetical taste was nnrtured on the carly works
of Tcnnyson and Mrs. Browning, and many of her petms
show the injhience of her teachers. In others Miss Ingelote
shows herself a sweet natural singer. Her poems have been
exccedingly popular ; a twentythird edition waspublished so
tar/y as
1863; her novels, the tirst of which waspublished
in
1872, have also enjoyed a fair share of success.
THE HIGH TIDE ON THE COAST OF
LINCOLNSHIRE.
0571).
The old mayor climbed the belfry tower,
The ringers ran by two, by three;
"Pull, if ye never pulled before ;
Good ringers pull jour best," quotli he.
"Play uppe, play uppe, O Boston bells !
1\'ly all your changes, all your swells,
Play uppe \'The Brides of Enderby.\' "
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186
JEAN INGELOW.
Men say it was a stolen tyde —
The Lord that sent it, He knows all;
But in myne ears doth still abide
The message that the bells let fall:
And theie was nought of strange, beside
The flights of mews and peewits pied
By millions crouched on the old sea wall.
I sat and span within the doore,
My thread brake off, I raised mine eyes ;
The level sun, like ruddy ore,
Lay sinking in the barren skies,
And dark against day\'s golden death
She moved where Lindis wandereth,
My sonne\'s fair wife, Elizabeth.
"Cusha ! Cusha ! Cusha!" calling,
Ere the early dews were falling,
Farre away I heard her song.
"Cusha ! Cusha !" all along
Where the reedy Lindis floweth,
Floweth, floweth;
Fiom the meads where melick groweth
Faintly came her milking song —
"Cusha ! Cusha ! Cusha !" calling,
"For the dews will soon be falling ;
Leave your meadow grasses mellow,
Mellow, mellow;
(luit your cowslips, cowslips yellow ;
Come uppe Whitefoot. come uppe Lightfoot,
Quit the stalks of parsley hollow,
Hollow, hollow ;
Come up Jetty, rise and follow,
From the clovers lift your head;
Come uppe, Whitefoot, come uppe Lightfoot,
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THE HIGH TIDE ON THE COAST OF LINCOLNSHIRE. I87
Come uppe Jetty, rise and follow,
Jetty, to the müking shed."
If it be long, ay, long ago,
When I begin to think howe long,
Again I hear the Lindis tlow,
Swift as an arrowe, sharpe and strong ;
And all the aire, it seemeth mee,
Bin full of floating bells (sayth shee)
That ring the tune of Enderby.
Alle fresh the level pasture lay,
And not a shadowe mote be seene,
Save where full fyve good miles away
The steeple towered from out the greene ;
And ho ! the great bell farre and wide
Was heard in all the country-side
That Saturday at eventide.
The swanherds where their sedges are
Moved on in sunset\'s golden breath,
The shepherde lads I heard afarre,
And my son\'s wife, Elizabeth;
Till floating o\'er the grassy sea
Came down that kindly message free,
The "Brides of Mavis Enderby."
Then some looked uppe into the sky,
And all along where I.indis flows
To where the goodly vessels lie,
And where the lordly steeple shows.
They sayde, "And why should this thing be?
What danger Iowers by land or sea ?
They ring the tune of Enderby !
"Kor evil news from Mabelthorpe,
Of pyrate galleys warping down :
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JEAN 1NGEI.OW.
For shippes ashore bevond the scorpe,
They have not spared to wake the towne;
But when the west bin red to see,
And storms be none, and pyrates flee,
Why ring \'The Brides of Enderby ?\' "
I looked without, and lo ! my sonne
Came riding downe with might and main:
He raised a shout as he drew on,
Till all the weikin rang again,
"Elizabeth, Elizabeth!
(A sweeter woman ne\'er drew breath
Than my sonne\'s wife, Elizabeth.)
"The old sea wall (he cried) is downe,
The rising tide comes on apace,
And boats adrift in yonder towne
Go sailing up the market-place."
He shook as one that looks on death :
"God save you, mother !" straight he saith ;
"Where is my wife, Elizabeth ? \'
"Good sonne, where Lindis winds away,
With lier two bairns I marked her long;
And ere yon bells beganne to play
Afar I heard her milking song."
He looked across the grassy lea,
To right, to left, "Ho, Enderby!"
They rang "The Brides of Enderby !"
With that he cried and beat his breast;
For, lo ! along the river\'s bed
A mighty eygre reared his crest,
And uppe the Lindis raging sped.
It swept with thunderous noises loud;
Shaped like a curling snow-white cloud,
Or like a demon in a shroud.
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THE HIGH TIDE ON THE COAST OF LINC01.NSHIRK. 189
And rearing Lindis backward pressed
Shook all her trembling bankes amaine;
Then madly at the eygre\'s breast
Flung uppe her weltering walls again.
Then banks came downe with ruin and rout —
Then beaten foam flew round about —
Then all the mighty rloods were out.
So farre, so fast the eygre drave
The heart had hardly time to beat,
Before a shallow seelhing wave
Sobbed in the grasses at our feet:
The feet had hardly time to rlee
Before it brake against the knee,
And all the world was in the sea.
Upon the roofe we saté that night,
The noise of bells went sweeping by;
I marked the lofty beacon light
Stream from the church tower, red and high —
A lurid mark and dread to see;
And awsome bells they were to mee,
That in the dark rang "Enderby."
They rang the sailor lads to guide
From roofe to roofe who fearless rowed;
And I — my sonne was at my side,
And yet the ruddy beacon glowed ;
And yet he moaned beneath his breath,
"O come in life or come in death !
O lost! my love, Elizabeth !"
And didst thou visit him no more ?
Thou didst, thou didst, my daughter deare
The waters laid thee at his doore,
Ere yet the early dawn was clear.
Thy pretty bairns in fast embrace,
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JEAN INGELOW.
The lifted sun shone on ihy face,
Down drifted to thy dwelling-place.
That flow strewed wrecks about the grass,
That ebbe swept out the Hoeks to sea ;
A fatal ebbe and flow, alas !
To many more than myne and mee :
But each will mourn his own (she saith)
And sweeter woman ne er drew breath
Than my sonne\'s wife, Elizabeth.
I shall never hear her more
liy the ïeedy Lindis shore,
"Cusha I Cusha ! Cusha!" calling,
Ere the early dews be falling ;
I shall never hear her song,
"CushaI Cusha!" all along
Where the sunny I.indis floweth,
Goeth, floweth ;
From the meads where melick groweth,
When the water winding down,
Onward floweth to the town.
I shall never see her more
Where the reeds and rushes quiver,
Shiver, quiver ;
Stand beside the throbbing river,
Sobbing, throbbing, in its falling
To the sandy lonesome shore;
I shall never hear her calling,
"Leave your meaduw grasses mellow,
Mellow, mellow ;
Quit your cowslips, cowslips yellow
Come uppe Whitefoot, come uppe Lightfoot;
Quit your pipes of parsley hollow,
Hollow, hollow
Come uppe Lightfoot, rise and follow;
Lightfoot, Whitefoot,
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THE BASHFUL LOVER.
From your clovers lift the head;
Come uppe Jetty, follow, follow,
Jetty, to the milliing shed
THE BASHFUL LOVER.
My neighbour White — we met to-day —
He ahvays had a cheerful way,
As if he breathed at ease;
My neighbour White lives down the glade,
And I live higher, in the shade
Of my old walnut trees.
So many lads and lasses small,
To feed them all, to clothe them all,
Must surely tax his wit;
I see his thatch when I look out,
His branching roses creep about,
And vines half sn-.other it.
There white-haired urchins climb his eaves
And little watch-fires heap with leaves,
And milky tilberts hoard ;
And there his oldest daughter stands
With downcast eyes and skilful hands
Beside her ironing-board.
She comforts all her mother\'s days,
And with her sweet obedient ways
She makes her labour light;
So sweet to hear, so fair to see!
O, she is much too good for mee,
That lov-ely Lettice White!
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jEAN INGELOW.
\'T is hard to feel oneself a fooi!
With that same lass I went to school —
1 then was great and wise ;
She read upon an easier book,
And I — I never cared to look
Into her shy blue eyes.
And now 1 know they must be there,
Sweet eyes, behind those lashes fair
That will not raise their rim :
If maids be shy, he cures who can ;
But if a man be shy — a man —
Why then, the worse for him !
My mother cries, "Kor such a lad
A wife is easy to be had.
And always to be found;
A finer scholar scarce can be,
And for a\' foot and leg" says she,
He beats the county round !
My handsome boy must stoop his head
To clear her door «hom he would wed."
Weak praise, but foiully sung !
„O mother ! scholars sometimes fail —
And what can foot and leg avail
To him that wants a tongue?"
When by her ironing-board I sit,
Her little sisters round me dit,
And bring me forth their store;
Dark clustered grapes of dusty blue,
And small sweet apples bright of hue,
And crimson to the core.
But she abideth silent, fair,
All shaded by her flaxen hair
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SONG.
i 9.i
The blushes come and go ;
I look, and I no more can speak
Than the red san that on her cheek
Smiles as he lieth low.
Sometimes the roses by the lateh
Or scarlet vine-leaves from the thatch
Come sailing down like birds ;
When from their drifts her board I clear,
She thanks me, but I scarce can hear
The shyly uttered words.
()ft have I wooed sweet I.ettice White
I5y daylight and by candle-lighl
Wlien we two were apart.
Some better day come on apace,
And let me teil her face to face,
"Maiden, thou hast my heart".
IIow gently rock those poplars high
Against the reach of primrose sky
Witfa heaven\'s pale candles stored !
She sees them all, sweet Lettice White ;
I\'ll een go sit again to-night
Beside her ironing-board !
SONG.
Whe.n sparrows build, and the leaves break forth,
My old sorrow wakes and cries,
For I know there is dawn in the far, far north,
And a scarlet sun doth rise ;
Like a scarlet fleece the snow-lield spreads,
And the icy founts run free,
\'3
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194                                   JEAN INGELOW.
And the bergs begin to bow their heads,
And plunge, and sail in ihe sea.
C) my lost love, and my own, own love,
And my love that loved me so!
Is there never a chink in the world above
Where they listen for words from below ?
Nay, I spoke once, and I grieved thee sore —
I remember all that I said ;
And now thou wilt hear me no more — no more
Till the sea gives up her dead.
Thou didst set thy foot on the ship, and sail
To the ice-fïelds and the snow;
Thou wert sad, for thy love did nought avail,
And the end I could not know.
Hoiv could I teil I should love thee to day,
Whom that day I held not dear?
How could I know I should love thee away,
When I did not love thee near ?
We shall walk no more through the sodden plain
With the faded bents o\'erspread,
We shall stand no more by the seething main
While the dark wrack drives o erhead ;
We shall part no more in the wind and the rain,
Where thy last farewell was said ;
But perhaps I shall meet thee and know thee again
When the sea gives up her dead.
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MATTHEW ARNOLD.
Tuis eminent crilic, theologian and poet, was born in
Middlesex December
24"1 1822. Like his father. Dr. Arnold
of Rugby, he lias interested himself grcatly in educational
work, and his reports of schools and universities on the
continent are very valuable. Mr. A rnolifs poetry forms bul
a smalt part of his literary work. His ftrst frodnction was
The Strayed Revellers ; Empeclodes on Etna, a lyrical\'drama,
foliowed in
1853. Bolh these woris were published anony-
mously, bul in
1854 a volume cf poems appeared, hearing
the aulhor\'s name. In
1857 Mr. Arnold was electedprofessor
of poetry at Oxford, an office which he held fora few ycars
and then resigned. In
1858 he published Merope, a tragedy
afler the antique, in a preface to which he explained the
principles of G reek tragedy. A collected edition of Mr. Arnold\'s
poems was issued in
1866, and has been several times
reprinted. Among the most important pieces are
The Scholar
Gipsy and Thyrsis, the latter an elegy on A. H. Clough ;
Tristram and Iseult; Sohrab and Rustum ; and the short
popular poems given beloiu.
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\\(/>
MATTHEYV ARNOI.D
LINES WRITTEN IN KENSINGTON GARDENS.
In this lone open glade I lie,
Screened by deep boughs on either hand,
And, at its head, to stay the eye,
Those dark-crowned, red-boled pine trees stand.
Birds here make song ; each bird has his
Across the girdling city\'s hum ;
How green onder the boughs it is !
How thick the tremulous sheep-cries come !
Sometimes a child will cross the glade
To take his nurse his broken toy;
Sometimes a thrush Hit overhead,
Deep in her unknown day\'s employ.
Here at my feet what wonders pass!
What endless, active life is here :
What blowing daisies, fragrant grass !
An air-stirred forest fresh and clear.
Scarce fresher is the mountain sod
Where the tited angler lies, stretched out,
And, eased of basket and of rod,
Counts his day\'s spoil, his spotted trout.
In the huge world which roars hard by
Be others happy, if they can ;
But, in my helpless cradle, I
Was breathed on by the rural Pan.
I on nien\'s impious uproar hurled
Think often, as I hear them rave,
Tliat peace has left the upper world,
And now keeps only in the grave.
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TO MARGUERITK.
\'97
Yet here is peace for ever new !
When I, who watch Ihem, am away,
Still all things in this glade go thrcugh
The changes of their quiet day.
Then to their happy rest they pass,
The rlowers close, the birds are fed,
"The night comes down upon the grass,
The child sleeps warmly in his bed.
Calm soul of all things ! make it mine
To feel, amid the city\'s jar,
That there abides a peace of thine,
Man did not make, and cannot mar!
The will to neither strive nor cry,
The power to feel with others, give !
Calm. calm me more, nor let me die
Before I have begun to live.
TO MARGUER1TE.
Yes ! in the sea of lifè enisled,
With echoing straits between us thrown,
Dotting the shoreless watery wild,
We mortal millions live alone.
The islands feel the enclasping flow,
And then their endless bounds they know.
But when the moon their hollows lights,
And they are swept by balms of spring,
And in their glens, on starry nights,
The nightingales divinely sing ;
And lovely notes, from shore to shore,
Across the sounds and channels pour —
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loS
MATTHEW ARNOLl).
Oh! then a longing like despair
[s to their farthest caverns sent;
Kor surely once, they feel, we were
Parts of a single continent!
Now round U\'i spreads the watery plain —
Oh might our marges meet again !
Who ordeied, that their longing\'s lire
Should be, as soon as kindled, cooled ?
Who renden vain their deep desire ? —
A God, a Ood their severance ruled!
And bade between their shores to be
The umplumbed, salt, estranging sea.
R E Q U I E S C A T.
STRKW on her roses, roses,
And never a spray of yew 1
In qaiet she reposes ;
Ah, would that I did too!
Her mirth the world ïeiiuired1
She bathed it in srhiles of glee.
Uut her heart was tired, tired,
And now they let her be.
Her life was turning, turning,
In mazes of heat and sound;
But for peace her soul was yearning,
And now peace laps her round.
Her cabin\'d ample spirit,
It flutter\'d and failed for breath.
To-night it doth inherit
The vasty hall of death.
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PHILOME1.A.
199
PHILOMELA.
Hark ! ah, the nightingale —
The tawny-throated!
Hark, from that moonlit cedar what a burst!
What triumpb ! hark! — what pain!
O wanderer from a Grecian shore,
Still, after many years, in distant lands,
Still nourishing in thy bewildered brain
That wild, unquenched, deep-sunken, old-world pain —
Say, will it never heal ?
And can this fragrant lawn
With its cool trees, and night,
And the sweet, tranquil Thames,
And moonshine, and the dew,
To thy racked heart and brain
Afford no balm ?
Dost thou to-night behold,
Here, through the moonlight on this English grass,
The unfriendly palace in the Thracian wild ?
Dost thou again peruse
With hot cheeks and seared eyes
The too clear web, and thy cumb sister\'s shame?
Dost thou once more essay
Thy tlight, and feel come over thee
Poor fugitive, the feathery change
Once more, and once more seem to make resound
With love and hate, triumph and agony,
Lone Daulis, and the high Cephissian vale ?
Listen, Eugenia —
How thick the bursts come crowding through the leaves!
Again — thou hearest ?
Eternal passion !
Eternal pain!
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200
MATTHEW ARNOLD.
THE NECKAN.
In summer. on the headlands,
The Baltic sea along,
Sits Neckan with his harp of gold,
And sings his plaintive song.
Green rolls beneath the headlands
(heen rolls the Baltic Sea;
And there, below the Neckan\'s feet,
His wife and children be.
He sings not of the ocean,
lts shells and roses pale:
Of earth, of earth the Neckan sings,
He hath no other tale.
He sits upon the headlands,
And sings a mournful stave
Of all he saw and feit on earth,
Far from the kind sea wave.
Sings how, a knight, he wandered
By castle, field and town —
But earthly knights have harder hearts
Thau the sea children own.
Sings of his earthly bridal —
Priests, knights, and ladies gay.
"And who art thou," the priest began.
"Sir Knight, who wedd\'st to-day ?"
— "I am no knight," he answered;
"Krom the sea-waves I come. ~"
The knights drew sword, the ladies screamed,
The surpliced Priest stood dumb.
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THE NECKAN.
201
He sings how from the chapel
He vanished with his bride,
And bore her down to the sea-halls.
Beneath the salt sea-tide.
He sings how she sits weeping
\'Mid shells that round her lie.
— "False Neckan shares my bed," she weeps;
"No Christian mate have I." —
He sings how through the billnws
He rosé to earth again,
And sought a priest to sign the cross,
That Neckan Heaven may gain.
He sings how, on an evening,
Beneath the birch-trees cool,
He saté and played his harp of gold,
Beside the river-pool.
Beside the pool saté Neckan,
Tears filled his mild blue eye.
On his white mule, across the bridge,
A cassocked priest rode by.
"Why sitt\'sl thou there, O Neckan,
— And play\'st thy harp of gold?
Sooner shall this my stafl bear leaves,
Than thou shalt Heaven behold."
But lo, the staff, it budded !
It greened, it branched, it waved !
"O ruth of God [" the priest cried out,
" This lost sea-creature saved\'."
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MATTHEW ARNOLD.
202
The cassocked priest rode onwards,
And vanished with his mule :
But Neckan in the twilight grey
Wept by the river pool.
He wept: "The earth hath kindness,
The sea, the starry poles ;
Earth, sea, and sky, and God above —
But, ah, not human souls!"
In summer, on the headlands,
The Baltic Sea along,
Sits Neckan with his harp of gold,
And sings this plaintive song.
THE FORSAKEN MERMAN.
Come, dear children, let us away;
Down and away below !
Now my brothers call from the bay,
Now the great winds shoreward blow,
Now the salt tides seaward flow ;
Now the wild white horses play,
Champ and chafe and toss in the spray,
Children dear, let us away!
This way, this way!
Call her once before you go —
Call once yet!
In a voice that she will know:
Margaret! Margaret!
Children\'» voiccs should be dear
(Call once more) to a mother\'s ear;
Children\'s voices, wild with pain —
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THE FORSAKEN MERMAN.
203
Surely she will come .igain !
Call her once and come away ;
This way, this way I
"Mother dear, we cannot stay !
The wild white horses foam and fret.\'\'
Margaret ! Margaret!
Come, dear children, come away down ;
Call no more !
One last look at the white-walled town,
And the little gray church on the windy shore;
Then come down !
She will not come thotigh you call allday;
Come away, come away!
Children dear, was it yesterday
We heard the sweet bells over the bay ?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell ?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep :
Where the spent lights quiver and gleam,
Where the salt weed sways in the stream,
Where the sea-beasts, ranged all round,
Feed in the ooze of their pastureground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way ?
Children dear, was it yesterday ?
Children dear, was it yesterday
(Call yet once) that she went away?
Once she saté with you and me,
On a red gold throne in the heart of the sea,
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204                                    MATTHEW ARNOLI).
And the youngest saté on her knee.
She combed its bright hair, and she tended it well,
When down swung the sound of a far-off bell.
She sighed, she looked up through the clear green sea;
She said : "I must go, for my kinsfolk pray
In the little gray church on the shore tO\'day.
\'T will be Easter-time in the world — ah me!
And I lose my poor soul, Merman, here with thee."
I said : "Go up, dear heart, through the waves ;
Say thy prayer, and come back to the kind sea caves!"
She smiled, she went up through the surf in the bay.
Children dear, was it yesterday ?
Children dear, were we long alone ?
"The sea grows stormy, the little ones moan ;
Long prayers," I said, "in the world they say;
Come!\'\' [ said; and we rosé through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-walled town ;
Through the narrow paved streets, where all was still,
To the little grey church on the windy hill.
From the church came a niurmur of folk at their prayers,
But we stood without in the cold blowing airs.
We climbed on the graves. on the stones w om with rains,
And we gazed up the aisle through the sniall leaded panes.
She saté by the pillar : we saw her clear :
"Margaret, hist ! come quick, we are here!
Dear heart," I said, "we are long alone;
The sea grows stormy, the little ones moan."
But, ah, she gave me never a look,
For her eyes were sealed to the holy book!
Loud prays the priest; shut stands the door.
Come away, children, call no more !
Come away, come down, call no more !
Down, down, down !
Down to the depths of the sea!
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205
THE FciRSAKEN MERMAN.
She sits at her wheel in the humming town,
Singing most joyfully.
Hark what she tings : "O joy, <) joy,
For the humming street, and the child with its toy!
For the priest, and the bell, and the holy well ;
For the wheel where I spun,
And the blessed light of tlie sun !"
And so she sings her fill,
Singing most joyfully,
TUI the spindle falls from her hand;
And the whizzing wheel stands still.
She steals to the window, and looks at the sand,
And over the sand at the sea;
And her cyes are set in a stare ;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow laden,
A long, long sigh ;
For the cold strange eyes of a little mermaiden,
And the gleam of her golden hair.
Come away, away children ;
Come children, come down !
The hoarse wind blows colder ;
Lights shine in the town
She will start from her slumber
When gusts shake the door ;
She will hear the winds bowling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl.
Singing: "Here came a mortal,
But faithless was she!
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206
MATTHEW ARNOLD.
And alone dweil for ever
The kings of the sea."
I5ut, children, at midnigbt,
Wlien soft the winds blow,
When clear falls the moonlight,
When spring-tides are low ;
When sweet airs come seaward
From healhs starred with broom.
And high rocks throw mildly
On the blanched sands a glooni ;
Up the BtiU. glistening beaches,
Up the creaks we will hie,
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white, sleeping town,
At the church on the hill-side —
And then come back down.
Singing : "There dwells a loved one,
Hut cruel is she 1
She left lonely for ever
The kings of the sea."
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COVENTRY PATMORE.
The author of The Angel in the House ïoas bom in
1823. Ne -!vas a contrihutor to the Pre-Raphaelite magazine
The Germ ; and /lis poctry displays a considerable resemblance
to that of RossettVs school.
The Angel in the House is
devoted to praises of the feniale character and the hafpi-
ness of domestic love. In its completed form it consists offour
books:
The Betrothal, The Espousals, Kaithful for Ever, and
The Victories of Love. The composilion extended overfour-
teen years. A collected edition of Mr. Patmore\'s poems
appeared in
1S66.
THE PRODIGAL
From THE ANGEL IX THE HOUSE.
To heroism and holiness
How hard it is for man to soar,
But how much harder to be less
Than what his mistress loves him for!
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20S
COVENTRY PATMORE.
There is no man so full ot pride,
And none so intimate with shame.
And none to manhood so denied,
As not to mend if women blame.
He does with ease what do he must.
Or merit tliis, and nought\'s debarred
Krom man, wlien woman shall be just
In yielding her desired regard.
O wasleful woman, she who may
On her sweet self set her own price,
Knowing he cannot choose but pay,
How lias she cheapened Paradise:
How given for nought her priceles-; gift,
How spoiled the bread and spilled the wine,
Vhich, spent with due. respective thrift
Had made brutes men and men divine.
LOVE\'S PERVERSITY
Frotll THE ANGEL IX THE HOUSE.
How strange a thing a lover seems
To animals that do not love !
Lo. where he walks and talles in dreams,
And llouts us with his Lady s glove ;
How foreign is the garb he wears;
And how his great devotion mocks
Our poor propriet)\', and scares
The undevout with paradox |
His soul, through scorn of worldly care,
And great extreme: of sweet and gall,
And musing much on all that\'s fair,
Grows witty and fantastical;
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i.ove\'s perversity.                           209
He sohs his joy and sings his grief,
And evermore finds such delight
In simply picturing his relief,
That plaining seems to cure his plight:
Me makes his sorrow, wben there\'s none;
His fancy blows both cold and hot,
Xext to the wish that she\'11 be won,
His first hope is that she may not;
He sues, yet deprecates consent;
Would she be captured she must lly ;
She looks too happy and content,
For whose least pleasure he would die;
Oh. cruelty, she cannot care
For one to whom she\'s always kind!
He says hes nought, but, oh, despair,
If he\'s not Jove to her fond mind!
Hes jealous if she pets a dove,
She must be his with all her soul;
Vet \'t is a postulate in love
That part is greater than the whole,
And all his apprehension\'s stress,
When he\'s with her, regards her hair,
Her hand, a ribbon of her dress,
As if his life were only there;
Because she\'s constant, he will change,
And kindest glances coldly meet,
And, all the time he seems so strange,
His soul is fawning at her feet:
Of smiles and simple heaven grown tired,
He wickedly provokes her tears,
And when she weeps, as he desired,
Falls slain with ecstasies of fears;
He blames her, though she has no fault,
Except the folly to be his;
He worships her, the more to exalt
The profanation of a kiss ;
Health\'s his disease; he\'s never well
14
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2IO                                  COVENTRV FATMORE.
Hut when his paleness shames her rosé;
His faith\'s a roek-built citadel,
lts sign a ttag that each way blows ;
His o\'erfed fancy frets and fumes;
And Love. in him, is tiercé like Hate,
And rufrles his ambrosia] plumes
Against the bars of time and fate.
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BOOK III.
POETS OF THE THIRÜ GEN\'ERATION
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DANTE GABRIEL ROSSETTI.
The kader of the so-called Pi e-Raphaelite school of poetry
and paintiiig, Dante Gabriel Rossetti, was bom in London
in
1828. IIis father was an ItaUan patriot, the au/hor of
many spirited patriotic songs, which rende red himparticularly
obnoxious lo the Austrian 1 uiers of Italy. Gabriele Rossetli
escaped to EnglanJ, and there married a lady of English
birlh bilt Italian extraction on the father\'s side. All hisfoiir
children have shown retnarkable literary talent; but Dante
Gabriel was early recognised as the genius of the family. It
was understood t/iat he was to be a pointer: his early
drawings showed wonderful promise, his boyish foems excee-
dingly litlle. Nevertheless
The Blessed Damozel, which is
generally regarded as a typical and epoch-making poem, was
published in
The CJerm (Pre-Raphaelite Magazine) in the
poefs twenty-first year.
In poems and pictures alike, Rossetli and his school show
a close study of the early art of Italy ; and the spirit of their
works Aas been appropriately defined as a renaissance of
lUidiaeval f teling.
Rossetli himself was of a singularly modest and retiring dis-
position, He neilAer exhibitcd his pictures nor (uittil l&70)pu-
btished his poems in collectiveform. Nevertheless he was the cen-
tral figure of an illitstrious band ofpaiuters and poets, some of
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214                            DANTE GABRIEL ROSSETTI.
whom, like himstlj, practistd both arts ; and his infliunce was
speedily apparent in the published and exhibited Works of\'his
ccn/emporaries. Whem K\'ossetti\'s Po, ms wei e at lengt h given
to the world (a/ter an eight years1burialin his wi/e\'s coffin)
tkey ivere reeeived with a tumult of applause, and ran through
seven editions in the eourse of a fe-,o weeks. Nevertheless the
poet, loho suffered from \'dl health and melaneholia, devoted
most of his time to painting ; and published no more poetry
until the autumn of
1880. The cxquisitc quality of these
Poems and Iiallads raised high hopes of a long sueeession of
master-pUces; hut the poet died somewhat suddenly on Easter
Sunday
1881. His Collected Works have been published
rccently by his brother. These consist of tiuo volumes, the
first containing original poems and f rosé papers : the second
translations, notably the colleetion of Italian Poetry entitled
Dante and 11 is Circle, and Dante\'s Vita Nuova.
THE BLESSED DAMOZEL.
The blessed damozel leaned out
From the gold bar of heaven ;
lier eyes were deeper than the depth
Of waters stilled at even;
She had three lilies in her hand,
And the stars in her hair were seven.
Her robe, ungirt from clasp to hem,
No wrought llowers did adorn,
lint a white rosé of Mary\'s gift,
l"\'or service meetly worn ;
Her hair that lay along her back
Was yellow like ripe corn.
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»5
THE BLESSED DAMO/.EL.
Her seemed she scarce had been a day
One of God\'s choristers;
The wonder was not yet quite gone
Krom that still look of hers;
Albeit, to them she left, her day
Had counted as ten years.
(To one, it is ten years of years,
. . . Vet nów, and in this ]>Iace,
Surely she leaned o\'er me — her hair
Feil all about my face .. .
Xothing : the autunin fall of leaves,
The whole year sets apace.)
It was the rampart of Gods house
That she was standing on ;
By God built over the sheer depth
The which is Space begon,
So high, that looking downward thence
She searce could see the sim.
It lies in Heaven, acioss the flood
()f ether, as a bridge.
Beneath, the tides of day and night
With flame and darkness ridge
The void, as low as where this eartli
Spins like a fretful midge.
Around her, lovers, newly met
Mid deathless love\'s acclaims,
Spoke evermore among themselves
Their rapturous new names;
And the souls mounting up to (Joel
Went by her like thin fiames.
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216                             UANTE ÜA1IRIEI. ROSSETTI.
And still she bowed herself and stooped
Out uf the circling charm;
Until her bosom must have made
The bar she leaned on warm,
And the lilies lay as if asleep
Along her bended arm.
From the lixed place of Ileaven she saw
Time like a pulse shake tiercé
Through all the worlds. Her gaze still strove
Within the gulf to pierce
lts path ; and now she spoke as when
The stars sang in their spheres.
The sun was gone now ; the curled moon
Was like a little feather
Fiattering far down the gulf; and now
She spoke through the still weather.
Her voice was like the voice the stars
Had when they sang together.
(Ah sweet! Even now, in that bird\'s song,
Strove not her accents there,
Fain to be hearkened ? When those bells
1\'ossessed the mid-day air,
Strove not her steps to reach my side
Down all the echoing stair ?)
"I wish that he were come to me,
For he will come", she said.
"Have I not prayed in Heaven ? — on earth,
Lord, Lord, has he not prayed ?
Are not tvvo prayers a perfect strength ?
And shall I feel afraid ?
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TUK BLESSED DAMOZEL.                                21 7
"When round his head the aureole clings,
And he is clothed in white,
I\'ll take his hand and go with him
To the deep wells of light;
We will step down as to a stream,
And bathe there in God\'s sight.
"We two will stand beside that shrine,
Occult, withheld, untrod,
Whose lamps are stirred continually
With prayer sent up to God ;
And see our old prayers, granted, melt
Each like a little cloud.
"We two will lie i\' the shadow of
That living mystic tree
Within whose secret growth the Dove
Is sometimes feit to be,
While every leal that His plumes touch
Saith His name audibly.
"And I myself will tea^h to him,
I myself, lying so,
The songs I sing here : which his voice
Shall pause in, hushed and slow,
And rind some knowledge at each pause,
Or some new thing to know."
(Alas ! we two, we two, thou say\'st!
Yea, one wast thou with me
That once of old. But shall God lift
To endless unity
The soul whose likeness with thy soul
Was but its love for thee "!)
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218
DAME (1AHKIEL ROSSETTI.
"We two," she said, "will seek the groves
Where the Lady Mary is,
With her live handmaidens, whose names
Are tive sweet symphonies.
Cecily, Gertrude, Magdalene,
Margaret and Rosalys.
"Circlewise sit they, with hound locks
And foreheads garlanded;
Tnto the tine cloth white like flame
Weaving the golden thread,
To fashion the birth-robes for them
Who are just born, being dead.
"He shall fear, haply, and be dumb ;
Then will I lay my cheek
To his. and teil about our love,
Xot once abashed or weak :
And the dear mother will approve
My pride, and let me speak.
"Herself shall bring us, hand in hand,
To Hint round whom all souls
Kneel, the clear-ranged unnumbered heads
Bowed with their aureoles :
And angels meeting us shall sing
To their cithems and citoles.
"There will I ask of Christ the I-ord
Thus much for him and me : —
Ünly to live as once on earth
\\\\ ïth Love, — only to be
As then awhile, for ever now
Together, I and he."
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THE RI.ESSEI) DAMOZEL.
She gazed and listened and then said,
Less sad of speech than mild, —
"All this is when he comes.\' She ceased.
The light thrilled towards her, till\'d
Wilh angels in strong leve] rlight.
Her eyes prayed, and she smiled.
(I saw lier smile.) Hut soon their path
Was vague in distant spheres !
And then she cast her arms along
The golden barriers,
And laid her face between her hands,
And wept. (I heard her tears.)
THE STAFF AND SCRIP.
"WHO owns these lands ?" the 1\'ilgrim said.
"Stranger, Queen Blanchelys."
"And who has thus harried them ?" he said.
"It was Duke Luke did this ;
God\'s ban be his l"
The 1\'ilgrim said : "Where is your house ?
I\'ll rest there, with your will."
"Vou\'ve but to climb these blackened boughs,
And you\'11 see it over the hill,
For it burns still."
"Which road, to seek your Queen?" said he.
"Xay. nay, but with some wound
You\'11 fly back hither. it may be,
And by your blood in the ground
My place be found."
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220                              DAME UABRIEL ROSSETTI.
"Frieiid, stay in peace. God keep your head,
And mine, where I will go ;
Fur He is here and there," he said,
He passed the hill-side s\'.ow,
And stood below.
The (Jueen sat idle by her loom :
She heard the arras stir.
And looked up sadly : through the room
The sweetness sickened lier
Of musk and myrrh.
Her women, standing two and two,
In silence combed the fleece.
The Pilgrim said, "Peace be with you,
Lady," and bent his knees.
She answered, "Peace."
Her eyes were like the wave within :
Like water reeds the poise
Of her soft body, dainty thin ;
And like the water\'s noise
lier plaintive voice.
For him, the stream had never well\'d
In desert tracts malign
So sweet: nor had he ever feit
So faint in the sunshine
Of Palestine.
Kight so, he knew that he saw weep
Each night through every dream
The Queen s own face, confused in sleep
With visages suprème
Kot known to him.
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THE STA FF AND SCRIP.                                 221
"Lady," he said, "your lands lie burnt
And waste: to meet your foe
All fear: this I have seen and learnt.
Sav that it shall be so,
And I will go."
She gazed at him. "Your cause is just,
Kor I have heard the same
He said : "God\'s strength shall be my trust.
Fall it to good or grame,
\'Tis in llis name.\'1
"Sir, you are thanked. My cause is dead.
Why should you toil to break
A grave, and fall therein ?" She said.
He did not pause but spake :
"For my vow\'s sake."
"Can such vows be, Sir ? — to God\'s ear,
Not to Gods will?" "My vow
Kemains : God heard me there as here,"
He said with reverent brow,
"Koth then and now."
They gazed together, he and she,
The minute while he spoke;
And when he ceased, she suddenly
Looked down upon her folk
As though she woke.
•\'Fight, Sir," she said, "my prayers in pain
Shall be your fellowship.\'\'
He whispered one among her train, —
"To morrow bid her keep
This staff and scrip."
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DANTE GAURIEI. KOSSET\'I I.
She sent him a sharp sword, wbose belt
About bis body there
As sweet as her own arms he feit.
He kissed its blade, all bare,
Instead of her.
She sent him a green banner, wrought
With one white lilv stem,
To bind his lance with when he fought.
He writ upon the same,
And kissed her name.
She sent him a white shield, whereon
She bode that he should tracé
His will. He blent fair hues that shone,
And in a golden space
He kissed her face
kight so, the sunset skies revealed,
l.ike lands he never knew.
Beyond to-morrow\'s battle-tield
Lay open out of view
To ride into.
Kext day till dark the women prayed ;
Nor any might know there
llow the tight went: the tjueen ha> bade
That there do come to her
No messenger.
W\'eak now to them the voice o\' the Driest
As any trance afVords;
And when each anthem failcd and ceased,
It seemed that the last chords
Still sang the words.
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THE STAFF AND SCRIP.
"Oh what is the light that shines so red ?
Tis long since the sim set:"
Quoth the youngest to the eldest maid :
"\'T was dim but now, and yet
The light is great."
Quoth the other: "\'Tis our sight is dazed
That we see rlame in the air."
lint the Queen held her brows and gazed.
And said, "It is the glare
Of torches there."
"Oh what are the sounds that rise and spread ?
All day it was so still;"
Quoth the youngest to the eldest maid ;
"Unto the furthest hill
The air they fill.
(Juoth the olher: "Tis our sense is hlurred
With all the chants gone by."
But the Queen held her breath and heard,
And said, "It is the cry
Of Victory."
The tirst of all the rout was sound,
The next were dust and flame,
And Uien the horses shook the ground :
And in the thick of them
A still band came.
"Oh what do ye bring out of the light,
Thus hid beneath these boughs?\'
"Thy conquering guest returns to-night,
And yet shall not carouse,
Queen, in thy house."
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DANTK GABRIEL ROSSETTI.
224
"Vncover ye bis face," she said
"O changed in little space!"
She cried. "< > pale that was so red !
O (!od, O (iod of grace !
Cover his face |\'
His sword was broken in his hand
Where he had kissed the blade.
"O soft steel that could not withstand!
O my hard heart unstayed,
That prayed and prayed !"
His bloodied banner crossed his mouth
Where he had kissed her name.
"i) east, and west, and north, and south,
Fair flew my web, for shame,
To guide Death\'s aim !"
The tints were shredded from his shield
Where he had kissed her face.
"(>h, of all gifts that I could yield,
Death only keeps its place,
My gift and grace !"
Then stepped a damsel to her side,
And spoke, and needs must weep :
"Kor his sake, lady. if he died,
He prayed of thee to keep
This staff and scrip."
That night they hung above her bed,
Till morning wet with tears;
Year aftei year above her head
Her bed his token wears,
Five years, ten years.
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THE STAFF AND SCRIP.
That night the passion of hei\' grief
Shook them as there they hung;
Each year the wind that shed the leaf
Shook them and in its longue
A message llung.
And once she woke with a clear mind
That letters writ to calm
Her mind lay in the scrip; to tind
Only a torpid balm
And dust of palm.
They shook far off with palace sport
When joust and dance were rife ;
And the hunt shook them from the court;
For hers, in peace or strife,
Was a Queen\'s llfe.
A Queen\'S death now : as now they shake
To gusts in chapel dim, —
Hung where she sleeps, not seen to wake,
(Carved lovely white and slim),
With them by him.
Stand uji to-day, still armed. with her,
Good knight, before His brow,
Who then as now was here and there,
Who had in mind thy vow
Then even as now.
The lists are set in Heaven to-day,
The bright pavilions shine ;
Fair hangs thy shield, and none gainsay;
The trumpets sound in sign
That she is thine.
\'S
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226
DANTE GABRIKL ROSSETÏI.
Not tithed with days\' and years\' decease
He pays thy wage He owed ;
liut with imperishable peace,
Here in Mis own abode,
Thy jealous God.
THE CARD DEALER.
Coui.D you not drink her gaze like wine
Yet though its splendour swoon
Into the silence languidly
As a tune into a tune,
Those eyes unravel the coiled night
And know the stars at noon.
The gold that\'s heaped beside her hand,
In truth rich prize it were;
And rich the dreams that wreathe her brows
With magie stillness there;
And he were rich who should umvind
That woven golden hair.
Around her, where she sits, the dance
Now breathes its eager heat;
And not more lightly or more true
Fall there the dancers\' feet
Than fall her cards on the bright board
As \'t were an heart that beat.
Her fingers let them softly through,
Smooth polished silent things :
And each one as it falls reflects
In swift light shadowings,
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227
THK CARD DEALER
Blood-red and purple, green and blue,
The great eyes of lier rings.
Whom plays she with? VVith thee, who lov\'st
Those gems upon her hand ;
With me, who search her secret brovvs;
With all men, bless\'d or bann\'d.
We play together, she and we,
Within a vain strange land.
A land without any order, —
Day even as night, (one saith) —
Where who lieth down ariseth not
Nor the sleeper awakeneth ;
A land of darkness as darkness itself
And of the shadow of death.
What be her cards, you ask ? Even these:
The heart, that doth but crave
More, having fed : the diamond,
Skilled to make base seem brave;
The club, for smiting in the dark;
The spade, to dig a grave.
And do you ask what game she plays ?
With me \'t is lost or won ;
With thee it is playing still; with him
It is not well begun ;
But \'t is a game she plays with all
Beneath the sway o\' the sun.
Thou seest the card that falls, — she knows
The card that followeth :
lier game in thy tongue is called Life,
As ebbs thy daily breath :
When she shall speak, thou\'lt learn her tongue
And know she calls it Death.
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KANTE GABRIEL ROSSETTI.
THE CI.OUD CONFINKS.
THE day is dark and the night
To him thnt would search their heart;
Xo lips of cloud that wil] part
Nor morning song in the light:
i >nly, gazing alone,
To him wild shadows are shown,
Deep under deep unknown
And heighl above unknown height.
Stitl we say as we go, —
••Strange to think by the way,
Whatever there is to know,
That shall we knou one day."
The Past is over and iled ;
Named new, we name !t the old ;
Thereof some tale haih been told,
Kut no word comes from the dead ;
Whether at all they be,
Or whether as bond or free,
Or whether they too were we,
Or by what spell they have 5-ped.
Still we say as we go, —
"Strange to think by the way,
Whatever there is to know.
That shall we know one day."
What of the heart of hate
That beats in thy breast, O Time? -
Red strife from the furthest prime,
And anguish of tiercé riehate ;
War that shatters her slain,
And peace that grinds them as grain,
And eyes tixed ever in vain
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THE CI.OUO CONFISES                              229
On the pitiless eyes of Fate,
Still we say as we go, —
"Strange to tliink l>y the way,
Wnatever there is to know,
That shall we know 011e day.\'
What of the heart of love
That beats in thy breast, C) man ?
Thy kisses snatched \'neath the ban
• )f fangs that mock them above ;
Thy bells prolonged unto knells,
Thy hope that a breath dispels,
Thy bitter forlorn farewells
And the empty eehoes tliereof ?
Still we say as we go, —
„Strange to think by the way,
Whatever there is to know
\'J\'hat shall we know one day."
The sky leans dumb on the sea,
Aweary with all its wings;
And oh ! the song the sea sings
Is dark everlastingly.
Our past is clean forgot,
Our present is and is not,
Our future\'s a sealed seedplot,
And what betwixt them are we ? —
We who say as we go, —
"Strange to think by the way.
Whatever there is to know,
That shall we know one day."
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2}0                              DANTE GAHRIEI. ROSSETTI
LOST DAYS. »)
The lost days of my life until to-day,
Whal were ihey, could I see them on the street
Lie as they feil ? Would they be ears of whcat
Sown once for food but trodden into clay ?
Or golden coins squandered and still to pay ?
Or drops of blond dabbling the guilty feet ?
Or sucn spilt water as in dreams must cheat
The undying throats of Hel), athiist alway ?
I do not see them here; but after death
God knows I know the faces I shall see.
Each one a murdeied self, with low la<t breath.
"1 am thyself, — what hast tbou done to me ?"
"And I and I — thyself." "(lo ! each one saith.)
"And thou thyself to all eternity !"
NKWBORN DKATH.
i.
To-l)AY Death seems to me an infant child
Which her worn moiher Life upon my knee
Has set to grow my friend and play with me;
If haply so my heart might be beguiled
To find no tenors in a face so mild, —
If haply so my weary heart might be
Unto the new-born milky eyes of thee,
O Death. before resentment reconciled.
i) Thcsf sonnets nrc taken tton TIn\' House nf Life. The last three cnn-
i\'Iuilf ü\\o vork.
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THE ONE HOPE.
231
How long. O Death? And shall thy feet depart
Still a young child s with mine, or wilt thou stand
Full grown the helpful daughter of my heart,
What time with thee indeed I reach the strand
Of the pale wave which knows thee what thou art,
And drink it in the hollow of thy hand ?
II.
And thou, O Life, the lady of all Miss,
With whom, wlien our lirst heart beat full and fast,
I wandered till the haunts of men were pass\'d,
And in fair places found all bowers aniiss
Till only woods and waves might hear our kiss,
While to the winds all thought of Death we cast —
Ah, I.ife ! and must I have from thee at last
No smile to greet me and no babe hut this ?
Lo ! Love, the child once ours; and Song, whose hair
Blew like a llame and blossomed like a wreath ;
And Art. whose eyes were worlds by God found fair ;
These o\'er the book of nature mixed their breath
With neck-twined arms, as oft we watched them there:
And did these die that thou mightst hear me Death ?
THE ONE HOPE.
When vain desire at last and vain regret
Go hand in hand to death and all is vain,
What shall assuage the unforgotten pain
And teach the unforgetful to forget ?
Shall peace be still a sunk stream long unmet —
Or inay the soul at once in a green plain
Stoop through the spray of some sweet lifefountain
And cull the dew-drenched (lowering amulet ?
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232                             DANTE GAHKIKI. ROSSETTI.
Ah ! when the wan soul in that golden air
Between the scriptured petals softly flown
Peers breathless for the gift of grace unknown, —
Ah ! let none other alien spell soe\'er
Hut only the one Hope\'s one name be there, —
Not less nor more. luit even that word alone.
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WILLIAM ALLINGHAM.
Tms popiilar song-writer was ioiu in Irtland in 1S2S.
His first volume tuas dedicated lo Leigh Hun/. He was af-
tetioai ds closely connected with the school of Rossetti.
A W I F E.
The wife sat thoughtfully turning over
A book inscribed with the school-girl\'s name,
A tear, one tear, iell hot on the cover
So quickly closed when her hushand came.
He came and he went away, it was nothing ;
With commonplace words upon either side ;
Uut, just with the sound of the room-door shtitting,
A dreadful door in her soul stood wide.
I.ove she had read of in sweet romances,
Love tliat could sorrow, but never fail;
Built her own palace of noble fancies,
All the wide world like a fairy tale.
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WILLIAM AM.IXGHAM.
234
Bleak and bitier and utterly doleful
Spread to tliis woman her map of life:
Hour after hour she looked in her soul, fiill
Of deep dismay and turbulent strife.
Face in hands, she knelt on the carpet;
The cloud was loosened, the stormrain feil
OJ life has so much to wilder and warp it,
One poor heart s day what poet could teil ?
LADY ALICE.
i.
Now what doth Lady Alice so late on the turret stair,
Without a lamp to light her but the diamond in her hair :
When every arching passage o\'erflows with shallow gloom.
And dreams rloat through the castte, into every silent room?
She trembles at her footsteps. although they fall so light;
Through the turret loopholes she sees the wild midnight;
Broken vapours streaming across the stormy sky:
Down the empty corridors the blast doth moan and cry.
She steals along a gallery ; she pauses by a door;
And fast her tears are dropping clown upon the oaken floor:
And thrice she seems returning — but thrice she turns agairi —
How heavy lies the cloud of sleep on that old father \'s brain !
Oh, well it were that nevtr shouldst thou waken from tliy sleep!
Kor whereiore should they waken, who waken but to weep?
No more, no more beside thy bed doth Peace a vigil keep,
But Woe, — a lion that awaits thy rousing for its leap.
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MORNING PLUNGE.
*35
II.
An aflernoon of April, 110 sim appears on high,
Hut a moist and yellow lustre fills the deepness ofthesky:
And through the castle gateway, left empty and forlorn,
Along the leafless avenue an honoured hier is borne.
They stop. The long line closes up like some gigantic worm:
A shape is standing in Ihe path, a wan and ghost-like form,
Which gazcs fixedly ; nor moves, nor utlers any sound ;
Then, like a stattie built of snow, sinks down upon the ground.
And though her clothes are ragged, and though her feet are bare,
And though all wild and tangled falls her heavy silk brownhair;
Though from her eyes the brightness, from her cheeks the
(bloom is Med,
They know their Lady Alice, the darling of the dead.
With silence. in her own old room ihe fainting form they lay.
W\'here all things stand unaltered since the night she fled away :
But who — hut whu - shall bring to life her father from theclay\'
Rut who shall give her back again her heart of a former day ?
MORNING PLUNGE.
1 scattek the dreams of my pillow
I spring to a sunshiny floor;
O New Day! - how sparkles the billow,
How brilliant are sea, sky, and shore!
The cliff with its cheerful adorning
Of matted sea-pink under foot,
A lark gives me „top o\' the morning \'."
A sailing-boat nods a salute.
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23f>                             WILLIAM ALUKGHAM.
Fresh-born from the foam, with new grace»,
Comes ntany a winsome fair maid,
I\'eep children\'s damp hair and bright faces
Krom straw-hat\'s or sun-bonnet\'s shade.
< ireen crystal in exquisite tiemble,
My tide-brimming pool I behold :
Wliat shrimps on the sand-patch assemble!
I vanish ! embraced with pure eold.
A king of the muming time\'s treasures,
To revel in water and air,
Join salmon and gull in their pleasures:
Then home to our sweet hunian fare.
There stand the blue cups on white table,
Rich nugget of gold from the hive,
And there s uncle Oeorge and Miss Mabel.
And Kitty, the best child alive !
Now Iwo little arms round my neck fa-t,
A kiss from a laugh I must win, —
You don\'t deserve one bit of breakfast,
You unbaptised people within!
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CHRISTINA GEORGINA ROSSETTI.
Miss Rossetti, bom 1830, is theyoungest and only surviving
sister of the illustrious painter-pott. She lutspitblisheil several
"oliimes of poetry, eath named aftcr the opening poem:
Cioblin Market; A Prince\'s Progre-;s, A Pageant etc.
XOBLK SISTERS.
"Now did you mark a falcon.
Sister dear. sister dear,
Klying toward my window
In the morning cool and clear."
With jingling bells about her neck,
But what beneath her wing ?
It may have been a ribbon,
Or it may have been a ring." —
"I marked a falcon stooping
At the break of day:
And for your love. my sister dove,
I frayed the thief away."
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238                       CHRISTINA GEUKGINA ROSSETTI.
"Ur did you spy a riiddy hound,
Sister fair and tall,
Went snuffing round my garden bound,
ür crouched by my bower wall ?
With a silken leash about his neck;
Hut in his mouth may be
A chain of gold and silver links,
Or a letter writ to me?" —
I heard a hound, high-bom sister,
Stood baying at the n.0011 :
I rosé and drave him from your wall
Lest you should wake too soon." —
"Or did you meet a pretty page
Sat swinging on the gate ;
Sat whistling whistling like a bird,
Or may be slept too late :
With eaglets broidered on his cap,
And eaglets on his glove ?
If you had turned his pockets out,
You had found some pledge of love." —
"I met him at this daybreak,
Scarce the east was red :
Lest the creaking gate should anger yuu,
I packed him home to bed." —
"O patience, sister. Did you see
A young man tall and strong,
Swift-footed to uphold the right
And to uproot the wrong,
Come home across the desolate sea
To woo me for his wife ?
And in his heart my heart is locked,
And in his life my life." —
"1 met a nameless man, sister,
Hard by your chamber door:
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MAUDE CLARE.
2J9
I said : Her busband loves her much,
And yet she love* him more." —
"Kie, sister, fie, a wicked lie,
A he. a wicked lie,
I have none other love but him,
Nor will have till I die,
And jou have turned him from our door,
And stabbed him with a lie :
1 will go seek him through the world
In sorrow till I die." —
"Go seek in sorrow, sister,
And find in sorrow too:
If thus you shame our father\'s name
My curse go forth with you." —
MAÜDK CLARE.
Our of the church she foliowed them
With a lofty step and mien :
His bride was like a village maid,
Maiule Clare was like a queen.
"Son Thomas," his lady mother said,
With smiles, almost with tears:
May Nell and you but live as true
As we have done for years.
"Your father thirty years ago
Had just your tale to teil;
But he was not so pale as you,
Nor I so pale as Nell."
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24°                       CHKISTINE GEORfiINA ROSSKTTI.
My lord was pale with inward strife,
And Nell was pale with pride;
My lord gazed long on pale Mande Clare
Or ever he kissed the bride.
"Lo, 1 have brought niy gift, niy lord,
Have bronght my gift,\'\' she said :
"To bless the hearth. to bless the board,
To bless the marriage-bed.
"Here\'s my half of the golden chain
You wore about yonr neck.
That day we waded ancle-deep
For lilies in the beek.
Here\'s my half of the faded leaves
We plucked fiom budding bough,
With feet amongst the lily-leaves, —
The lilies are lmdding now.\'
He strove to match her scorn with scom,
He faltered in his place;
"Lady." he said, — „Maude Clare," he said —
"Mande Clare;" and hid his face
She turned to Nell : "My Lady Nell,
I have a gift for you :
Though, were it fruit, the bloom were gone,
Or were it flowers, the dew.
"Take my share of a fickle heart,
Mine of a paltry love :
Take it or leave it as you wil],
I wash my hands thereof."
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AMOR MUNDI.
24 >
"And what you leave," said Nell, "I\'11 take,
And what yr)u spurn, I\'ll wear;
Kor he\'s my lord for better and worse,
And him I love, Maude Clare.
"Vea, though you\'re taller by the head,
More wise, and much more fair;
I\'ll love him till he loves me best,
Me best of all, Maude Clare."
AMOR MUNDI.
"O Where are you going with your love-locks flowing
On the west wind blowing along this sandy track?"
"The downward path is easy, conie with me an it please ye,
We shall escape the uphill by never turning back."
So they two went together in glowing August weather,
The honey-breathing heather lay to their left and right;
And dear she was to dote on, her swift feet seemed to float on
The air Iike soft twin pigeons too sportive to alight.
"Oh, what is ihat in heaven where grey cloud-flakes are
seven,
Where blackest clouds have riven just at the rainy skirt?"
"Oh. that\'s a meteor sent us, a message dumb, portentous.
An undeciphered solemn signal of help or hurt."
"Oh, what is that glides quickly where velvet rlowers grow
thickly,
Their scent comes rich and sickly?" "A scaled and hooded
worm."
"Oh what\'s that in the hollow, so pale 1 quake to follow?"
"Oh, that"s a thin dead body which waits the eternal term!"
16
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242                    CHRIST1NA GEORGINA ROSSET! I.
"Turn again, O my sweetest, — turn again, false and iieetest:
This beaten way thou beatest, I fear, is heli\'s own track.\'\'
"Nay, too steep for hill mounting; nay, too late for cost
counting ;
This downhill path is easy, hut there\'s no turning back."
U P H I L L.
Does the road wind up-hill all the way?
Yes, to the very end.
Will the day\'s journey take the whole long day ?
Krom mom to night, my friend.
Bul is there for the night a resting-place?
A ro >f for when the slow dark hours begin.
May not the darkness hide it from my face?
You cannot miss that inn.
Shall I meet olher wayfarers at night?
Those who have gone before.
Then must I knock, or call when just in sight ?
They will not keep you standing at (hat door.
Shall I iind comfort, travelsore and weak?
i \'f labour you shall Iind the sum.
Will there be beds for me and all who seek?
Vea, beds for all who come.
DREAM LAND.
WHERE simless rivers \\\\eep
Their waves into the deep,
She sleeps a charmed sleep:
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DREAM l.AXI).
*43
Awake her not.
Led by a single star,
She carae from very fai
To scek where shadows are
Iler pleasant lot.
She left the rusy mom,
She left the tields of corn,
Kor twilight cold and lom
And water springs.
Through sleep, as through a veil,
She sees the sky grov. pale.
And hears the nightingale
That sadly sings.
Kest, rest, a perfect rest
Shed over brow and breast;
Her face is toward the west;
The purple land.
She cannot see the grain
Kipening on hill and plain;
She cannot feel the rain
Upon her hand.
Kest, rest, for evermore
Upon a mossy shore;
Rest, rest at the heart\'s core
Till time shall cease;
Sleep that no pain shall wake.
Night that no mom shall break,
Till joy shall overtake
Her perfect peace.
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CHRISTINA CEORGINA ROSSETTI.
^44
AFT ER DEATH.
The curtains were half-drawn, Ihe Hoor was swept
Aud strown with rushes, rosemary and may
Lay thick upon the bed on which I lay,
Where through the lattice ivy shadows crept,
He leaned above me, thinking that I slept
And could not hear hiin; but I heard him say:
"Poor child, poor child!" and as he turned away
Came a deep silence, and I knew he wept.
He did not touch the shroud, or raise the fold
That hid ray face, or take my hand in his.
Or rutrle the smooth pillows for my head:
He did not love me living; but once dead
He pitied me; and very sweet it is
To know he still is warm though I am cold.
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WILLIAM MORRIS.
Wii.LiAM Morris, bom 1834, published in 1858avolume
of portry xohich attracted inurh allention II was entitled
The Defence of Guinevere and Other Poems, and trtattd
loitk great power and originality various aspects of human
life in the Aliddle Ages. The most ïoidely popular of these
pieces is the "plumed and heroJc ballad",
Riding Together.
Mr. Morris\'s later ïvorh, The Life and Death of Jason,
The Earthly Paradise, The Story of Sigurd and The Kali
of the Nibuls, are of great length, and do nol lend themselvts
easily to quotation The following Unes from The Prologue to
The Earthly Paradise, 1868, in which work the poet rails
himself "the idle singer of an empty day"t express his desire
to divorce poetry from modern thought and purpose. Of late
years, however, he has distinguished himself as the leading
spirit of the Socialistic League.
Forget six counties overhung wlth smoke,
Forget the snorting steam and piston stroke,
Forget the spreading of the hideous town;
Think rather of the pack-horse on the down,
And dream of London, small, and white, and clean,
The clear Thames bordered by its gardens green;
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246
WII.LIAM MORRIS.
Think that below bridge the green lapping waves
Smite some few keels that bear Levantine staves,
Cut fruin the yew-wood on the burnt-up hill,
And pointed jars that Greek hands toiled to fill,
And treasured scanty spice from some far sea,
Florence gold cloth, and Vpres napery,
And cloth of Bruges, and hogsheads of Guienne,
While nigh the thronged wharf Geoffrey Chaucer\'s pen
Moves over bills of lading
        mid such times
Shall dweil the hollow puppets of my rhymes.
/                      ______
REDING TOGETHER
Kor many, many days together
The wind blew steady from the East;
Kor many days hot grew the weather
About the time of Out Lady\'s Keast.
Kor many days we rode together,
Vet met we neither friend nor foe ;
Hotte: and clearer grew the weather,
Steadily did the East wind blow.
We saw the trees in the hot, bright weather,
Clearcut, with shadows very black,
As freely we rode on together
With helms unlaced and bridles slack
And often as we rode on together
We, looking down the green-banked stream,
Saw flowers in the sunny weather,
And saw the bubble-making bream.
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RIDING TOGE1 HER.
^47
And in the night lay down together
And hung above our heads the rood,
< >r watched night-long in the dewy weather,
The while the moon did watch the wood.
Our spears stood bright and thick together,
Straight out the hanners streamed behind,
As we gallop\'d on in the sunny weather,
With faces turn\'d towards the wind.
Down sank our three-score spears together,
As thick we saw the pagans ride,
His eager face in the clear fresh weather
Shone out that last time by rny side.
Lp the sweep of the bridge we dash\'d together,
It rocked to the crash of the meeting spears,
Down rained the buds of the dear spring weather,
The elm-tree flowers feil like tears.
There, as we rolled and writhed together,
I threw my arms above my head,
Kor close to my side in the lovely weather,
I saw him reel and fall back dead.
I and the slayer met together
He waited the death-stroke there in his place,
With thoughts of death, in the lovely weather.
Gapingly mazed at my maildened face.
Madly 1 fought as we fought together;
In vain: the little Christian band
The pagans dro\\vn"d, as in stormy weather
The river drowns low lying land.
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248
Wll.UAM MORRIS.
They bound my blood-stained hands together,
They bound his corpse to nod by my side ;
Then on we rode, in the bright March weather,
With clash of cymbals did we ride.
We ride no more, no more together;
My prison-bars are thick and strong,
I take no heed of any weather :
The sweet saints grant I live not long.
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LEWIS MORRIS.
"A New Writkr" was born in Wales in 1834. Hts
Songs of Two Worlds, 1872—74—75, were cordially re-
ceivect; and /lis subseqnent productwas,
An Epic of Mades,
Gwen, The Ode of Life, Songs Unsung, Songs of Britain
etc, hai-e been very widely read. Lewis Morris is a thougkt\'
ful and impressive wriler. J/is peculiar genius is shown
to advantage in the folloiving poem.
THE ORGAN BOY
Great brown eyes,
Thick plumes of hair,
Old corduroys
The worse for wear.
A buttoned jacket.
And peeping out
An ape\'s grave poll,
Or a guinea-pig\'s snout.
A sun-kissed face,
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25"                                          LEW1S MORRIS.
And a dimpled mouth,
With the white flashing teeth,
And soft smile of the south.
A young back bent.
Xot with age or care.
Hut the load of poor music
\'T is fated to bear.
lSut a commonplace picture
To commonplace eyes.
Vet full of a charm
Which the tliinker will prize
They were stern cold rulers
These Romans of old
Scorning art and letters
Kor conc]uest and gold;
Vet leavening mankind.
In mind and in tongue,
With the laws that they made,
And the songs that they sung:
Sitting rosecrowned,
With pleasure-choked breath,
As the nude young limbs crimaoned,
Then stiflcned to death:
Piling up monuments
Greater than praise,
Thoughts and deeds that shall live
To the latest days:
Adding province to province,
And sea to sea,
TUI the idol feil down
And the world rosé up free.
And this is the outcome, —
This vagabond child
With that statue like face
And eyes soft and mild;
This creature so humble,
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THE ORCAN BOY.
251
So gay, yet so meck,
Whose whole strength is only
The strength of the weak.
Of those long cruel ages
Of lust and of guile,
Naught left us to-day
Hut an innocent smile.
For tlie la!)oured appeal
Of the orator\'s art,
A few childish accents
That reach to the heart.
For those stern legions speeding
O\'er sea and o\'er land,
But a pitiful glance
And a suppliant hand.
I could moralise still ;
But the organ begins.
And the tired ape swings downward
And capers and grins.
And away Mies romance.
And yet, time after time,
As I dweil on days spent
In a sunnier clime,
Of blue lakes deepset
In the olive clad mountains,
Of gleaming white palaces
Oirt with cool fountains,
Of minsters whose every
Carved stone is a treasure,
Of sweet music hovering
Twixt pain and twixt pleasure ;
Of chambers onriched
C\'n all sides, overhead,
With the deathless creations
Of hands that are dead ;
Of still cloisters holy,
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l.EWIS MORRIS.
252
And twilight arcades.
Where the lovers still saunter
Thro\' chequers of shade ;
Of tomb and of temple,
Arena and column,
Mid to day\'s garish splendours,
Sombre and solemn,
Of the marvellous town
With the salt flowing street,
Where colour burns deepest,
And music\'s most svvect;
Of her the great mother
Who centuries saté
Neath a black shadow blotting
The days she was great;
Who was plunged in such shame —
She, our source and our home —
That a foul spectre only
Was left us of Rome:
She who, seeming to sleep
Thro\' all ages to be,
Was the priests\', is mankind\'s,
Was a slave, and is free!
I turn with grave thought
To this child of the ages,
And to all that is writ
In Time\'s hidden pages.
Shall young Howards or Guelphs,
In the days that shall come,
Wander forth seeking bread
Far from England and home?
Shall they sail to new continents,
English 110 more,
Or turn — strange reverse —
To the old classic shore?
Shall fair locks and blue eyes,
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THE ORGAN HOY.
And the rosé on the cheek,
Find a language of pity
The tongue cannot speak —
"Kot English, but angels ?"
Shall this tale be told
Of Romans to be
As of Romans of old?
Shall they too have monkeys
And music? Will any
Try their luck with an engine
Or toy spinning-jenny ?
Shall we too be led
By that mirage of art
Which saps the true strength
Of the national heart ?
The sensuous glamour,
The dreamland of grace,
Which rot the strong manhood
They fail to replace ;
Which at once are the glory,
The ruin, the shame,
Of the beautiful lands
And ripe souls whence they came ?
Oh, my England! oh, Mother
Of Freeman! oh. sweet
Sad toiler majestic,
With labour worn feet!
Brave worker, girt round,
Inexpugnable, free,
With tumultuous sound
And salt spume of the sea,
Fenced off from the clamour
Of alien mankind
By the surf on the rock,
And the shriek of the wind,
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I.EWIS MORRIS.
254
Tho\' the hot (Jaul shall envy,
Tlie cold German Hout thee,
Still thou shalt be great.
Still march on uncaring,
Thy perils unsharing,
Alone, and yet daring
Thy infinite fate;
Vet ever remembering
The precepts of gold
That were written in part
Kor the great ones of old : —
Let other hands fashion
The marvels of art;
To thee Fate has given
A lotlier part:
To rule the wide peoples,
To bind them to thee,
By the sole bond of loving,
That bindeth the free.
To hold thine own place,
Neither lawless nor slave ;
Not driven by the despot,
Not tricked by the knave.
Kut these thoughts are too solemn :
So play, my child, play,
Never heeding the connoisseur
Over the way.
The lnst dances of course :
Then, with scant pause between,
"Home, sweet Home," the "Old Hundredth,"
And "God save the Queen."
See the poor children swarm
Fiom dark court and dull street,
As the gay music c|uickens
The lightsome young feet.
See them now whirl away,
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THE ORGAN BOV.                                       2$$
Nu»\' insidiously come.
With a coy giace which conquen
The squalor of home.
See the pallid cheeks flushing
With innocent pleasure
At the hurry and haste
Of the quick-footed raeasure;
See the dull eyes now bright.
And now happily dim,
For some soft-dying cadence,
Of love song or hymn.
Dear souls, little joy
Of their young lives have they.
So thro\' hyinn-tune and song tune
I\'lay on, my child, play.
For the, dull pedant) chatter
U( musical taste,
Talk of hindered researches
And hours run to waste;
Tho\' they teil us of thoughls
To ennoble mankind
Which your poor measuies chase
Krom the labouring mindj
VVhile your music rejoices
One joyless young heart,
Perish bookworms and books,
1\'erish learning and art —
of my vagabond fancies
111 een take my lill.
"Qualche cosa. signor?"
Ves, my child, that I will.
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ALGERNON CHARLES SWINBURNE.
\'1\'HE "Eng/is/t Kcpub/ican\', as Swinburne delights lo call
himself, ïuas bom in
1837. He is a very volumineus wri-
ter, and Ais critica/ essays are almost as highly prized as
/lis poetical works. The most remarlable ijnality of Ais verse
is its toonder/»/ melody, wlüch in somt degrce resembles tAat
0/ SAel/ey. Mr. Swinburne won bis spurs vjith
Atalanta
in Calydon, (1865), a lyrical drama in t/ie Greei vianner
A sccond lyrical drama,
Erectheus, appeared in 1876. Chas-
telard, 1865, Bothwell, 1874, and M.ny Stuart, 1881, form
a group of powerful tragedies and cAronicle tAe life of tlie
Queen of Scols from her marriagc ivith Darnley til! Aer
execution. AfottrtA tragedy,
Marino Faliero, appeared in 1881.
Mr. Swinburne\'s short poems fill sevtra/ volumes. In
1882 Ae pnblisAed a long epic poe/n entitled Tristram of Lyo-
neses.
CHORUS FROM ATALANTA IN CALYDON.
1.
When the hounds of spring are on winter\'s traces.
The mother of months in meadow or plain
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CHORUS KROM ATALANTA IN CALYDON. 257
Kills the shadows and wincly places
Wilh lisp of leaves and ripple of rain ;
And the brown hright nightingale amorous
Is half assuaged for Itylus,
Kor the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.
Come with bows bent and with emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,
With a clamour of waters, and with might,
Bind on thy sandals. O thou most Heet,
Over the splendour and speed of thy feet;
Kor the faint east i|iiickens, the wan west shivers
Ronnd the feet of the day and the feet of the night.
Where shall we lind her, how shall we sing to her,
Kold our hands round her knees and cling ?
Oh that man\'s heart were as fire and could cling to her,
Kire, or the strength of the streams that spring I
Kor the stars and the winds are unto her
As raiment, as songs of the harp-player ;
Kor the risen stars and the fallen cling to her,
And the south-west wind and the west-wind sing.
Kor winter\'s rains and ruins are over,
And all the season of snows and sins;
The days dividing lover and lover,
The light that loses, the night that wins ;
And time remembered is grief forgotten,
And frosts are slain and flowers begotten,
And in green underwood and cover
Blossom by blossom the spring begins.
The full streams feed on rlower of rushes,
Ripe grasses trammei a travelling foot,
\'7
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ALGERNON CHARLES SWINBURNE.
The "EnglisA A\'tpubliean", as Swinburne de/ights to call
himsclf, was bom in
1837. He is a very volumineus wri-
ter, and kis critical essays are almosl as highly prized as
bis poetical zuorks. The most remarkable qnality of Ais verse
is its wonderfnl melody, which in some degree resembles that
of Slulley. Mr. Swinburne won bis spurs with
Atalanta
in Calydon, (1865), a lyrical drama in the Greek matuur
A second lyrical drama,
Erectheus, afpeared in. 1876. Chas-
telard, 1865, Hothwell, 1874, and Mary Staart, 1881, form
a group of powerful tragedies and ehronicle the life of the
Queen of Scots from her marriage tuith Darnley till her
execulion. Afourth tragedy,
Marino B\'aliero, appeared in 1881.
Mr. Swinburne\'s short poems fdl several volumes. In
1882 he pnblished a long epic poem enlitled Tristram of Lyo-
neses.
CHORUS FROM ATALANTA IN CALYDON.
When the hounds of spring are on winter\'s traces.
The mother of months in meadow or plain
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CHORUS KROM ATALANTA IN CAI.YDOX.                257
Fills the ghadows and windy places
With lisp of leaves and ripple of rain ;
Aml the brown hright nightingale amorous
Is half assuaged for Itylus,
For the Thraeian ships and the foreign faces,
The tongueless vigil, and all the pain.
Come with bows bent and with emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,
With a clamour of waters, and with might.
Bind 011 thy sandals. O thou most Heet,
Over the splendour and speed of thy feet;
For the faint east quickens, the wan, west shivers
Round the feet of the day and the feet of the night.
Where shall we find her, how shall we sing to her,
Fold our hands round her knees and cling f
Oh that man\'s heart were as fire and could cling to her,
Fire, or the strength of the streams Ihat spring !
For the stars and the winds are unto her
As raiment, as songs of the harp-player ;
For the risen stars and the fallen cling to her.
And the south-west wind and the west wind sing.
For winter\'s rains and ruins are over,
And all the season of snows and sins;
The days dividing lover and lover,
The light that loses, the night that wins ;
And time remembered is grief forgotten,
And frosts are slain and flowers begotten,
And in green underwood and cover
Blossom by blossom the spring begins.
The full streams feed on rlower of rushes,
Ripe grasses trammei a travelling foot,
\'7
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2ÓO                      ALGBRNON CHARLES SWINBURNB.
Sows, and he shall not reap ;
His life is a watch or a vision
Ketween a sleep and a sleep.
A CHILD\'S LAUGHTER.
All the bells of heaven may ring,
All the birds of heaven may sing,
All the wells on earth may spring,
AU the winds on earth may hring
All sweet sounds together;
Sweeter far than all things heard,
Hand of harper, tone of bird,
Sound of «roods at sundawn stirred,
Welling water\'s winsome word,
Wind in warm wan weather
One thing yet there is, that none
Hearing ere its chime be done
Knows not well the sweetest one
Heard of man beneath the sun,
Hoped in heaven hereafter;
Soft and strong and loud and light,
Very sound of very light
Heard from morning\'s rosiest height,
When the soul of all delight
Kills a child\'s clear laughter.
Golden bells of welcome rolled
Never forth such notes, nor told
Hours so blythe in tones so bold,
As the radiaut mouth of gold
Here that rings forth heaven.
If the golden-crested wren
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26l
A MATCH.
Were a nightingalc, why then.
Something sten and heard of men
Might be half as sweet as wben
Laugns a child of seven.
A MATCH.
Ik love were what the rosé is,
And I were like the leaf,
Our lives would grow together
In sad or singing weather,
Blown tields or llowerful closes,
Green pleasure or grey grief:
If love where what the rosé is,
And I were like the leaf.
If I were what the words are,
And love were like the tune,
With doublé sound and single
Delight our lips would mingle,
With kisses glad as birds are
That get sweet rain at noon ;
If I were what the words are
And love were like the tune.
If you were life, my darling,
And I your love were death.
We\'d shine and snow together
K\'er Maren made sweet the weather
With daffodil and starling
And hours of fruitful breath;
If you were life, my darling,
And I your love were death.
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2Ó2                      AI.GERNON CHARLES SWINBURNE.
If you were thrall to sorrow,
And I were page to joy,
Wed play for lives and seasons
With loving looks anti treasons
And tears of night an<l morrow
And laughs of maid and boy;
If you were thrall to sorrow,
And I were page to joy.
If you were April\'s lady.
And I were lord in May,
We\'d throw with leaves for hours
And draw for days with fiowers,
Till day like night were shady,
And night were bright like day;
If you were April\'s lady,
And I were lord in May.
If you were queen of pleasure,
And I were king of pain,
We\'d hunt down love together.
Pluck out his rlying feather,
And teach his feet a measure,
And find his mouth a rein ;
If you were queen of pleasure,
And I were king of pain.
THE REJECTED LOVER TO THE SEA.
T WILL go back to the great sweet mother,
Mother and lover of men, the sea.
1 will go down to her, I and none other,
Close with her, kiss her and mix her with me ;
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THE REJECTKD LOVER \'10 I HE SEA.
Cling to her, strive with her, ho!d her fast ;
0   fair white mother, in days long past
Bom without sister, bom without brother,
Set free my soul as thy soul is free.
I) fair green-girdled mother of mine.
Sea that art clothed with the wind and the rail.,
Thy sweet hard kisses are strong like wine,
Thy large embraces are keen like pain.
Save me and hide me with all thy waves,
Find me one grave of thy thousand graves,
Those pure cold populous graves of thine,
Wrought without hand in a world without stain.
1   shall sleep, and move with the moving ships,
Change as the winds change, veer in the tide;
My lips will feast on the foam of thy lips,
I shall rise with thy rising. with thee subside :
Sleep, and not know if she be, if she were,
Killed full with life to the eyes and hair,
As a rosé is fulfilled to the rose-leaf tips
With splendid summer and perfume and pride.
This woven raiment of nights and days,
Were it once cast off and unwound from me,
Naked and glad would 1 walk in thy ways,
Alive and aware of thy days and thee;
Clear of the whole world, hidden at home,
Clothed with the green and crowned with the foam.
A pulse of the life of thy straits and bays,
A vein in the heart of the streams of the sea.
Fair mother, fed with the lives of men,
Thou art subtle and cruel of heart, men say,
Thou hast laken, and shalt not render again ;
Thou art full of thy dead, and cold as tbey.
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ALGBRNON CHAK1.ES SWINBURNE.
204
Uut death is the worst that curaes of thee ;
Thou art fed with our dead, ü mother, O sea,
Uut when last thou fed on our hearts ? or «hen,
Having given us love, hast thou taken away :
0  tender-hearted, O perfect lover,
Thy lips are bitter, and sweet thine heart,
The hopes that hurt and the dreams that hover,
Shall they nol vanish away and depart ?
liut thou, thou art sure, thou art older than earth ;
Thou art strong for death and fruitful of birth ;
Thy depths conceal and thy gulfs discover ;
From the rirst thou wert; in the end thou art.
And grief shall endure not for ever, I know.
As things that are not shall these things bc ;
We shall live through seasons of sun and of snow,
And none be grievous as this to me.
We shall hear, as one in a trance that heais.
The sound of time, the rhyme of the years ;
Wrecked hope and passionate pain wil] grow
As tender things of a spring tide sea.
Sea fruit that swings in the waves that hiss,
Drowned gold and purple and royal rings,
And all time past, was it all for this !
Times unforgotten, and treasures of things ?
Swift years of liking, and sweet long laughlcr,
That wist not well of the years thereafter,
Till love woke, smitten at heart by a kiss,
With lips that trembled and trailing wings ?
1   shall never be friends again with roses ;
I shall loathe sweet tunes, where a note grown strong
Kelents and recoils, and climbs and closes.
As a wave of the sea turned back by song
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26S
A FORSAKEN GAKDBN
There are sounds where the soul\'s delight takes lire,
Face to face with its own desire ;
A delight that rebels, a desire that reposes, —
I shall hate sweet music my whole life long.
The pulse of war and passion of wonder,
The heavens that murmur, the sounds thal shine,
The stars that sing and the loves that thunder,
The music burning at heart like wine.
An armed archangel whose hands raise up
All senses mixed up in the spirit\'s cup,
TUI flesh and spirit are molten in sunder —
These things are over, and no more mine.
These were part of the playing I heard
Once, ere my love and my heart were at strife :
Love that sings and hath wings as a bird,
Halm of the wound and heft of the knife.
Kairer than earth is the sea, and sleep
Than over-w atching of eyes that weep,
Now time has done with his one sweet word,
The wine and leaven of lovely life.
A FORSAKEN GARDEN.
In a coign of the clifi between lowland and highland
At the sea-down\'s edge between windward and lea,
Walled round with rocks as an inland island,
The ghost of a garden fronts the sea.
A girdle of brushwood and thorn encloses
The steep square slope of the blossomless bed
Where the weeds that grew green from the graves of its roses
Now lie dead.
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266                      ALGERNON CHARLES SWINBURNE.
The fields fall southward, abrupt and broken,
To the low last edge of the long lone land.
If a step should sound or a word be spoken,
Would a ghost not rise at the strange guest\'s hand?
So long have the grey bare walks lain guestless,
Through branches and bars if a man make way,
He shall find no life hut the sea-wind\'s, restless
Night and day.
The dense hard passage is blind and stifled
That crawls by a track none turn to clirnb
To the strait waste place that the years have rifled
Of all but the thorns that are touched not of time.
The thorns he spares when the rosé is taken;
The rocks are left when he wastes the plain.
The wind that wanders, the weeds wind-shaken.
These remain.
Not a flower to be pressed of the foot that falls not;
As the heart of a dead man the seed-plots are dry;
Krom the thicket of thorns where the nightingale callsnot,
Could she call, there were never a rosé to reply.
()ver the meadows that blossom and wither
Rings but the note of a seabird\'s song;
Only the sun and the rain come hither
All year long.
The sun burns sere and the rain dishevels
One gaunt bleak blossom of scentless breath.
Only the wind here hovers and revels
In a round where life seems barren as death.
Here there was laughing of old, there was weeping.
Haply, of lovers none ever will know,
Whose eyes went seaward a hundred sleeping
Years ago.
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267
A FORSAKEN GARDEN.
lleart handfast in heart as they stond, "Look thither,"
Did he whisper? "look forth from the flowers to the sea;
For the foanvflowers endure when the rose-blossoms wither,
And men that love lightly may die — but we?"
And the same wind sang and the same waves whitened,
And or ever the garden\'s last petals were shed,
In the lips that had whispered, the eyes that had lightened,
Love was dead.
Or they loved their life through, and then went whither ?
And were one to the end; but what end who knows?
Love deep as the sea as a rosé must wither.
As the rose-red sea-weed that mocks the rosé.
Shall the dead take thought for the dead to love them ?
What love was ever as deep as a grave ?
They are loveless now as the grass above them
Or the wave.
All are at one now, roses and lovers,
Not known of the cliffs and the fields and the sea
Not a breath of the time that has been hovers
In the air now soft with a summer to be.
Not a breath shall there sweeten the seasons hereafter
Of the flowers or the lovers fhat laugh now or weep,
When as they that are free now of weeping and laughter
We shall sleep.
Here death may deal not again for ever;
Here change may come not till all change end,
From the graves they have made they shall rise up never,.
Who have left nought living to ravage and rend.
Earth, stones, and thorns of the wild ground growing,
While the sun and the rain live, there shall be;
Till a last wind\'s breath upon all these blowing
Roll the sea.
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2ÓS                   ALUERNON CHARLES SWINBURNK.
\'I\'ill the slow sea rise and the sheer clifl crumble,
Till terrace and meadow the deep gulfs drink.
Till the strength of the waves of the high tides humble
The lields that lessen, the rocks that shrink.
Here now in his triuniph wbere all things falter,
Stretched out on the spoils that his own land spread,
As a god self-slain on his own strange altar,
Death lies dead.
H E R S E.
Whex grace is given us ever to behold
A child some sweet months old,
Love, laying across our lips his linger, saith,
Smiling, with bated breath,
Hush! for the holiest thing that lives is here,
And heaven\'s own heart how near!
How dare we, that may gaze nol at the sun,
Gaze on this verier one?
Heart. hold thy peace : eyes, be cast down for shame;
Lips, breathe not yet its name.
In heaven they know what to call it; we,
How should we know? For, see!
The adorable sweet living marvellous
Strange light that lightens us
Who gaze, desertless of such glorious grace,
Full in a babe\'s warm face!
All roses that the morning rears are nought,
All stars not worth a thought,
Set this one star against them, or suppose
As rival this one rosé.
What price could pay with earth\'s whole weight of gold
One least flushed rose-leaf\'s fold
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HF.KSE.
Of all this dimpüng store of smiles that shine.
From each warm curve and line,
Each cliarm of flower sweet tlesh, to reillume
The dappled rose-red bloom
Of all its dainty body, honey:sweet
Clenched hands and curled-up feet,
That on the roses of the dawn have trod
As they came down from God,
And keep the flush and colour that the sky
Takes when the sun comes nigh,
And keep the likeness of the smile their grace
Evoked on Gods own face
When, seeing this work of his most heavenly mood,
He saw that it was good ?
Kor all its warm sweet body seems one smile,
And mere mens love too vile
To meet it, or with eyes that worship dims
Read o\'er the little limbs,
Kead all the book of all their beauties oer
Rejoice, revere, adore,
Bow down and worship each-delight in turn,
Laugh, wonder, yiekl, and yearn.
But when our trembling kisses dare, yet dread
Even to draw nigh its head,
And touch, and scarce with touch or breath surprise
lts mild miraculous eyes
Out of their viewless vision — O what then,
What may be said of men?
What speech may name a new-born child? what word
Earth ever spoke or heard ?
The best men\'s tongues that ever glory knew
Called that a drop of dew
Which from the breathing creature\'s kindly womb
Came forth in blameless bloom.
We have no word, as had those men most high,
To call a baby by.
Rosé, ruby, lily, pearl of stormless seas —
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ALGERNON CHAKLKS SWINBUKNK.
27"
A better word than these,
A better sight it was than flower or gein
That love revealed to them :
They know that whence comes light or quickening flame,
Thence only this thing came,
And only might be likened of our love
To somewhat bom above,
Not even to sweetest things dropped else on earth.
Only to dew\'s own birth.
Nor doubt we but their sense was heavenly true,
Babe, when we gare on you,
A dew-drop out of heaven where colours are
More bright than sun or star,
As now, ere watching love dare fear or hope,
Lips, hands, and eyelids ope,
And all your life is mixed with earthly leaven.
O child, what news from heaven?
PROSERPINE.
Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands :
Her languid lips are sweeter
Than love\'s who fears to greet her
To men that mix and meet her
From many climes and lands.
She waits for each and other,
She waits for all men bom;
Forgets the earth her mother,
The life of fruits and com;
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PROSERPINE.
And spring and seed and swallow
Take «ing for her and follow
Where summer song rings hollow
And flowers are put to scorn.
Tliere go the loves that wilher.
The old loves with weatier wings
And all dead yeais draw thither,
And all dtsastrous things;
Dead dreams of days forsaken,
Blind hucls that snows have shaken.
Wild leaves that winds have taken,
Red strays of ruined springs.
We are not sure of sorrow.
And joy was never sure:
To day will die to morrow ;
Time stoops to no mans lure ;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.
From too much hope of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be,
That no life lives for ever ;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
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HENRY AUSTIN ÜOBSON.
.Mr. DobsON, horn 1840, is the eldest of a group of\'poets
ïohose aim has been to naturalist the gracefid forms of Freneh
fioetry. and to cultivate both in hiimorons and fathetic verse
the tone of refined society. The litles of Mr. Dobson\'s
volumes are as follow:
Vignettes in Rhyme, Vers de Société.
Proverlis in Porcelain, Old World Idylls, At the Sign of
the Lyre.
cGOOD NIGHT, BABETTE/\'
"Si vieillesse pouvait !"
Scf.ne — A small neat Room. In a high Voltaire Chair
sits a white haircd old gentleman.
.Monsieur Viei xbois. Babette.
M. Vieuxbois. (turning i/ueretously).
Day of my life ! Where can she get ?
Babettr ! I say ! Babeïte ! Babette !
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"OOOD N1GHT, BABETTE."
«73
babette (entering hurried/y).
Coming M\'sieu\'! If M\'sieu\' speaks
So loud, he won\'t be well for weeks!
M. Vieuxbois.
Where have you been ?
Babette.
VVhy, M\'sieu\' knows: —
April! Villed\'Avray! Ma\'amselle Rosé!
M. Vieuxbois.
Ah! I am old, — and I forget.
Was the place growing green, Babette?
Bahette.
But of a greenness I Yes, M\'sieu\'!
And then the sky so blue, so blue!
And when I dropped my immortelle,
IIow the birds sang!
(Holding her ajiron to her eyes.)
This poor Ma\'amselle!
M. Vieuxbois.
You\'re a good girl, Babette, but she, —
She was an Angel, verily,
Sometimes I think I see her yet
Stand smiling by the cabinet;
And once, I know, she peeped and laughed
Betwixt the curtains . ..
Where\'s the draught ?
(She gives him a cup.)
Xow I shall sleep, I think, Babette; —
Sing me your Norman chansonettc,
18
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HENKY AUSIIN DOBSON.
2/4
liAIiETTE (ringt).
Once at the Angelus
(Ere I ;i>as dead.)
Angels all glorious
Cante to my bed;
Angels in blue and white
Crowned on the head.
M. VIEUXBOIS (drowsily).
".She was an Angel," . . "Once she laughed . ."
What, was I dreaming ?
Where\'a thedraugln?
BABKTTB (showing the tmpty cup).
The draught, M\'sieu\'?
M. Vieuxbois.
How I forget!
I am si) uld! But sing, Babelte!
Baisette (ringt).
"One wat the Friend I left
Starh in the snow,
One was the Wife thal died
Long, — long ago ;
One was the Love I lost. . .
How eould she know /"\'
M. Vieuxbois (murmuring).
Ah, Paul! . . . old Paul! ... Kn.Ai.n-: tooi
And Rosé! . . . and O! "the sky so blue!"
Bakette (sings).
"One had my Mother\'s eyes,
Wistful and mild;
One had mv Father\'s /ace ;
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THE CHILD MUSICIAN.
275
One inas a Child;
AU of llum bent to me,
—
Bent down and s mi led!"
(He is asleep!)
M. VIEUXBOIS (a/most inaudibly).
How I forget!
I am so old . . . Good night, Babette !
THE CHILD MUSICIAN.
He had played for his lordship\'s levee,
He had played for her ladyship\'s whim,
Till the poor little head was heavy,
And the poor little brain would swim.
And the face grew peaked and eerie,
And the large eyes strange and bright,
And they said — too late — "He is weary!
He shall rest for, at least, To-night".
But at dawn, when the birds were waking,
As they watched in the silent room,
With the sound of a strained cord breaking,
A soraething snapped in the gloom.
\'Twas a string of his violoncello,
And they heard him stir in his bed: —
"Make room for a tired little fellow,
Kind God!" — was the last that he said.
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1IENRY AUSTIN DOnSON.
BEFORE SEDAN.
"The dead hand clatptd a letter."
Special correspondence.
Here in this leafy place,
Quiet he lies,
Cold, with his sightless face
Turned to the skies;
\'T is but another dead;
All you can say is said.
Carry his body hence, —
Kings must have slaves ;
Kings rise to eminence
Over men\'s graves:
So this man\'s eye is dim ; —
Throvv the earth over him.
What was the white you touched,
There, at his side?
Paper his hand had clutched
Tight ere he died ; —
Message or wish, may be; —
Smooth the folds out and see.
Hardly the worst of us
Here could have smiled! —
Only the tremulous
Words of a chilcl; —
Prattle, that has for stops
lust a few ruddy drops.
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THE WANDEREK.
277
Look, she is sad to miss,
Morning and night,
His — her dead father\'s — kiss :
Tries to be bright,
Good to mamma, and sweet,
That is all. "Marguerite."
Ah, if beside the dead
Slumbered the pain !
Ah, if the hearts that bied
Slept with the slain\'
If the grief died ; but no; —
Death will not have it so.
THE KISS.
(TRIOLET.)
Rosé kissed me lo-day.
Will she kiss me tomorrow?
Let it be as it may
Rosé kissed me to-day.
But the pleasure gives way
To a savour of sorrow; —
Rosé kissed me to-day, —
Will she kiss me to-morrow?
THE VVANDERER.
(RONDEL.)
Love comes back to his vacant dwelling,
The old, old Love that we knew of yore
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278
IIENRY AUSTIN DOBSON.
We see him stand by the open door,
With his great eyes sad, and his bosom swelling.
He makes as though in our arms repelling,
He fain would lie as he lay before;
Love comes back to his vacant dwelling, —
The old, old love that we knew of yore !
Ah, who shall help us from over-spelling
That sweet, forgotten, forbidden lore !
E\'en as we doubt in our heart once more,
With a rush of tears to our eyelids welling
Love comes back to his vacant dwelling.
WITH PIPE AND FLUTE.
(KONDEAU.)
With pipe and flute the rustic Pan
Of old made music sweet for man:
And wonder hushed the warbling bird,
And closer drew the calm-eyed herd, —
The rolling river slowlier ran.
Ah ! would — ah ! would, a little span,
Some air of Arcady could fan
This age of ours, too seldom stirred
With pipe and flute!
But now for gold we plot and plan;
And from Beersheba unto Dan,
Apollo\'s self might pass unheard,
Or find the night-jar\'s note preferred; —
Not so it fared, when time begin,
With pipe and flute!
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ROBERT WILLIAMS BUCHANAN.
T/lis tirolific foet, dramatist, essayist andnovelist, was bom
in Warwickshire,
1841. He is of Scotlish farentage, was
ediicated in Glasgow, and Aas been referred to as the princifal
living representative of the Scoltish elet*:entin English iiterature.
Mr. Bnchanan\'s most ambitious poem is
The HookofOrm;
Ais most pofitlar works consist of Scottish and London
Ballads and Idylls. He is also very sucetssful in descrMng
natural sceniry and fhenomena.
THE SUMMER POOL.
There is a singing in the summer air,
The blue and brown moths flutter o\'er the grass,
The stubble bird is creaking in the wheat,
And perched upon the honeysuckle hedge
Pipes the green linnet. Oh, the golden world !
The stir of life on every blade of grass,
The motion and the joy on every bough.
The glad feast everywhere, for things that love
The sunshine and for things that love the shade!
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28o
ROBERT WILLIAMS BUCHANAN.
Aimlessly wandering with weary feet,
Watching the wool-white clouds that wander by,
I carr.e upon a lonely place of shade, —
A still green Pool, where with soft sound and stir
The shadows of o\'erhanging branches sleep
Save where they leave one dreamy space of blue,
Oer whose soft stillness ever and anon
The feathery chirrus blows. Here unaware
I pause, and leaning on my staff I add
A shadow to the shadows; and behold !
Dim dreams steal down upon me, with a hum
Of little wings, a murmuring of boughs, —
The dusky stir and motion dweiling here,
Within this small green world. O\'ershadowed
By dusky greenery, though all around
The sunshine throbs on fields of wheat and bean,
Downward I gaze into the dreamy blue
And pass into a waking sleep, wherein
The green boughs rustle, feathery wreaths of cloud
Pass softly, piloted by golden airs :
The air is still, — no birds sing any more —
And, helpless as a tiny flying thing,
I am alone in all the world with God.
The wind dies — not a leaf stirs — on the Pool
The fly scarce moves ; earth seems to hold her breath
Until her heart stops, listening silently
For the far footsteps of the coming Rain !
While thus I pause, it seems that I have gained
New eyes to see; my brain grows sensitive
To trivial things that, at another hour
Had passed unheeded. Suddenly the air
Shivers, the shadows in whose midst I stand
Tremble and blacken — the blue eye o\' the Pool
Is closed and clouded j with a sudden gleam,
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THE FIRST GI.IMPSE OF GREEN FIELDS.               281
Oiling its wing, a swallow darteth past,
And weedling flowers beneath my feet thrust up
Their leaves to feel the fragrant shower. Oh, hark !
The thirsty leaves are troubled into sighs,
And up above me, on the glistening boughs,
Patters the summer Rain !
Into a nook,
Screened by thick foliage of oak and beech,
I creep for shelter ; and the summer shower
Murmurs around me. Oh, the drowsy sounds !
The pattering rain, the numerous sigh of leaves,
The deep, warm breathing of the scented air,
Sink sweet into my soul — until at last
Comes the soft ceasing of the gentle fall,
And lo ! the eye of blue within the Pool
Opens again, while with a silvern gleam
Dew diamonds twinkle moistly on the leaves,
Or, shaken downward by the summer wind,
Fall melting on the Pool in rings of light!
THE FIRST GLIMPSE OF GREEN FIELDS.
Front Liz.
And so the baby\'s come, and I shall die!
And though \'t is hard to leave poor baby here,
Where folk will think him bad and all\'s so drear,
The great Lord Gou knows better far than I.
Ah, don\'t! — \'t is kindly, but it pains me so !
You say I\'m wicked, and I want to go ?
God\'s kingdom, Parson, dear ? Ah, nay, ah nay!
That must be like the country — which I fear; —
I saw the country once, one summer day, —
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282                        ROBERT WILLIAMS BUCHANAN.
And I would rather die in London here !
F\'or I was sick of hunger, cold, and strife,
And took a sudden fancv in my head
To try the country, and to earn my bread
Out among tields, where I had heard ones life
Was easier and brighter. So that day,
I took my basket up and stole away
Just after sunrise. As I went along.
Trembling and loath to leave the busy place,
I feit that I was doing something wrong,
And feared to look policemen in the face.
And all was dim : the streets were gray and wet
After a rainy night: and all was still;
I held my shawl around me with a chili;
And dropt my eyes from every face I met;
Until the streets began to fade, the road
Grew fresh and clean and wide,
Fine houses where the gentlefolk abode,
And gardens full of flowers on every side
That made me walk the quicker — on, on, on —
As if I were asleep with halfshut eyes,
And all at once I saw, to my surprise,
The houses of the gentlefolks were gone;
And I was standing still,
Shading my face, upon a high green hill.
And the bright sun was blazing,
And all the blue above me seemed to melt
To burning, rlashing gold, while I was gazing
On the great smoky cloud where I had dwelt.
I\'ll ne\'er forget that day. All was so bright
And strange. Upon the grass around my feet
The rain had hung a million drops of light,
The air, too, was so clear and warm and sweet,
It seemed a sin to breathe it. All around
Where hills and fields and trees that trembled through
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THE FIRST GI.IMPSE OF GREEN FIELDS.                 283
A burning, blazing tire of gold and blue:
And there was not a sound,
Save a bird singing, singing, in the skies
And the soft wind, that ran along the ground,
And blew so sweetly on my lips and eyes.
Then, with my heavy hand upon my chest,
Kecause the bright air pained me, trembling, sighing.
I stole into a dewy field to rest ;
And oh, the green, green grass where I was lying
Was fresh and living — and the bird sang loud
Out of a golden cloud —
And I was looking up at him and crying I
How swift the hours slipt on ! — and by and bye
The sun grew red, big shadows rilled the sky,
The air grew damp with dew,
And the dark night was coming down, l knew.
Well, I was more afraid than ever, then,
And feit that I should die in such a place,
So back to London town I turned my face,
And crept into the cheerful streets again;
And when I breathed the smoke, and heard the roar,
Why, I was better, for in London here
My heart was busy, and I feit no fear.
I never saw the country any more.
And I have stayed in London, well or ill —
1 would not stay out yonder if I could,
For one feels dead, and all looks pure and good —
I could not bear a life so bright and still.
All that I want is sleep,
Under the flags and stones so deep, so deep!
God won\'t be hard on one so mean, but He
Perhaps will let a tired girl slumber sound
There in the deep cold darkness underground ;
And 1 shall waken up in time, may be,
Ketter and stronger, not afraid to see
The burning Light that folds Him round and round.
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2S4                         ROBERT WII.l-IAMS BUCIIANAN.
See! there\'s the sunset creeping through the pane —
Ilow cool and moist it looks amid the rain !
I like to hear the splashing of the drops
On the house-tops,
And the loud murmur of the folks that go
Along the streets below!
I like the smoke and roar - I love them yet —
They seem to still one\'s cares ....
There\'s Joe! I hear his foot upon the stairs! —
I\'oor lad, he must be wet!
He will be angry, like enough, to find
Another little life to clothe and keep.
But show him baby, Parson — speak him kind —
And teil him Doctor thinks I\'m going to sleep.
A hard, hard life is his ! He need be strong,
And rough, to earn his bread and get along.
I think he will be sorry when I go,
And leave the little one and him behind,
I hope he\'11 see another to his mind
To keep him straight and tidy. .. Poor old Joe!
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ARTHUR WILLIAM EDGAR
O\' SHAUGHNESSY.
Arthur O\' Shaughnessy (1844-1S81) was one of the
mostpromising memoers of the Pre-Raphaclite or Aeo-Romanlu
school. His poetical works fill four volumes:
An Epic of
Women 1870, Lays of Krance, 1872, Music and Moonlight.
1874, and Songs of a Worker, published afttr the foei\'s
ileath.
THE FOUNTAIN OF TEARS.
Ik you go over desert and mountain,
Far into the country of sorrow,
To-day and to night and to-morrow,
And may be for months and for years ;
You shall come, with a heart that is bursting,
For trouble and toiling and thirsting,
You shall certainly come to the fountain
At length, — to the Fountain of Tears.
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286           AKTIIUR W1LLIAM EDÜAR O\' SHAUGHNESSY.
Very peaceful the place is, and solely
For piteous lamenting and sighing,
And those who come living or dying,
Alike from their hopes and their fears;
Full of cypress-like shadows the place is,
And statues that cover their face» :
But out of the gloom springs the holy
And beautiful Fountain of Tears.
And it rlows and it flows with a motion
So gentle and lovely and listless,
And murmurs a tune so resistless
To him who hath suflered and hears —
You shall surely — without a word spoken,
Kneel down there and know your heart broken,
And yield to the long curbed emotion
That day by the Fountain of Tears.
For it grows and it grows as though leaping
Up higher the more one is thinking;
And ever its tunes go on sinking
More poignantly into the ears:
Yea, so blessed and good seems that fountain
Reached after dry desert and mountain,
You shall fall down at length in your weeping
And bathe your sad face ir. the tears.
Then, alas | while you lie there a season,
And sob between living and dying,
And give up the land you were trying
To find mid your hopes and your fears ;
— O the world shall come up and pass o\'er you :
Strong men shall not care to stay for you,
Nor wonder indeed for what reason
Your way should seem harder than theirs.
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287
THE KOUNTAIN OF TEARS.
But perhaps, while you lie, never lifting
Your cheek from the wet leaves it presses,
Not caring to raise your wet tresses
And look how the cokl world appears, —
O perhaps the mere silences round you —
All things in that place grief halh found you,
Yea, e\'en to the clouds o\'er you drifting,
May soothe you somewhat through your tears.
Vou inay feel, when a falling leaf brushes
You face, as though some one had kissed you :
Or think at least some one who missed you
Hath sent you a thought, — if that cheers :
Or a bird\'s little song, faint and broken,
May pass for a tender word spoken :
—   Enough, while around you there rushes
That ïife-drowning torrent of tears.
And the tears shall How faster and Taster,
Brim over, and baffle resistance,
And roll down bleared paths to each distance
Of past desolation and years ;
Till they cover the place of each sorrow,
And leave you 110 past and no morrow :
For what man is able to master
And stem the great Fountain of Tears ?
But the floods of the tears meet and gather;
The sound of them all grows like thunder ;
—  O, into what bosom, I wonder,
Is poured the whole sorrow of years ?
For Eternity only seems keeping
Account of the great human weeping :
May God then, the Maker and Father —
May He find a place for the tears!
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288          ARTHUK WILLIAM F.DGAR o\' SHAUGH.NESSY.
SOVVN SEED.
I WANDF.RED dreaming through a mead;
And it was sowing-season there;
As one who suws and takes no heed
I cast my dreams upon the air:
And each dreain was a golden seed
That in my life some flower should bear.
— O sowing-season bright and gay,
To have you back I am most fain !
0  sowing season, find some way
To bring me here each golden grain
1   cast upon the air that day,
That I may sow them all again.
For some, that fairest should have been,
About the world they have been tost
And borne no flowers that I have seen :
And some have taken wing and crost
The sea, or through the blue serene
Gone up to heaven and been lost.
O, sowing season, come once more,
Bring back each golden seed to me!
For one, indeed, grew up and bore
No flower of gladness, good to see —
A thing to look upon right sore
— A grief that in my life should be.
One other truly did beget
Some blosson of the June that feil
In May; and one, a violet
Whose death upon my heart doth dweil
The last seed hath not blossomed yet :
Come back and bring this one as well.
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289
SOWN SEED.
— What! the «hole sudden summer ? Vea;
The last one hath come up a rosé !
O sowing season, you may stay ;
It is in my love\'s heart it grows ;
And she hath shown it me today :
I keep this one and give up those.
\'V
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ANUREVV LANG
Th is poet, bom 1844, is a fertile and successful writtr in
very different fields. Nis two volumes of poems are entitled
Ballades in Blue China and Rhymes a la Mode, andbelong
lo the school led by Mr. Aust\'n Dobson ; he has written a
successful novel; a long poem called
Helen of Troy; trons-
lations front the classics; besides innumerable papers conlri-
buted to various magazines. Mr. Lang has moreover made
himself famous by hts learned wrilings on French literatttre
and comparative myllwlogy.
BALLADE OF SLEEP.
The hours are passing slow,
I hear their weary tread
Clang from the tower, and go
Back to their kinsfolk dead.
Sleep ! death\'s twin brother dread !
Why dost thou scorn me so ?
The wind\'s voice overhead
Long wakeful here I know,
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BALLADE OF SLEEP.
2(11
And music from the steep
VVbere waters fall and flow. —
Wilt thou not liear me. sleep ?
AU sounds that might bestow
Rest on the fevered bed,
All slurabrous sounds and low
Are mingled here and wed.
And bring no drowsihead.
Shy dreams flit to and fro
With shadowy hair dispread ;
With wistful eyes that glow,
And silent robes that sweep,
Thou wilt not hear me; no ?
Wilt thou not hear me, sleep?
What cause hast thou to show
Of sacrifice unsped ?
Of all thy slaves below
I most have labouréd
VVith service sung and said ;
Have culled such buds as bow
Soft poppies white and red,
Where thy still gardens grow,
And Lethe\'s waters weep.
Why, then, art thou my foe ?
Wilt thou not hear me, sleep ?
ENVOY.
Prince, ere the dark be shred
By golden shafts, ere low
And long the shadows creep :
Lord of the wand of lead,
Soft footed as the snow,
"Wilt thou not hear me, sleep!
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292                                   ANDREW LANG.
BALLADE OF TRUE WISDOM.
Wu\'LE others are asking for beauty or fame,
Or praying to know that for which they shculd pray,
Or courting queen Venus, that affable dame,
Or chasing the Muses the weary and grey,
The sage has found out a more excellent way —
To Pan and to Pallas his incense he showers,
And his humble petition puts up day by day,
For a house full of books, and a garden of flowers.
Inventors may bow to the God that is lame ;
And crave from the fire on his stithy a ray;
Philosophers kneel to the God without name,
I.ike the people of Athens, agnostics are they ;
The hunter a fawn to Diana will slay,
The maiden wild roses will wreathe for the Hours;
Kut the wise man will ask, ere libation he pay,
For a house full of books, and a garden of flowers.
Oh ! grant me a life without pleasure or blanie
(As mortals count pleasure who rush through their day
With a speed to which that of the tempest is tame)
O grant me a house by the beach of a bay,
Where the waves can be surly in winter, and play
With the sea weed in summer, ye bountiful powers !
And I\'d leave all the hurry, the noise, and the fray,
For a house full of books, and a garden of flowers.
Envoy.
Gods, grant or withhold it; your yea and your nay
Are immutable, heedless of outcry of ours :
But life is worth living, and hei e we would stay
For a house full of books, and a garden of flowers..
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ROMANCE.
29.;
ROMANCE.
My Love dwelt in a northern land,
A grey tower in a forest green
Was hers, and far on either hand
The long wash of the waves was seen.
And leagues on leagues of yellow sand,
The woven forest boughs between !
And through the silver northern night
The sunset slowly died away,
And herds of strange deer, lily-white,
Stole forth among the branches grey :
About the coming of the light,
They fled like ghosts before the day
I know not if the fore>t green
Still girdles round that castle grey ;
I know not if the boughs between
The white deer vanish ere the day ;
Above my love the grass is green,
My heart is colder than the clay !
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EDMUND WILLIAM GOSSE.
Mr. Gosse, bom 1849, kas prodnced many important
critical and biograpkical woris, as well as several volumes
of poet)y mostly lyrical, and intiariably perject informand
f teling. In t/ie subjoined sonnet
on Certain Critics, the poet\'s
theory of his art is sufficiently indicated.
ON CERTAIN CRITICS.
Thkre are who bid us chant this modern age,
With all its shifting hopes and crowded cares,
School-boards and land-laws, tithes and slale aflairs,
And, one by 011e, the penny wars we wage.
They charge us with our lyric flutes assuage
The hunger that the lean-ribbed peasant bears,
Or wreathe our laurel round the last grey hairs
Of the old pauper in his workhouse cage, —
Not wisely; for the round world spins so fast,
Leaps in the air, staggers, and shoots, and halts, —
We know not what is false or what is true;
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THE RETURN OF THE SWALLOWS.                  295
But in the firm perspeclives of the past
We see the picture duly, and its faults
Are softly moulded by a lilmy blue.
EUTHANSASIA.
Whex age comes by and lays his frosty hands
So lightly on mine eyes, that, scarce aware
Of what an endless weight of gloom they bear,
I pause, unstiired, and wait for his commands ;
When time has bound these limbs of mine with bands,
And hushed mine ears and silvered all my hair,
May sorrow come not, nor a vain despair
Trouble my soul that weakly girded stands.
As silent rivers into silent lakes,
Through rush of reeds that not a murmur breaks,.
Wind, mindful of the poppies whence they came,
So may my life, and calmly burn away,
As ceases in a lamp at break of day,
The fragrant remnant of memorial rlame.
THE RETURN OF THE SWALLOWS.
"Out in the meadows the young grass springs,
Shivering with sap," said the larks, "and we
Shoot into air with our strong young wings,
Spirally up over level and lea;
Come, O swallows, and fly with us
Xow that horizons are luminous !
Evening and morning the world of light,
Spreading and kindling, is infinite!"
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296
EDMUND V.II.LIAM GOSSE.
Kar away, by the sea in the south,
The hills of olive and slopes of fern
Whiten and glow in the sun\'s long drouth,
Under the heavens that beam and burn :
And all the swallows were gathered there
Klitting abotit in the flagrant air,
And heard no sound from the larks, but flew
Flashing under the blinding blue.
Out of the depths of their soft rich throats
Languidly fluted the thrushes and said,
"Musical thought in the mild air floats,
Spring is coming and winter is dead !
Come, O swallows, and stir the air,
For the buds are all bursting unaware,
And the drooping eaves and the elm trees long
To hear the sound of your low, sweet song."
Over the roofs of the white Algiers,
Flashingly shadowing the bright bazaar,
Flitted the swallows, and not one hears
The call of the thrushes from far, from far ;
Sighed the thrushes ; then all at once,
Broke out singing the old sweet tones,
Singing the bridal of sap and shoot,
The tree\'s slow life between root and fruit.
But just when the dingles of April flowers
Shine with the earliest daffodils,
When, before sunrise, the cold clear hours,
(\'ileam with a promise that now fullils,
Deep in the leafage the cuckoo cried,
Perched on a spray by a rivulet side,
"Swallows, O swallows, come back again
To swoop and herald the April rain."
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LYING IN THE GRASS.                             297
And something awoke in the slumbeiing heart
Of the alien birds in their African air,
And they paused. and alighted, and twittere.i apart,
And met in the broad white dreamy square ;
And the sad slave woman who lifted np
Krom the fountain her broad-Iipped earthen cup
Said to herself vith a weary sigh,
"To morrow the swallows will northward fly."
LYING INT THK GRASS.
Betwekn two golden tufts of summer grass,
1 see the world through hot air as through glass,
And by my face sweet lights, and colours pass.
Before me, dark against the fading sky
I watch three mowers mowing, as I lie :
With brawny arms they sweep in harmony.
Brown English faces by the san burnt red,
Rich glowing colour on bare throat, and head;
My heait would leap to watch \'hem, were I dead!
And in my strong young living as I lie,
1 seem to move with them in harmony, —
A fourth is mowing, and that fourth am I.
The music of the scythes that glide and leap,
The young men whistling as their great arms sweep,
And all the perfume, and sweet sense of sleep,
The weary butterflies that droop their wings,
The dreamy nightingale that hardly sings,
And all the lassitude of happy things,
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298
BDMUND VVII.LIAM COSSE.
Is mingling with the warm and pulsing blood
That gushes throtigh my veins a languid tlood
And feeds my spirit as the sap a bud.
Behind the mowers, on the amber air
A dark-green beechwood rises, still, and fair,
A white path winding up it like a stair.
And see that girl, with pitcher on her head,
And clean white apron on her gown of red,
Her even=song of love is but half said .
She waits the youngest mower. Now he goes ;
Her cheeks are redder than a wild blush-rose :
They climb up where the deepest shadows close.
But though they pass and vanish I am there.
I watch his rough hands meet beneath her hair,
Their broken speech sounds sweet to me like prayer.
Ah now the rosy children come to play,
And romp, and struggle with the new-mown hay ;
Their clear high voices sound from far away.
They know so little why the world is sad,
They dig themselves warm graves, and yet are glad;
Their muffled screams and laughter make me mad!
I long to go and play among them there;
Unseen like wind to take them by the hair,
And gently make tbeir rosy cheeks more fair.
The happy children ! full of frank surprise,
And sudden whims, and innocent ecstasies;
What godhead sparkles from their liquid eyes!
No wonder round those urns of mingled clays
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LYING IN THE URASS.
299
That Tuscan potters fashioned in old days,
And colouied like the torrid earth ablaze,
We find the little Gods and loves portrayed,
Through ancient forests wandering undismayed,
And fluting hymns of pleasure unafraid.
They knew, as I do now, what keen delight,
A strong man feels to watch the tender rlight
Of little children playing in his sight;
What pure sweet pleasure, and what sacred love,
Comes drifting down upon us from above,
In watching how their limbs, and features move.
I do not hunger for a well-stored mind,
I only wish to live my life, and find
My heart in unison with all mankind.
My life is like the single dewy star
That trembles on the hori/.on\'s primrose bar —
A microcosm where all things living are.
And if, among the noiseless grasses, Death
Should come behind, and take away my breath,
I should not rise as one who sorroweth;
For 1 should pass, but all the world would be
Full of desire, and young delight, and glee,
And why should men be sad through loss of me ?
The light is flying; in the silver blue
The young moon shines from her bright window through;
The mowers are all gone, and I go too.
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PHILIP BOURKE MARSTON.
T/iis gifted young foei (1850—1887) was afflictcd wilh
biindiiess from his early childhood. Nevertheless he froduced
three volumes of foetus, many of which are of fine quality.
His sonnets es/>ecially bear a considerable resemblance to those
of his friend Rossetti.
THE ROSÉ AND THE WIND.
DAWN.
The Rosé. Wh en think you comes the Wind,
The Wind that kisses me and is so kind ?
Lo ! how the lily sleeps ; her sleep is light;
Would I were like the lily pure and white;
Will the Wind come ?
The Beech.
                                 Perchance for thee too soon.
The Rosé. If not, how could I live until the noon ?
What think you, Beech-tree. makes the Wind delay ?
Why comes he not at breaking of the day ?
The Beech. Ilush child, and like the lily, go to sleep.
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THE ROSÉ AND THE WIND.
3°i
The Rosé. You know I cannot.
The Beeeh.                                    Xay then, do not weep.
The Beech. (after a pause) Thy lover comes, be happy now,
O Rosé,
And softly through my bending branches goes,
Soon he shall come, and you shall feel lus kiss.
The Rest. Already my llushed heait grows fninl with bliss.
Love, I have longed for thee through all the night.
The Wind. And I to kiss thy petals warm and bright.
The Rosé. I.augh round me, Love. and kiss me; itiswell.
MoRNING.
\'T was dawn when fïrst you came, and now the sun
Shines brightly, and the dews of dawn are done.
\'T is well you take me so in your embrace :
But lay me back again into my place,
Kor [ am worn, perhaps with bliss extreme.
The Wind. Nay, you must wake, love, from this childish dream.
The Rosé, \'T is thou, love, seemest changed, thy laugh
is loud,
And \'neath thy stormy kiss my head is bowed.
O Love, O Wind, a space wilt thou not spare ?
The Wind. \'Xot while thy petals are so soft and fair.
The Rosé. My buds are blind with leaves, they cannot see.
O Love, O Wind, w ilt thou not pity me ?
Evening.
The Beech. O Wind. a word with you before you pass,
What didst thou to the Rosé that on the grass
Broken she lies and pale, who loved thee so ?
The Wind. Roses must live and love, and winds must blow.
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3°2
PHII.I1\' BOURKE MARSTON.
MY LOVE.
Mv Love is like great music when it fills
Man\'s heart and brain with high, all-hall delight ;
My Love is like some still, immaculate night,
When through the hushed and sleeping earth there thrills
God\'s very peace ; my Love is like the hills
That welconie tirst the dawn upon each height :
For is she not as pure as they and bright,
With eyes like sunlight upon wind-kissed rills ?
Uut ah, my song, that thou canst never say
How fairer far she is than all these things —
My governing moon by night, my sun by day,
My nightingale, in which the whole race sings,
My summer of women, in whose beauty clings
What men to pluck would give their souls away !
WORTH REMEMBRANCE.
Of me ye may say many a bitter thing,
0   Men, when I am gone. gone far away
To that dim land where shines no light of day.
Sharp was the bread for my soul\'s nourishing
Which Fate allowed, and bitter was the spring
Of which I drank and maddened, even as they
Who wild with thirst at sea will not delay,
But drink the brine and die of its sharp sting.
Not gentle was my war with Chance, and yet
1   borrowed no man\'s sword — alone I drew,
And gave my slain fit burial out of view.
In secret places I and sorrow met.
So, when you count my sins, do not forget
To say I taxed not any one of you.
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BOOK IV.
REPRESENTATIVE AMERICAN POETS.
i
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WILLIAM CULLEN BRYANT.
ALTHOUGH by no mtans the earliest American poet, Bryant
is generally regarded as tht Jirst writer of dislinctively Ame-
rican poetry. He himself date/l the clown of American litira-
ture from
1821, the year in whith Thanatopsis was pnblished.
He was WordswortK\'s most distinguished and consistent dis-
ciple; his master\'s sentiments are transflanted to America
and adafted to the scenery and circumstances of the Aew
World. Bryant was born in Alassachusetts (thalfrolific mother
of great men)
in 1794 \'• pnblished his first „poem", apolitical
satire, in his thirteenth year;
Thanatopsis, The Ages, A
Forest Hymn, and a smalt quantum of meditative poetry at
intervals ; became editor of a Democratie Newspaper in
1826 ;
and held a very conspicuous and highly honottrable position
as a journalist till his death in
1878.
THANATOPSIS.
To him who in the love of nature holds
Communion with her visible forms, she speaks
A various language ; for his gayer hours
20
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jOÓ                            W1LI.1AM CUI.I.KN BRYANT.
She has a voice of gladness, and a smilc
And eloquence of beauty; and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter liour eome like a blight
Over thy spirit, and sad images
Of the stern agony, and slmmd and pall.
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart; —
Go forth under the open sky, and list
To Nature\'s teachings, while from all around —
Earth and her waters, and the depths of air —
Comes a still voice. — Yet a few days, and thee
The all-beholding sun shall see no more
In all his course; nor yet in the cold ground
Where thy pale form is laid with many tears,
Nor in the embrace of ocean, shall exist
Thy image, Earth, that nourished thee. shall claim
Thy growth, to be resolved to earth again,
And, lost each human tracé, surrendering up
Thine individual being. shalt thou go
To mix for ever with the elements, —
To be a brother to the insensible rock,
And to the sluggish clod, which the rude swain
Tunis with his share, and treads upon. The oak
Shall seml his roots abroad and pierce thy mould.
Yet not to thine eternal resting-place
Shalt thou retire aloiie : — nor couldst thou wish
Couch more magnilicent. Thou shalt lie down
With patriarchs of the infant world — with kings •
The poweiTul of the earth, the wise, the good,
Fair forms, and hoary seers, of ages past,
All in one mighty scpulchre. — The hills
Rock-ribbed, and ancient as the sun, — the vales
Stretching in pensive qutetness between;
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3<>7
THANATOPSIS.
The venerable woods — rivers that move
In majesty, and the complaining brooks
That make the meadows green ; and, poured round all,
Old ocean\'s grey and melancholy waste, —
Are hut the solemn decorations all
(>f the great tomb of man. The golden sun,
The planets, all the inlinite host of heaven,
Are shining 011 the sad abodes of death,
Through the still lapse of ages. — All that tread
The globe are but a handful to the tribes
That slumber in its bosom. — Take the wings
Of morning, and the liarcan desert pierce,
Or lose thyself in the continuous woods
Where rolls the Oregon, and hears no sound
Save his own dashings — yet the dead are there
And millions in those solitudes, since rirst
The llight of years began, have laid them down
In their last sleep — the dead there reign alone,
So shalt thou rest, — and what if thou withdraw
l\'nheeded by the living — and no friend
Take note of thy departure ? All that breathe
Wil] share thy destiny. The gay will laugh
When thou art gone, the solemn brood of care
1\'lod on ; and each one, as before, will chase
His favourite phantom; yet all these shall leave
Their mirth and their employments, and shall eome
And make their bed with thee. As the long train
Of ages glide away, the sous of men,
The youth in life\'s green spring, and he who goes
In the full strength of years, matron and maid,
And the «weet babe and the greyheaded man. —
Shall one by one be gathered to thy side,
By those who in their turn shall follow them.
So live that, when thy summons comes to join
The innumenxble caravan that moves
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308                         WILI.IAM CULLKN HRVANT.
To that mysterious realm, where each shall take
His chamber in the silent halls of death,
Thou go not, like the quarry-slave, at night,
Scourged to his dungeon ; but, sustained and soothed
By an unfaltering trust, approach thy grave,
Like one that draws the drapery of his couch
About him, and lies down to pleasant dreams.
O MOTHER OF A MIGHTY RACE.
O Mother of a mighty race,
Vet lovely in thy youthful grace !
The elder dames, thy haughty peers,
Admire and hate thy blooming years.
With words of shame
And taunts of scorn they join thy name.
For on thy cheeks the glow is spread
That tints the morning hills with red ;
Thy step — the wild deer\'s rustling feet
Within thy woods are not more Heet;
Thy hopeful eye
Is bright as thine own sunny sky.
Ay, let them rail — those haughty ones —
While safe thou dwellest with thy sons.
They do not know how loved thou art —
How many a fond and fearless heart
Would rise to throw
lts life between thee and the foe!
They know not, in their hate and pride,
What virtues with thy children bide ;
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O MOTHER OK A MIGHTY RACE.
How true, how good, thy graceful maids
Make bright, like flowers, the valleyshades;
W\'hat generous men
Spring, like thine oaks, by hill and glen :
What cordial welcomes greet the guest
By the lone rivers of the «est;
How faith is kept, and truth revered,
And man is loved, and God is feared,
In woodland homes
And where the solemra ocean foams !
There\'s freedom at thy gates, and rest
Kor earth\'s down-trodden and oppressed,
A shelter for the hunted head,
For the starved labourer toil and bread.
Power, at the bounds,
Stops and calls back his baffled bounds,
O fair young molher! on thy brow
Shall sit a nobler grace than now.
Deep in the brightness of thy skies
The thronging years in glory rise,
And, as they Heet,
Drop strength and riches at thy feet.
Thine eye, with every coming hom,
Shall brighten, and thy form shall tower;
And when thy sisters, elder bom,
Would brand thy name with words of scorn,
Before thine eye,
Upon their lips the taunt shall die !
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R.ALPH WALDO EMERSON.
\'JiiF. most widely rtad of Emerson\'s werkt are Iris Essays,
whUh fiU ,:ucral volumes and have exercised an enormons in-
ffnenee on thinking miitc/s dn ring the last forty or fifly years.
The poet fhitosopi: r was bom in Boston, Afassachnsetts,
in
1803, and spent t/\'ie last fi/ty years of his life in the
totun of Coiuord, where he died in the spring of
1882. Mr.
iV. M. Rossetti jnstly pronotim Emerson to be one of the
tin, it sonls of our time.
EACH AND ALL.
Little thinks, in the lield, you red-cloaked clown,
Of thee, from the hill-top looking down;
And the heifer, that lows in the opland farm,
Far- heard, lows not thine ear to chann,
The sexton tolling the bell at noon
Drcams not that great Napoleon
Stops his horse, and lists with delight,
Whilst his liles sweep round yon Alpine height;
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EACH AND ALL.
;"
Nov knowest thou what argument
Thy life to thy neighbour\'s creed has lont.
All are needeil by each one ;
Nothing is fair or good alone.
I thotight the sparrow\'s note from heaven,
Singing at dawn on the alder bough.
I brought him home in his nest at even; —
He sings the song, hut it pleases not now ;
For I did not bring home the river and sky ;
He sang to my ear; they sang to my cye.
The delicate shells lay on the shore;
The bubbles of the latest wave
Fresh pearls to their enamel gave;
And the bellowing of the savage se.i
Greeted their safe escape to me.
I wiped away the weeds and foam,
And fetched my sea-born treasures home ;
Kut the poor, unsightly, noisome things
Had left their beauty on the shore,
With the sun, and the sand, and the wild uproar.
The lover watched his graceful maid
As mid the viigin train she strayed,
Nor knew her beauty\'s best attire
Was woven still by the snow-white quire,
At last she came to his hermitage,
Like the bird from the woodlands to the cage, —
The gay enchantment was undone,
A gentle wife, but fairy none.
Then I said, "I covet Truth ;
Reauty is unripe childhood\'s cheat, —
I leave it behind with the games of youth."
As I spoke, beneath my feet
The ground-pine curled its pretty wreath,
Running over the club moss burns ;
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312                               KAI.I\'Il WALDO EMERSON.
I inhaled the violet\'s breath;
Around me stood the oaks and firs ;
I\'ine-cones and acorns lay on the ground ;
Above me soared the eternal sky,
Kuil of light and deity ;
Again I saw, again 1 heard,
The rolling river, the morning bird ; —
Ueauty through niy senses stole,
I yielded myself to the perfect whole.
THE HUMBLE BEE.
liURLY dozing humble bee !
Where thou art is clime for me,
Let them sail for I\'orto Ritme,
Karofl heats through seas to seek,
I will follow thee alone,
Thou animated torrid rone!
Zigzag steerer, desert-cheerer,
Let me chase thy waving lines ;
Keep me nearer, me thy hearer,
Singing over shrubs and vines.
Insect lover of the sun,
Joy of thy dominion !
Sailor of the atmosphere,
Swimmer through the wave» of air,
Voyager of light and noon,
K.picurean of June,
Wait, I prithee, till I come
Within ear-shot of thy hum, —
All without is martyrdom.
When the south wind, in May days,
With a net of shining haze,
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THE HUMBLE BEE.
Silvers the horizon wall,
And, with softness touching all,
Tints the human countenance
With a colour of romance,
And. infusing subtle heats,
Turns the sod to violets, —
Thou in sunny solitudes,
Rover of the underwoods,
The green silence dost display
With thy mellow breeiy bass.
Hot midsummer\'s petted crone.
Sweet to me thy breezy tune,
Telling of countless sunny hours,
Long days, and solid banks of nu\\ver-,
Of gulfs of sweetness without bound
In Indian wildernesses found,
Of Syrian peace, immortal leisure.
Firmest cheer and bird-like pleasure.
Aught unsavoury or unclean
Hath my insect never seen ;
But violets and bilberry bells,
Maple sap and daffodils,
Grass with green flag half-mast high,
Succory to match the sky,
Columbine with hom of honey,
Scented fern and agrimony,
Clover, catch fly, adder\'s tongue.
And briar-roses, dwelt ainong ;
All beside was unknown waste
All was picture as he passed.
Wiser far than human seer,
Vellow-breeched philusopher!
Seeing only what is fair,
Sipping only what is sweet,
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3M                               RAl.PH WAI.DO EMERSON.
Thou dost raock at fate and care,
I.eave the chaff and take the wheat,
When the tiercé north-western blast
Cools sea and land so far and fast,
Thou already slumberest deep, — -
Woe and want thou canst out-sleep, —
Want and woe, which torture us,
Thy sleep makes ridiculous.
THE WORLD SOUL.
Thanks to the morning light,
Thanks to the seething sea,
To the uplands of New Hampshire,
To the green-haired forest free ;
Thanks to each man of courage,
To the malds of holy mind,
To the boy with his games undaunted,
Who never looks behind.
Cities of proud hotels
Houses of rich and great,
Yice nestles in your chambers,
Ueneath your roofs of slate.
It cannot conquer folly,
Time and-space-conquering steam, —
And the light outspeeding telegraph
Hears nothing on its beam.
The politics are base,
The letters do not cheer,
And \'t is far in the depths of history —
The voice that speaketh clear,
Trade and the streets ensnare us,
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THE WORLD SOUL.
Our bodies are weak and worn,
We plot and corrupt each other,
And we despoil the unborn.
Yet there in the parlour sits
Some figure of nohle guise,
Our angel in a stranger\'s form,
Or woman\'s pleading eyes;
<)r only a tlashing sunbeam,
In at the windowpane;
Or music pours on mortals
lts beautiful disdain.
The inevitable morning
Finds them who in cellars be ;
And be sure the all-loving Nature
Will snüle in a factory.
Yon ridge of purple landscape,
Yon sky between the walls,
Hold all the hidden wonders
In scanty intervals.
Alas, the sprite that haunts us
Deceives our rash desire;
It whispers of the glorious gods.
And leaves us in the mire.
We cannot learn the cipher
That\'s writ upon our cell;
Stars help us by a mystery
Which we could never spell.
If but one hero knew it,
The world would blush in llame
The sage, till he hit the secret,
Would hang his head for shame.
But our brothers have not read it,
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3i6
RALPH WAI.DO EMKRSON.
Not one has found the key;
And henceforth we are comforted,
We are but such as they.
Stil], süll the secret presses,
The nearing clouds draw down,
The crimson morning tlames into
The fopperies of the town.
Within, without the idle earth
Stars weave eternal rings ;
The sun himself shines heartily.
And shares the joy he brings.
And what if trade sow cities
Like shells along the shore.
And thatch with towns the prairie broad
With railways ironed oer; —
They are but sailing foam-bells
Along thought\'s causing stream,
And take their shape and sun colour
From him that sends the dream.
For Destiny does not like
To yield to men the helm,
And shoots his thought by hidden nerves
Throughout the solid realm.
The patiënt Daemon sits
With roses and a shroud ;
He has his way and deals his gifts —
But ours is not allowed.
He is no churl nor trifler,
And his viceroy is none,
Love-withoul-weakness,
Of genius sire and son ;
And his will is not thwarted, —
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THE WORLD SOUL.                                      317
The seeds of land and sea
Are the atoms of his body bright,
And his behest obey.
He serveth the servant,
The brave he loves amain,
He kills the cripple and the sick,
And straight begins again ;
For gods delight in gods,
And thrust the weak aside;
To him who scorns their charities,
Their arnis rly open wide.
When the old world is sterile,
And the ages are effete,
He will from wrecks and sediment
The fairer world complete.
He forbids to despair;
His cheeks mantle with mirth,
And the unimagined good of men
Is yeaning at the birth.
Spring still makes spring in the mind
When sixty years are told ;
Love wakes anew this throbbing heart,
And we are never old.
Over the winter glaciers
I see the summer glow,
And through the wild-piled snow-drift
The warm rosé buds below.
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3l8                               RALPH \\VALDi> EMERSON.
EROS.
The sense of the world is short,
Long and vaiious the report, —
To love and be beloved;
Men and gods have not outleamed it
And, how oft soe\'er they\'ve t.irned it,
\'T is not to be improved.
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HENRY WADSWORTH LONGFELLOW.
Few poets have enjoycd a widerpopnlarity llian Longfellow ;
and his mttsieal and sweetly emotional verse has jound many
imitators. He was bom in Fehruary
1807 at Portland,
Mainc, and died somewhat sndden/y, March
1882, in Boston,
where he had resided many years. Longfellmu\'s most impor-
tant original poems are
Evangeline, 1847, Hiawatha, 1X55,
The Courtship of Miles Standish, 1858. Hts translations from
various languages, especially G er man, are many and bcauti-
pui, In
1867 he pnblishcd a translation of The Divina Com-
media. Longfelloïo\'s shorter poems are so well-known as to
be a/most hacineyed.
EXCELSIOR.
The shades of night were falling fast,
As through an Alpine village passed
A youth, who bore mid snoiv and ice,
A banner with the strenge device.
Excelsior !
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320                    1IENRY WADSWORTH I.ONGFELLOW.
His brow was sad ; his eye beneath
Klashed like a faulchion from its sheath,
And like a silver clarion rung
The accents of Ihat unknown tongue,
Excelsior!
In happy homes he saw the light
Of household lires gleam warm and bright;
Above the spectral glaciers shone,
And from his lips escaped a groan,
Excelsior!
"Try not the Pass!" the old man said ;
"Dark lowers the tempest overhead,
The roaring lorrent is deep and wide !\'"
And loud that clarion voice replied,
Excelsior!
"O stay," the maiden said, "and rest
Thy weary head upon this breast!"
A tear stood in his bright blue eye,
Hut still he answered, with a sigh,
Excelsior!
"Beware the pine-tree\'s withered branch !
Beware the awful avalanche!"
This was the peasant\'s last good-night,
A voice replied, far up the height,
Excelsior!
At break of day, as heavenward
The pious monks of Saint Bernard
Lttered the oft-repeated prayer,
A voice cried through the startled air,
Excelsior!
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THE BRIDC.E.
A traveiler by the faithful hound,
Half-buried in the snow was found,
Still grasping in his hand of ice
That banner witli the strange device,
Excelsior !
There in the twilight cold and gray,
Lifeless, but beautiful, he lay,
And from the sky, serene and far,
A voice feil, like a falling star,
Excelsior!
THE BRIDGE.
I STOOD on the bridge at midnight,
As the clocks were striking the hour,
And the moon rosé over the city,
Uehind the dark church-tower.
I saw her bright reflection
In the waters under me,
Like a golden goblet falling
And sinking into the sea.
And far in the hazy distance
Of that lovely night in June,
The blaze of the ilaming furnace
Gleamed redder than the moon.
Among the long, black rafters
The wavering shadows lay,
And the current that came from the ocean
Seemed to lift and bear them away;
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322                  HENKY WADSWORTH LONGPUXOW.
As, sweeping and eddying ihrough thuni,
Ro.se the belated tide,
And, streaming into the moonlight,
The seaweed floated wide.
And like those waters rushing
Among the wooden piers
A rlood of thoughts came o\'er me
That tilled my eyes witli tears.
How often, oh, how oflen,
In the days that had gone by,
I had stood on that bridge at midnight
And gazed on that wave and sky!
How often, oh, how often,
1 had wished that the ebbing tide
Would bear me away on its bosom
O\'er the ocean wild and wide I
For my heart was hot and restless,
And my life was full of care,
And the barden laid upon me
Seemed greater than I could bear,
But now it has fallen from me,
It is buried in the sea ;
And only the sorrow of others
Throws its shadow over me.
Yet whenever I cross the river
On its bridge with wooden piers,
Like the odour of brille from the ocean
Comes the thought of other years.
And I think how many thousands
Of care-encumbered men,
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THE ÜKOUK AND THE WAVE.
52i
Each hearing his burelen of sorrow.
Have crossed the bridge since then !
I see the long procession
Still passing to and fro,
The young lieart hot and restless.
And the old subdued and slow.
And for ever and for ever,
As long as the river flows,
As long as the heart has passions,
As long as life has woes;
The moon and its broken rellection
And its shadows shall appear,
As the symbol of love in heaven,
And its wavering image here.
THE BROOK AND THE WAVE.
The brooklet came Grom the mountain,
As sang the bards of old,
Running with feet of silver
Over the sands of gold !
Kar away in the briny ocean
There rolled a turbulent wave,
Now singing along the sea-beach,
Now howling along the cave.
And the brooklet has found the billow,
Though tliey ilowed so far apart,
And has filled with its freshness and sweetness
That turbulent bitter heart!
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324                     HENRY WADSWORTH LONGIF.LI.OW.
KILLED AT THE FORD.
He is dead. the beautiful youth,
The heart of honour, the tongue of truth ;
He, the light and the life of us all,
Whose voice was as blythe as a bugle-call,
Whom all eyes foliowed with one consent,
The cheer of whose laugh, and whose pleasant word,
Hushed all murmurs of discontent.
< >nly last night, as we rode along,
Down the dark of the mountain gap,
To visit the picket-guard at the ford,
l.ittle dreaming of any mishap,
He was humming the words of some old song :
"Two red roses he had on his cap,
And another he bore at the point of his sword."
Sudden and swift a whistling ball
Came out of a wood, and the voice was still;
Something I heard in the darkness fall,
And for a moment my blood grew chili;
I spake in a whisper, as he who speaks
In a room where some one is lying dead ;
But he made no answer to what I said.
We lifted him up to his saddle again,
And through the mire and the mist and the rain
Carried him back to the silent camp,
And laid him as if asleep on his bed ;
And I saw by the light of the surgeon\'s lamp
Two white roses upon his cheeks,
And une just over his heart, blond-red !
And I saw in a vision how fav and fleet
That fatal bullet went speeding forth,
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THE BELLS OK LYNX HEARD AT NAHANT.           325
Till it reached a town in the distant north,
Till it reached a house in a sunny street,
Till it reached a heart that ceased to beat
Without a murmur, without a cry;
And a bell was tolled, in that far-off town,
For one who had passed from cross to crowri,
And the neighbours wondered that she should die.
THE BELLS OF LYNN HEARD AT NAHANT.
O Curkew of the setting sun ! O bells of Lynn!
O requiem of the dying day ! O bells of Lynn !
From the dark belfries of you cloud-cathedral wafted,
Your sounds atfrial seem to float, O bells of Lynn !
Borne on the evening wind across the crimson twilight,
O\'er land and sea they rise and fall, O bells of Lynn !
The fisherman in his boat, far out beyond the headland,
Lis\'.ens and leisurely rows ashore, O bells of Lynn !
Over the shining sands, the wandering cattle homeward
Follow each other to your call, O bells of Lynn !
The distant lighthouse hears, and with his flaming signal,
Answers you, passing the watchword on, O bells of Lynn |
And down the darkening coast run the tumultuous surges,
And clap their hands, and shout to you, O bells of Lynn!
Till from the shuddering sea, with your wild incantation,
Ye summon up the spectral moon, O bells of Lynn !
And startled at the sight, like the weird woman of Endor,
Ye cry aloud, and then are still, O bells of Lynn!
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JOHN GREENLEAF WHITTIER.
The "Quaker poet" was boni in Massachusetts, 1808. He
is in all respects a genuine national poel. The times of re-
ligious persecution which preceded the War of Indepsndence,
the Anti-Slavery Movement, of which the poetwas a disting-
uished champion, rural custoins, legtnds of the O/d and the
New World, all find an echo in the verse of Wkittier. f/is
pociry ought to be betier known thau il is.
THE ROBIN.
My old Welsh neighbour over the way
Crept slowly out in the sun of spring,
Pushed from her ears the locks of grey,
And listened to hear the Robin sing.
Her grandson, playing at marbles, stopped,
And, crue! in sport as boys will be,
Tossed a stone at the bird, who hopped
From bough to bough in the appletree.
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BARBARA FRIKTCHIE.                              327
"Xay!" said the grandmother, "have you not heard,
My poor, bad boy, of the flery pit,
And how, drop by drop, this merciful bird
Carries the water that <|iienches it ?
"He brings cool dew in his little bill,
And Iets it fall on the souls of sin ;
You can see the mark on his red breast still
Of fires that scorch as he drops it in.
"My poor Bron rhuddyn! my breastburned bird,
Singing so sweetly from limb to limb !
Very dear to the heart of Our Lord
Is he who pities the lost like Ilim !"
"Amen !" I said to the beautiful myth ;
"Sing, bird of God, in my heart as well;
Each good thought is a drop wherewith
To cool and lessen the lires of heil.
"Prayers of love like rain drops fall,
Tears of pity are cooling dew,
And dear to the heart of Our Lord are all
Who suffer like Him in the good they do !"
BARBARA FRIETCHIE.
Ui\' from the meadows rich with corn,
Clear from the cool September mom,
The clustered spires of Frederick stand,
Green-walled by the hills of Maryland.
Round about them orchards sweep,
Apple and peach-tree fruited deep;
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328
JOHN GREENLEAF WHIÏTIER.
Fair as a garden of the Lord
To the eyes of the famished rebel horde.
On that pleasant mom of the early fall,
When I.ee marched over the mountain wall,
Over the mountains winding down,
Horse and foot, into Frederick town,
Forty flags with their silver stars,
Forty flags with their silver bars,
Flapped in the morning wind ; the sun
Of noon looked down and saw not one.
Up rosé old Barbara Frietchie then,
Bowed with her fourscore years and ten,
Bravest of all in Frederick town,
She took up the flag the men hauled down;
In her attic window the staff she set,
To show that one heart was loyal yet.
Up the street came the rebel tread,
Stonewall Jackson riding ahead;
Under his slouched hat, left and right,
He glanced, the old flag met his sight,
"Halt!" — the dust-brown ranks stood fast;
"Fire! — out blazed the rifle blast.
It shivered the window, pane and sash ;
It rent the banner with seam and gash.
Quick, as it feil from the broken staff.
Dame Barbara snatched the silken scarf;
She leaned far out on the window sill,
And chook it forth with a royal will.
"Shoot, if you must, this old gray head,
But spare your eountry\'s flag," she said.
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BARBARA FRIETCHIE,                              329
A shade of sadness, a blush of shame,
Over the face of the leader came;
The noble nature within him stirred
To life, at that woman\'s deed and word.
"Who touches a hair of you gray head
Dies like a dog. March on !" he said.
All day long through Frederick street
Sounded the tread of marching feet;
All day long the free flag tossed
Over the heads of the rebel host ;
Ever its torn folds rosé and feil
On the loyal winds, that loved it well;
And through the hill-gaps sunset light
Shone over it with a warm good-night.
Barbara Frietchie\'s work is o\'er,
And the rebel rides on his raid no more.
Honour to her | and let a tear
Fall, for her sake, on Stonewall\'s bier !
Over Barbara Frietchie\'s grave,
Flag of Freedom and Union, wave !
Peace, and order, and beauty draw
Round thy symbol of light and law ;
And ever the stars above look down
On thy stars below, in Frederick town !
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JOHN GREEM.EAF WHITTIER.
330
TELLING THE BEES.
(In fermer times a curious et/stom. irought from the old
country, frevailcd in the rural districts of Atw England.
On the death of any memoer of a hoHsehold, a ferson went
roiind the beehives, dressing them in mourning and telling
the bees whal had haffencd. 1/ this ceremony was ne^leeled,
l/ie bees, it was suffosed, wou/d seek a new hon:e).
IIere is the place; right over the hill
Runs the path I took ;
Vou can see the gap in the old wall still,
And the stepping-stones in the shallow brook.
There is the house, Avith the gate red-barred,
And the poplars tall;
And the barn\'s brown length, and the cattle-yard,
And the white horns tossing above the wall.
There are the beehives ranged in the sun;
And down by the brink
Of the brook are her poor Howers, weed-o\'errun,
Pansy and daffodil, rosé and pink.
A year has gone, as the tortoise goes,
Heavy and slow ;
And the same rosé blows, and the same sun glows,
And the same brook sings, of a year ago.
There\'s the same sweet clover-smell in the breeze;
And the June sun warm
Tangles his wings of fire in the trees,
Setting, as then, over Fernside farm.
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TELLING THE BEES.
35\'
I mind me how with a lover\'s care
From my Sunday coat
I brushed off the burrs, and smoothed my hair,
And cooled at the brook side my brow and throal.
Since we parted, a month had passed, —
To love. a year;
Down through the beeches I looked at last
On the little red gate and the well-sweep near.
I can see it all now, — the slantwise rain
Of light through the leaves,
The sundown\'s blaze on her window-pane,
The bloom of her roses under the eaves.
Just the same as a month before, —
The house and the trees,
The barn\'s brown gable, the vine by the door, —
Nothing changed but the hives of bees.
Before them, under the garden wall,
Forward and back,
Went drearily singing the chore-girl small,
Draping each hive with a shred of black.
Trembling, I listened; the summer sun
Had the chili of snow ;
For I knew she was telling the bees of one
Gone on the journey we all must go !
Then I said to myself, "My Mary weeps
For the dead to-day:
Haply her blind old grandsire sleeps
The fret and the pain of his age away."
But her dog whined low: on the doorway sill,
With his cane to his chin,
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332
JOHN GRF.ENLEAF WHITTIER.
The old man sat; and the choregirl still
Sung to the bees stealing out and in.
And the song she was singing ever since
In my ear sounds on : —
"Stay at home, pretty bees, fly not hence!
Mistress Mary is dead and gone !"
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EDGAR ALLAN POE.
The aulhor of The Raven was bom at Baltimore, Ja-
miary
I9th 1809, and died mysterionsly in the same city,
October
7th 1849. Ilis father, a man of good family, mar-
ried the orphan daughter of an English gentleman, who
dying suddenly, had left Iris child to be bronght up by stran-
gers. She became an actress, and her hitsband adopted the
sa me profession. Af ter a long and hopeless struggle with po-
verty and ill-hcalth, the illfatcd couple died wilhin a week
of each other, leaving three children. Edgar, a beautiful boy
oj two years o/d, was adopted by a wealthy merchant, Mr.
Allan, who brought kim up as Iris heir. The child seems to
have been badly trained, spoiled and petted, and indulged in
every extravagance. Bul as he grew up and began to mani-
fest the rebellious and haughty temper thus fostered, along
with a passion for gambling, Mr. Allan s lovefor him cooled.
Mrs. Allan, however, was dcvoted to him, and during her life-
time there was a precarious p:ace between the erratic youth
and Iris adoptive father. Af ter her death Mr. Allan mar ried
again; a son was born to him; foe\'s disappointment at the
loss of a rich inheritance found vent in insubordination and
dissipation; Mr. Allan\'\'s patience gave way, and Poe was
abandoned to Iris own resources. From this time
(1831) Poes
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KDGAR ALLAN I\'OE.
334
lift was one continuous stiuggle with poverly, discase, and
inherited cravingfor excitement. He married
; /lis wi/e\'s health
was delicate; the dread of losing her and the inaoility to
provide necessary comforts for her kept hiin on the verge of
madness, In this state of mimi or that which foliowed her
death in
1847 lus immortal lyrics were loritten. The Raven
appeared in 1845; The Bells, For Annie, Annabel Lee, Ula-
lume, after hit wifc\'s death.
THE RAVEN.
Once upon a midnight dreary, while I pondered, weak and
(weary,
Over many a quaint and curious volume of forgotten !ore —
While I nodded, nearly napping, suddenly there came a
(tapping.
As of some one gently rapping, rapping at my chamber door.
"Tis some visitor", I muttered, "tapping at my chamber
(door —
Only this, and nothing more."
Ah, distinctly I remember, it was in the bleak December,
And each separate dying ember wrought its ghost upon the
(floor.
Eagerly I wished the morrow; — vainly had I sought to
(borrow
From my books surcease of sorrow — sorrow for the lost
(Lenore —
For the rare and radiant maiden whom the angels name
(Lenore —
Xameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me, rilled me with fantastic terrors never feit before;
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335
THE KAVEN.
So that now, to still the beating of my heart, I stood
(repeating,
"Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
This it is and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore ;
But the fact is I was napping: and so gently you came
(rapping,
And so faintly you came tapping, tapping at my chamber
(door,
That I scarce was sure I heard you." Here I opened wide
(the door, —
Darkness there and nothing more.
Deep into the darkness peering, long I stood there won-
(dering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream
(before;
But the silence was unbroken, and the stillness gave no
(token,
And the only word there spoken was the whispered word
("Lenore".
This I whispered, and an echo murmured back the word
("Lenore!"
Merely this and nothing more.
Back into the chamber turning, all my heart within me
(burning,
Soon again 1 heard a tapping something louder than before,
"Surely", said I, „surely that is something at my window
(lattice;
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore; —
\'t Is the wind and nothing more."
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33«
EDGAR ALLAN TOE.
Open here I flung the shutter, when, with many a flirt and
(flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or
(stayed he;
But, with mien of lord or lady, perched ahove my chamber
(door —
Perched upon a bust of Pallas just above n.y chamber door —
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and .«haven, thou," I said, "art
(sure no craven,
Ghastly, grim, and ancient Raven wandering from the nightly
(shore :
Teil me what thy lordly name is on the night\'s Plutonian
(shore I"
Quoth the Raven „Nevermore".
Much I marvelled this ungainly fowl to hear discourse so
(plainly,
Though its answer little meaning — little relevancy bore;
For we cannot help agreeing that no living human being
Ever vet was biest with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore".
But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if his soul in that one word he did
(out-pour.
Nothing farther then he uttered; not a feather then he flut-
(tered —
Till I scarcely more than multered : Other friends have flown
(before —
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THE RAVEN.                                      337
On the morrow hc will leave me, as niy hopes have flown
(before."
Then the bird said, "Nevermore !"
Startled at the stillness broken by reply so aptly spoken,—
"Doubtless," said I, "what it utters is its only stock and store ;
Caught from some unhappy master whom unmercil\'ul disaster
Foliowed fast and foliowed faster till his songs one buiden
(bore. —
Till the dirges of his hope that melancholy burden bore
Of "Never — Nevermore !"
lint the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and
(bust and door,
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird
(of yore
Meant in croaking "Nevermore".
This I sat engaged in guessing, but no syllable expressing
To the fowl, whose fiery eyes now burned into my bosom\'s
(core;
This and more I sat divining, with my head at ease reclining
On the cushion\'s velvet lining that the lamp-light gloated
(o\'er, —
But whose velvet violet lining with the lamplight gloating o\'er
Slu shall press - - ah, Nevermore !
Then methought the air grew denser, perfumed from an
(unseen censer,
Swung by Seraphim whose footfalls tinkled on the tufted rloor.
"Wretch !" I cried, "thy God hath lent thee, by these angels
(he hath sent thee
Respite — respite and nepenthe from thy memories of Lenore!
22
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33^                                EDGAR AI.I.AN I\'OE.
Quaflf, O ([uaff tliis kind nepentbe, and forget this lost Le-
(nore!"
Quoth the Raven "Nevermore."
"Prophet!" said I, "thing of evil! prophet still, if bird or
(devii: —
Whethertempter sent or whethertempesttossed thee hereashore,
Desolate, vet all undaunted, on this desert land enchanted —
In this home by horror haunted — teil me truly, I implore —
Is there — is there balm in Gilead ? — teil me — teil me,
(I implore !"
Quoth the Raven "Nevermore."
"Prophet!" said I, "thing of evil ! prophet still. if bird or
(devil! —
By ihat heaven that bends above us — by that God we both
(ad ore —
Teil this soul with sorrow laden if, within that distant Aidenn,
I shall clasp a sainted maiden whom the angels name Le-
(nore —
Clasp a rare and radiant maiden whom the angels name
(Lenore."
Quoth the Raven "Nevermore."
"Be that word our sign of parting, bird or fiend, I shrieked,
(upstarting —
Get thee back into the tempest and the night\'s Plutonian shore !
Leave no black plume as a token of that lie thy soul hath
, spoken!
Leave my loneliness unbroken ! quit the bust above my door !
Take thy beak from out my heart, and take thy form from
(off my door !"
Quoth the Raven "Nevermore".
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pal las, just above my chamber door;
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ANNABBL LEE.
339
And lus eyes have all the seeming of a demon\'s that is
(dreaming;
And the lamplight o\'er hini streaming throws his shadow on
(^the tloor;
And my soul from out that shadow that lies Hoating on the floor
Shall be lifted — nevermore !
ANNABEL LEE.
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may Icnov
By the name of Aimabel I.ee ;
And this maiden she lived with no other thought
Than to love and be loved by me.
ƒ was a child and she was a child,
In this kingdom by the sea :
But we loved with a love that was more than love —
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her high bom kinsmen came,
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven
Went envying her and me —
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KDGAR AI.I.AN TOE.
340
— Ves! — that was the reason (as all men know
[n this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those that were older than we —
Of many far wiser than we —
And neither the angels in heaven above,
Xor the demons down luider the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
()f the beautiful Annabel Lee ;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee ;
And so, all the night tide, I lie down by the side
Of my darling — my dading — my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
ULALUME.
The skies they were ashen and sober ;
The leaves they were crisped and sere —
The leaves they were withering and sere; —
It was night in the lonesome October
Of my most immemorial year;
It was hard by the dim lake of Auber,
In the inisty mid-region of Weir —
It was down by the dark lam of Auber,
In the ghoul-haunted woodland of Weir.
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l\'LALUMK.
34\'
Here once, through.an alley titanic
Of cypress, I roaineil with my soul —
Of cypress, with Psyche, my soul.
These «ere days when my heart was volcanic
As the scoriac rivers that ruil -
As the lavas that restlessly roll
Their sulphurous currents clown Vaanek
In the ultimate climes of the pole —
That groan as they roll down Mount Vaanek.
In the realms of the boreal pole.
Our talk had been serious and sober,
Bat our thoughU they wete palsied and sere —
Our memories were treacherous and sere —
For we knew nol the month was October,
And we marked not the night of the year —
(Ah, night of all nights in the year !)
We noted not the dim lake of Auber —
(Though once we had journeyed down here) —
Remembered not the dark tarn of Auber,
Nor the ghoul-haunted woodland of Weir.
And now, as the night was senescent,
And star-dials pointed te mom —
And star-dials hinted of mom —
At the end of our path a lignescent
And nebulous lustre was born,
Out of which a miraculous crescent
Arose with a duplicate hom —
Astartes bediamonded crescent
Distinct with its duplicate hom.
And I said — „She is warmer than I)ian :
She rolls through an ether of sighs —
She revels in a region of sighs :
She has seen that the tears are not dry on
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342
EDCAR AL1.AN TOE.
These cheeks, where the \\vorm«never dies,
And has come past the stars of the Lion,
To point us the path to the skies —
To the I.ethean peace of the skies —
Come up. in despite of the Lion,
To shine on us with her bright eyes —
Come up through the lair of the Lion,
With love in her luminous eyes.
But Psyche, uplifting her linger.
Said — "sadly this star I mistrust —
Her pallor I strangely mistrust; —
Uh hasten ! — oh let us not linger!
Oh fly! — let us fly ! — for we must."
In terror she spoke, lening sink her
Wings till they trailed in the dust —
In agony sobbed, letting sink her
Plumes till they trailed in the dust —
Till they sorrowfully trailed in the dust.
I replied — "This is nothing but dreaming :
Let us on by this tremulous light I
Let us bathe in this crystalline light !
lts sibyllic splendour is beaming
With hope and in beauty to-night; —
See! it flickers up the sky through the night.
Ah, we safely may trust to its gleaming,
And be sure it will lead us aright :
We safely may trust to a gleaming
That cannot but guide us anght,
Since it flickers up to heaven through the night."
Thus I pacified Psyche and kissed her,
And tempted her out of her gloom —
And conquered her scruples and gloom;
And we passed to the end of the vista,
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UI.ALUME.
But were stopped by the door of a tomb —
liy the door of a legencled tomb,
And I said — "What is written, sweet sister,
On the door of this legended tomb ?"
She replied — "Ulalume — Ulalume —
"Fis the vault of thy lost Ulalume!"
Then my heart it grew aslien and sober
As the leaves that were crisped and sere —
As the leaves that were withering and sere —
And I cried — "It was surely October
On this very night of last year,
That I journeyed — I journeyed down here. —
That I brought a dread burelen down here.
On this night of all nights in the year,
Ah, what demon has tempted me here ?
Well I know, now, this dim lake of Auber —
This misty mid region of Weir —
Well I know. now, this dark tarn of Auber,
This ghoul-haunted woodland of Weir."
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OLIVER WENDELL HOLMES.
Dk. IIoi.mf.s was born in 1809 al Cambridge, Jlfassa-
chusetts. He is n very popular prose writer as welt as poet\'.
//is chief prose ~i\'oik is a series of light hiimorous essays
entilled,
The Autocrat of the IJreakfast Table; kis poelicai
works eonsist chiefty of occasional and society verse; l-Ht
matty of his serions lyrics are very gractful and tender.
THE ÜLD MAN DREAMS.
Oh, for one hour of youthful joy! Give back my twentieth
(spring;
I\'d rathet laugh a bright-haired boy, than reign a gray-beard
(king!
Off with the «rinkled spoils of age \' Away with learning s
(crown !
Tear out life\'s wisdom-written page, and dash its tiophies
(down
One moment let my Hfe-blood stream from boyhood\'s fotint
(of flame!
Oive me one giddy, reeling dream of life, all love and fame !
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THE YOICELESS.                                   345
My listening angel heard the prayer, and, calmly smiling, said,
"If I bat touch thy silvered hair, thy hasty wish hath sped.
"But is there nothing in thy track to bid thee fondly stay;
While the swift seasons hurrv back to find the wishedfor
(day ?"\'
Ah, truest soul of womankind ! Without thee, what «ere life?
One bliss I cannot leave behind : I\'ll take — my — pre-
(cious wife
The angel took a sapphire pen and wrote in rainbow dew,
"The man would be a boy again, and be a husband too !"
"And is there nothing yet unsaid before the change appears ?
Remember, all their gifts have lied with those dissolving
tyears!"
Why yes ; for memory would recall my fond paiernal joys :
I could not bear to leave them all : I\'ll take — my girls —
(and -- boys!
The smiling angel dropped his pen —" Why this will ne-
(ver do ;
The man would be a boy again, and be a father too \'"
And so I laughed ; my laughter woke the household with
(its noise —
And wrote my dream, when morning broke, to please the
(gray-haired boys.
THE VOICELESS.
We count the broken lyres that rest
Where the wailing singers slumber, —
But o\'er their silent sisters\' breast,
The wild rlowers who will stoop to number?
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34^                            OLIVER WE.NDEI.I. HOLMES.
A few can touch the magie string,
And noisy I-ame is proud to win them.
Alas for those who never sing,
But die with all their music in them !
Nay, grieve not for the dead alone,
Whose song has told their hearts\' sad story,
Weep tor the voiceless, who have known
The cross, without the crown of glory !
Not where I.eucadian breezes sweep
ü\'er Sappho\'s memory-haunted billow,
But where the glistening night-dews weep
On nameless sorrow\'s churchyard pillow.
Oh, hearts that break and give no sign,
Save whitening lips and faded tresses,
Till Death pours out his cordial wine,
Slow-dropped from Misery\'s crushing presses, —
If singing breath or echoing chord
To every bidden pang were given,
What endless melodies were poured,
As sad as earth, as Sweet as heaven !
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JAMES RUSSELL LOWELL.
Bor.n in Boston, Massachiiselts, in 1819. Mr. I.owell has
gained a hi^k reputation among hts conntrymen both as a
poet and a J>rose xuriter. In Ais eaily efforts he shewed the
influence of Keats, and kis seiious poems have been much
admired. Bnt it is to his dialect poems,
The Higlow Papers,
— a series of satirical papers on ijnestions of the day—that
Loweil owes his high place among representative American
authors, When the Jirst of\'thesepoems toertpublished
«\'«1848,
the nse of the Yankee dialect was a novelty in literature ;
morcover Mr, Lowelfs prodttctions are master-pieces of rich
and original humeur. As the plan of the present work ex-
eindes dialect and pure/y humorous verse, Mr. Loweil is some-
Tvhat inadequately represented oy serious pieces.
ROSALINE.
Thou look\'dst on me all yesternight;
Thine eyes were blue, thy hair was bright
As when we murmured our troth-plight
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JAMES RUSSELI. LOWEI.L.
Beneath the thick stars, ROSALINK!
Thy hair was braided on thy head
As on the day we two were wed,
Mine eyes scarce knew if thou weit dead
Uut my shrunk heart knew, Rosai.ine !
The death-watch ticked hehind the wall,
The blackness rustled like a pall,
The moaning wind did rise and fall
Among the bleak pines, Rosaline !
My heart beat thickly in mine ears !
The lids may shut out fleshly fears,
But still the spirit sees and hears,
lts eyes are lidless, Rosai.ine !
A wildness rushing suddenly,
A knowing some ill shape is nigh,
A wish for death, a fear to die —
Is not this vengeance. Rosai.ine ?
A loneliness that is not lone,
A love quite withered up and gone,
A strong soul trampled from its throne, -
What wouldst thou further, Rosai.ine?
Tis lone such moonless nigbts as these,
S\'.range sounds are out upon the breeze,
And the leaves shiver in the trees,
And then thou comest, Rosai.ine !
I seem to hear the mourners go,
With long black garments trading slow
And plumes a nodding to and fro,
As once I heard them, Rosai.ine !
Thy shroud it is of snowy white,
And in the middle of the night
Thou standest moveless and upright,
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349
ROSAI.1NE.
Gazing upon me, Rosaline!
There is no sorrow in thine eyos,
But evermore that meek surprise, —
0   God ! her gentle spirit tries
To deem me guiltless, Rosaline!
Above thy grave the robin sings,
And swarms of bright and happy things
Flit all about with sunlit «ings, —
But I ara cheerless, ROSALINB !
The violets on the hillock toss,
The gravestone is o\'ergrown with moss,
For Nature feels not any loss, —
But I am cheerless, Rosai.\'NE !
Ah ! why wert thou so lowlv bred ?
Why was my pride galled on to wed
Her who brought lands and gold instead
Of thy heart\'s treasure, Rosaline?
Why did [ fear to let thee stay
To look on me and pass away
Forgivingly, as in its May
A broken flower, Rosaline ?
1  thought not, when my dagger strook,
Of thy blue eyes; I could not brook
The past all pleading in one look
Of utter sorrow, Rosaline !
I did not know when thou wert dead :
A blackbird whistling overhead
Thrilled through my brain ; I would have (led,
But dared not leave thee, Rosaline !
A low, low mo.iii, a light twig stirr\'d
By the upspringing of a bird,
A drip of blood, — were all I heard, —
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55°
JAMES RUSSELL I.OWELL.
Then deathly stillness, Rosaline I
The sun rolled down, and very soon,
Like a great fire, the awful moon
Rosé, stained with blood, and then a swoun
Crept chilly o\'er me, Rosaline !
The stars came out; and one by one,
Each angel from his silver throne
Looked down and saw what I had done:
I dared not hide me, Rosaline I
I crouched; I feared thy corpse would cry
Against me to God\'s quiet sky,
I thought I saw the blue lips try
To utter something, Rosaline I
I waited with a maddened grin
To hear that voice all icy thin
Slide forth and teil my deadly sin
To heil and heaven, Rosaline!
Ent no voice came, and then it seemed
As if the very corpse had screamed,
The sound like sunshine glad had streamed
Through that dark stillness, Rosaline !
Dreams of old quiet glimmered by,
And faces loved in infancy
Came and looked on me mournfully,
Till my heart melted, Rosaline I
I saw my mother\'s dying bed,
I heard her bless me, and I shed
Cool tears — but lo ! the ghastly dead
Stared me to madness, Rosaline !
And then, amidst the silent night
I screamed with horrible delight
And in my brain an awful light
Did seem to crackle, Rosaline !
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ROSALINË.
351
It is my curse! sweet memories fall
From me like snow — and only all
Of that one night, like cold worms crawl
My doomed heart over, Rosalinë !
Thine eyes are shut, they never more
Will leap thy gentle words before
To teil the secret o\'er and o\'er
Thou couldst not smother, Rosalinë |
Thine eyes are shut; they will not shine
With happy tears, or, through the vine
That hid thy casement, beam on mine
Sunfull with gladness, Rosalinë !
Thy voice I never more shall hear,
Which in old times did seem so dear
That e\'er it trembled in my ear
My quick heart heard it, Rosalinë !
Would I might die! I were as well,
Ay, better, at my home in heil,
To set for aye a burning spell
\'Twixt me and memory, Rosalinë !
Why wilt thou haunt me with thine eyes,
"Wherein such blessed memories,
öuch pitying forgiveness lies,
Than hate more bitter, Rosalinë!
Woe\'s me! I know that love so high
As thine, true soul, could never die,
And with mean clay in churchyard lie —
Would God it were so, Rosalinë !
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JAMES RUSSELI. I.OWEI.L.
352
THE HERITAGE.
The rich man\'s son inherits lands,
And piles of brick, and stone, and gold,
And hu inherits soft white hands,
And tender llesh that fears the cold,
Nor dares to wear a garment old ;
A heritage, it seems to me,
One scarce would wish to hold in fee.
The rich mans son inherits cares ;
The bank may break, the faciory burn,
A breath may burst his bubble shares,
And soft white hands could hardly earn
A living that would serve his turn ;
A heritage, it seems to me,
One scarce would wish to hold in fee.
The rich man\'s son inherits wants,
His stomach craves for dainty fare ;
With sated heart he hears the pants
Of toiling hinds with brown arms bare,
And wearies in his easy-chair;
A heritage, it seems to me,
One scarce would wish to hold in fee.
What doth the poor man\'s son inherit ?
Stout muscles and a sinewy heart,
A hardy frame, a hardier spirit;
King of two hands, he does his part
In every useful toil and art;
A heritage, it seems to ine,
A king might wish to hold in fee.
What doth the poor man\'s son inherit?
Wishes o\'erjoyed with humble things,
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THE HF.RITAGE.
353
A rank adjudged by toil worn merit,
Content that from employment springs,
A heart that in his Iabour sings;
A heritage, it seems to me,
A king might wish to hold in fee.
What doth the poor man\'s son inherit ?
A patience learned by being poor,
Courage, if sorrow conie, to bear it,
A fellow-feeling that is sure
To make the outcast Mess his door,
A heritage, it seems to me,
A king might wish to hold in fee.
O rich mans son ! there is a toil,
That with all others level stands;
I.arge charity doth never soil,
Hut only whiten, soft white bands, —
This is the best erop from thy lands ;
A heritage, it seems to me,
Worth being rich to hold in fee.
O poor man s son, scorn not thy state :
There is worse weariness than thine,
In merely being rich and great;
Toil only gives the soul to shine,
And makes resl flagrant and benign ;
A heritage, it seems to me,
Worth being rich to hold in fee.
Both, heirs to some six feet of sod,
Are equal in the earth at last;
Both, children of the same dear God,
Prove title to your heirship vast
By record of a well-fiH\'d past;
A heritage, it seems to me,
Well worth a life to hold in fee.
«3
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354                           JAMES RUSSKLL I.OWELL.
THE SOWER.
I SAW a sower walking slow
Across the earth from east to west;
His beard was white as mountain snow,
His head drooped forward on his breast.
With shrivelled hand he flung his seed,
Nor ever tumed to look behind ;
Of sight or sound he took no heed ;
It seemed he was both deaf and blind.
His dim face showed no soul beneath ;
Yet in my heart I feit a stir,
As if I looked upon the sheath
That once had clasped Excalibur.
I heard, as still the seed he cast,
How, crooning to himself, he sung, —
"I sow again the holy Past,
The happy days when I was young.
"Then all was wheat without a tare,
Then all was righteous, fair, and true ;
And I am he whose thoughtful care
Shall plant the Old World in the New.
The fruitful germs I scatter free,
With busy hand, while all men sleep;
In Europe now, from sea to sea,
The nations bless me as they reap."
Them looked I back along his path,
And heard the clash of steel on steel,
Where man faced man, in deadly wrath,
While clanged the tocsin\'s huirying peal.
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THE SOWER.
355
The sky with burning towns flared red,
Nearer the noise of lighting rolled,
And brothers\' blood, by brothers shed,
Crept, curdling, over pavements cold.
Then marked I how each germ of truth
Which through the dotard\'s fingers ran
Was mated with a dragon\'s tooth
Whence there sprang up an armed man.
I shouted, but he could not hear;
Made signs, but these he could not see ;
And still, without a doubt or fear,
Broad-cast he scattered anarchy.
Long to my straining eavs the blast
Brought faintly back the wordt he sung; —
"I sow again the holy Past,
The happy days when I was young."
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WALT WHITMAN.
Th IS very original wri/er, whom Mr. W. M. Rossetti
rails "by far the greatest of American po:ls,
— the most
nalio/ial and the most world-wide", was bom in the State
of New-York, May
3ist 1819 He tas been a printer, a
school-leacher, a nev>spaper-writer, a carpenter and builder, a
Government clerk, and is now in his old age dependent for
most of the comforts of Hf e on the l\'berality of\'afewfriends
and admirers. During the Civil War Mr. Whitman "volun-
teered to altend on the sick and wounded of both armies, and
is said to have ministeied, wifh boundless brotherliness and
eminent suecess, to upwards of a hundred thonsand men."
(Rossetti.) Walt Whitman\'s poenis are like nothing else in
literature unless it bc the irregular dithyrambs of the Hebrew
prophcts and other fioneers of a great national poetry. His
Leaves of Grass was published in 1855, and has since been
freijiiently reissued with allerations and additions.
Drum-taps,
a series of very noble and beautiful pieccs referring to the
war, appeared in
1865. Mr. Whitman claims to be the poet
of extreme naturalism and the prophel of Democracy. In both
characters he has rendered himself obnoxious to many readers,
and nol uittil very lately have the high qualities of his best
work been fully appreciated.
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357
ENVY.
A SONG.
Come, I will make the continent indissoluble ;
I will make the most splendid race the sun ever yet shone upon,
I will make divine magnetic lands,
With the love of comrades,
With the life-long love of comrades.
I will plant companionship thick as trees along all the
rivers of America, and along the shores of the great
lakes, and all over the prairies ;
I will make inseparable citie.v, with their arms about each
other\'s necks ;
By the love of comrades,
By the manly love of comrades.
For you these, froin me, O Democracy, to serve you, ma
femme:
For you ! for you, I am trilling these songs,
In the love of comrades,
In the high towering love of comrades.
ENVY.
When I peruse the conquered fame of heroes, and the
victories of mighty generals, I do not envy the gene-
rals, —
Nor the President in his Presidency, nor the rich in his
great house;
But when I hear of the brotherhood of lovers, how it was
with them,
How through life, through dangers, odium, imchanging, long
and long,
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35^                                  WALT WHITMAN.
Through youth, and through middle and old age, how un-
faltering, how affectionate and faithful they were,
Then I am pensive — I hastily walk away, filled with the
bilterest envy.
TH ERE WAS A CHILD WENT FORTH.
There was a child went forth every day :
And the first object he looked upon, that object he became ;
And that object became part of Mm for the day, or a
certain part of the day, or for many years, or stretching
cycles of years.
The early lilacs became part of this child,
And grass, and white and red morning-glories, and white
and red clover, and the song of the phoebe-bird,
And the Third-month lambs, and the sow\'s pink-faint litter,
and the mare\'s foal, and the cow\'s calf,
And the noisy brood of the barn-yard, or by the mire of
the brook-side,
And the fish suspending themselves so curiously below there —
and the beautiful curious liquid,
And the water-plants with their graceful flat heads — all
became part of him.
The field-sprouts of Fourth-month and Fifth-month became
part of him ;
Winter-grain-sprouts, and those of the light-yellow corn,
and the esculent roots of the garden,
And the apple-trees covered with blossoms, and the fruit
afterwards, and wood-berries, and the commonest weeds
by the road;
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THERE WAS A CHILD WENT FORTH.                359
And the old drunkard staggering home from the out-house
of the tavern, whence he had lately risen,
And the school mistress that passed on her way to the school,
And the friendly boys that passed — and the <|uarrelsome boys,
And the tidy and fresh-cheeked girls
        and the barefoot
negro boy and girl,
And all the changes of city and country, wherever he went.
His own parents,
He that had fathered him, and she that had conceived him
in her womb and birthed him,
They gave this child more of themselves than that.
They gave him afterward every day — they became part
of him.
The mother at home, quietly placing the dishes on the
supper-table;
The mother with mild words — clean her cap and gown,
a wholesome odour falling off her person and clothes
as she walks by ;
The father, strong, self-sufficient, manly, mean, angered,
unjust;
The blow, the quick loud word, the tight bargain, the
crafty lure,
The family usages, the language, the company, the furni-
ture — the yearning and swelling heart,
Affection that will not be gainsaid — the sense of what is
real — the thought if, after all, it should prove unreal,
The doubts of day-time and the doubts of night-time —
the curious whether and how,
Whether that which appears so is so, or is it all flashes
and specks ?
Men and women crowding fast in the streets — if they are
not flashes and specks, what are they ?
The streets themselves, and the facades of houses, and goods
in the windows,
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360                             WALT WRITMAK.
Vehicles, teams, the heavy planked wharves — the huge
crossing at the ferries,
The village on the highland, seen from afar at sunset —
the rivcr between,
Shadows, aureola and mist, the light falling 011 roofs and
gables of white and brown, three miles off,
The schooner near by, sleepily dropping down the tide —
the little boat slack-towed astern,
The hurrying tumbling waves quick-broken crests slapping,
The strata of coloured clouds, the long bar of maroon-
tint, away solitary by itself — the spread of purity it
lies motionless in,
The horizon\'s edge, the living sea-blow, the fragrance of
salt-marsh and shore mud :
These became part of that child who went forth every day,
and who now goes, and will always go forth every day.
YEARS OF THE MODERN.
Years of the modern ! years of the uriperformed!
Your horizon rises — 1 see it parting away for more august
dramas :
I see not America only — I see not only Liberty \'s nation,
but other nations preparing;
I see tremendous entrances and exits — I see new com-
binations — I see the solidarity of races ;
I see that force advancing with irresistible power on the
world\'s stage;
(Have the old forces, the old wars, played their parts ? are
the acts suitable to them closed ?)
I see Freedom, completely armed, and victorious, and very
haughty, with Law on one side, and 1\'eace on the other,
A stupendous Trio, all issuing forth against the idea of caste;
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361
YEARS OK THE MODERN.
—   What historie denouements are these we so rapidly ap-
proach ?
I see new marching and countermarching by swift millions;
I see the frontiers and boundaries of the old aristocracies
broken;
I see the landmarks of European kings removed ;
I see this day the 1\'eople beginning their landmarks, all
others give way ;
Never «ere such sharp questions asked as at this day;
Never was average man, his soul, more energeiic, more like
a God.
Lo! how he urges and urges, leaving the masses 110
rest;
His daring foot is on sea and land everywhere, he colonises
the Pacific, the Archipelagoes ;
With the steamship, the electric telegraph, the newspaper,
the wholesale engines of war,
With these, and the world spreading factories, he interlinks
all geography, all lands.
—   What whispers are these, O lands, running ahead of you,
passing under the seas ?
Are all nations communing? is there going to be but one
heart to the globe ?
Is humanity forming en masse? — for lo | tyrants tremble,
crowns grow dim ;
The earth, restive, confronts a new era, perhaps a general
divine war;
No one knows what will happen next — such portents
fill the days and nights.
Years prophetical! the space ahead as I walk. as I vainly
try to pierce it, is full of phantoms ;
Unborn deeds, things soon to be, project their shapes
around me;
This incredible rush and heat —this strange ecstatic fever of
dreams, O years!
Vour dreams, O years, how they penetrate through me! (I
know not whether I sleep or wake 1)
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362
WALT WHITMAN.
The performed America and Europe grow dim, retiring in
shadow behind me,
The unperformed, more giganlic than ever, advance, advance
upon me.
ABOARD, AT A SHIP\'S HELM.
Aboard, at a ship\'s helm,
A young steersman, steering with care.
A bell through fog on a sea-coast dolefully ringing,
An ocean-bell — O a warning-bell, rocked by the waves.
O you give good notice indeed, you bells by the sea-reef
ringing,
Ringing, ringing, to warn the ship from its wreck-place.
For as on the alert, O steersman, you mind the bell\'s ad
monition,
The bows turn, — the freighted ship, tacking, speeds away
under her grey sails,
The beautiful and noble ship, with all her precious wealth,
speeds away gaily and safe.
But ü the ship, the immortal ship! O ship aboard the ship!
O ship of the body — ship of the soul — voyaging, voya-
ging, voyaging!
BEAT! BEAT! DRUMS 1
Beat ! beat! drums ! Blow ! bugles | blow !
Through the windows—through doors—burst like a ruthless
force,
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beat! bkat! drums!                         363
Into the solemn church, and scatter the congregation ;
Into the school where the scholar is studying ;
Leave not the bridegroom quiet—no happiness must he now
have with his bride;
Nor the peaceful farmer any peace, ploughing his field or
gathering his grain ;
So tiercé you whirr and pound, you drums—so shrill you
bugles blow.
Beat! beat! drums ! — Blow ! bugles ! blow !
Over the traffic of cities — over the rumble of wheels in
the streets.
Are beds prepared for sleepers at night in the houses ? No
sleepers must sleep in these beds;
No bargainers bargain by day — no brokers or speculators ;
— Would they continue ?
Would the talkers be talking ? would the singer attempt
to sing ?
Would the lawyer lise in the court to state his case before
the judge ?
Then rattle quicker, heavier, drums —you bugles, wilder blow.
Beat! beat! drums ! — Blow ! bugles ! blow !
Make no parley — stop for no expostulation ;
Mind not the timid — mind not the weeper or prayer;
Mind not the old man beseeching the young man;
Let not the child\'s voice be heaid, nor the mother\'s en-
treaties ;
Make even the trestles to shake the dead, where they lie
awaiting the hearses,
So strong you thump, O terrible drums — so loud you
bugles blow.
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364
WALT WBITMAN.
R1SE, O DAYS, FROM YOUR FATHOMLESS
DEEPS. \'
RlSE, O days, from your fathomless deeps, till you loftier.
liereer sweep!
Long for my soul, hnngering gymnastiek, I devoured what
the earth gave me ;
Long I roamed the woods of the north—long I watched
Niagara pouring:
I travelled the prairies over, and slept on their breast —
1 crossed the Xevadas, I crossed the plateaus;
I ascended the towering rocks along the Pacific, I sailed
out to sea.
I sailed through the storm, I was refreshed by the storm ;
I watched with joy the threatening maws of the waves;
I marked the white combs where they careered so high,
curling over;
I heard the wind piping, I saw the black clouds ;
Saw from below what arose and mounted (O superb ! Oh
wild as my heart and powerful !)
Heard the continuous thunder, as it bellowed after the
lightning ;
Noted the slender and jagged threads of lightning as sudden
and fast amidst the din they chased each other across
the sky.
— These, and such as these, I, elate, saw — saw with
wonder, yet pensive and masterful;
All the menacing might of the globe uprisen around me;
Yet there with my soul I fed — I fed content, supercilious.
Twas well, O soul! \'twas a good preparation you gave me !
Now we advance our latent and ampler hunger to fill •
Now we go forth to receive what the earth and sea never
gave us.
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RISE, O DAYS, FROM YOUR FATHOMI.KSS DEErS. 365
Not through the mighty woods we go, but through the
mightier cities;
Something for us is pouring now, more than Niagara pouring ;
Torrents of men (sources and rills of the Xorthwest, are you
indeed inxhaustible ? —
What, to pavements and homesteads here — what were
those storms of the mounlains and sea ?
What, to passions, I witness around me to-day, was the
sea risen, —
Was the wind piping the pipe of death ander the black clouds ?
Lo ! from deeps more unfathomable, something more deadly
and savage ;
Manhattan, rising, advancing with menacing front — Cincin-
nati, Chicago, unchained.
—   What was that swell I saw on the ocean ? Behold what
comes here !
How it climbs with daring feet and hands! how itdashes!
How the true thunder bellows after the lightning ! how bright
the flashes of lightning !
How Democracy, with desperate vengeful port, strides on,
shown through the dark by those flashes of lightning!
(Yet a mournful wail and low sob I fancied I heard through
the dark,
In a lull of the deafening confusion.)
Thunder on! stride on, Democracy! strike with vengeful
stroke !
And do you rise higher than ever yet, O days, O cities !
Crash heavier, heavier yet, O storms ! you have done me good;
My soul, prepared in the mountains, absorbs your immortal
strong nutriment.
—  Long had I walked my cities, my country-roads, through
farms, only half satisfied ;
One doubt, nauseous, undulating like a snake, crawled on
the ground before me,
Continually preceding my steps, turning upon me oft, iro-
nically hissing low.
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366
WALT W1UTMAN.
— The cities I loved so well I abandoned and left. — I
sped to the certainties suitable to me;
Hungering, hungering, hungering, for primal energies, and
Nature\'s dauntlessness,
I refreshed myself with it only, I could relish it only ;
I waited the bursting forth of the pent lire—on the water
and air I waited long.
But now I no longer wait — I am fullv satisfied — I am
glutted;
I have witnessed the true lightning — J have witnessed my
cities electric ;
I have lived to behold man burst forth, and warlike Ame-
rica rise;
Hence I will seek no more the food of the northern solitary
wilds,
No more on the mountains roam, or sail the stormy sea.
A LETTER FROM CAMP.
i.
Come up from the fields, father, here\'s a letter from our Pete ;
And come to the front door, mother — here\'s a letter from
thy dear son.
2.
Lo, \'t is autumn :
Lo where the trees, deeper green, yellower and redder,
Cool and sweeten Ohio\'s villages, with leaves fluttering in
the moderate wind ;
Where apples ripe in the orchards hang, and grapes on the
trellised viiies;
(Smell you the smell of the grapes on the vines ?
Smell you the buckwheat, where the bees were lately buzzing ?)
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367
A LETTER KROM CAMP.
Above all, lo, the sky, so calm, so transparent after the
rain, and with wondrous clouds ;
Below, too, all calm, all vital and beautiful — and the
farm prospers well.
3-
Down in the fields all prospers well ;
But now from the lields come, father — come at the daugh-
ter\'s call.
And come to the entry, mother — to the front door come,
right away.
Fast as she can she hurries — something ominous — her
steps trembling;
She does not tarry to smooth her hair, nor adjust her cap.
Open the envelope quickly ;
O this is not our son\'s writing, yet his name is signed;
O a strange hand writes for our dear son — O stricken
mother\'s soul!
All swims before her eyes — flashes with black — she
catches the main words only;
Sentences broken — "Gunshot wound in the breast, cavalry
skirmish, taken to hospital,
At present low, but will soon be better."
4-
Ah now the single figure to me,
Aniid all teeming and wealthy Ohio, with all its cities and
farms,
Sickly white in the face, and dull in the head, very faint,
By the jamb of a door leans.
"Grieve not so, dear mother," (the just grown daughter
speaks through her sobs j
The little sisters huddle around, speechless and dismayed;)
"See dearest mother, the letter says Pete will soon be better."
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368
WALT WH1TMAN.
5-
Alas, poor boy, he will never be better, (nor maybe needs
to be better, that brave and simple soul ;)
While they stand at home at the door, he is dead already :
The only son is dead.
But the mother needs to be better;
She, with thin form, presently dressed in black ;
By day her meals untouched — then at night litfully slee-
ping, often waking.
In the midnight waking, weeping, longing with one deep
longing
O that she might withdraw unnoticed — silent from life
escape and withdraw,
To follow, to seek, to be with her dear dead son !
RECONCILIATION.
Word over all, beautiful as the sky !
Beautiful that war, and all its deeds of carnage, must in
time be utterly lost;
That the hands of the sisters Death and Night, incessantly,
softly, wash again, and ever again, this soiled world ;
— For my enemy is dead — a man divine as myself is
dead ;
I look where he lies, white-faced and still, in the coffin —
I draw near;
I bend down, and touch lightly with my lips the white
face in the coffin.
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O CAPTAIN ! MY CAPTAIN !
369
O CAPTAIN ! MY CAPTAIN !
(FOR THE DEATH OF I.INCOI.N).
O Captain ! my Captain ! our fearful trip is done :
The ship has weathered every rack, the prize we sought
is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steedy keel, the vessel grim and
daring :
But O heart! heart! heiirt !
O the bleeding drops of red
Where on the deck my Captain lies,
Fallen cold and dead !
O Captain ! my Captain ! rise up and hear the bells ;
Rise up — for you the llag is tlung — for yon the bugle
trills ;
For you bouquets and ribboned wreaths — for you the
shores a-cro\\vding;
For you they call, the swaying mass, their eager faces tuining ;
Here Captain ! dear father !
This arm beneath your head ;
It is some dream that on the deck
You\'ve fallen cold and dead.
3-
My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchored safe and sound, its voyage closed
and done;
From fearful trip the victor ship comes in with object won.
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck, my Captain lies
Fallen cold and dead.
2
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THOMAS BAILEY ALDRICH.
Boen about 1835, is the son of jfames Aldricli, a minor
American poet. Mr. T. B. Aldrich Aas won a high rej>ula-
tion, bolk as a poet and a novelist.
DECEMBER 1863.
Only the sea intoning,
Only the wainscot-mouse,
Only the wild wind moaning
Over the lonely house.
Darkest of all Decembers
Ever my life has known,
Sitting here by the embers,
Stunned and helpless, alone,
Dreaming of two graves lying
Out in the damp and chili ;
One where the buzzard, (lying,
Pauses at Malvern Hill.
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PVTHACORAS.
371
The other, — alas ! the pillows
Of that uneasy bed
Rise and fall with the billows
Over our sailor\'s head.
Theirs the heroic story, —
Died by frigate and town !
Theirs the calm and the glory,
Theirs the cross and the crown.
Mine to linger and languish
Here by the wintry sea,
Ah faint heart! in thy anguish,
What is there left to thee ?
Only the sea intoning,
Only the wainscot mouse,
Only the wild wind moaning
Over the lonely house.
PYTHAGORAS.
Above the petty passions of the crowd
I stand in frozen marble like a god,
Inviolate, and ancient as the moon.
The thing I am, and not the thing man is,
Fills my deep dreaming. Let him inoan and die;
For he is dust that shall be laid again :
I know my own creation was divine.
Strewn on the breezy continents I see
The veinèd shells and burnished scales which once
Enclosed my being, — husks that had their uses. •
I brood on all the shapes I must attain
Before I reach the Perfect, which is God,
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37^
THOMAS BAII.EY ALDRICH.
And dream my dream. and let the rabble go;
For I am of the mountains and the sea,
The deserts, and the caverns in the earth,
The catacombs and fragments of old worlds.
I was a spirit on the mountain-tops,
A perfume in the valleys, a simoom
On arid deserts, a nomadic wind
Roaming the vmiverse, a tireless voice.
I was ere Romulus and Remus were ;
I was ere Nineveh and Babyion ;
I was, and am, evermore shall be,
Progressing, never reaching to the end.
A hundred years I trembled in the grass,
The delicate trefoil that mufiled warm
A slope on Ida ; for a hundred years,
Moved in the purple gyre of those dark flowers
That Cirecian women strew upon the dead;
Under the earth, in fragrant glooms, I dwelt;
Then in the veins and sinevvs of a pine
On a lone isle, where, from the Cyclades,
A mighty wind, like a leviathan,
Ploughed through the brine, and from those solitudes
Sent Silence, frightened. To and fro I swayed,
Drawing the sunshine from the stooping clouds ;
Suns came and went, and many a mystic moon,
Orbing and waning, and fierce meteors
Leaving their huid ghosts to baant the night.
I heard loud voices by the sounding shore:
The stormy sea gods, and from fluted conchs,
Wild music. and strange shadows flitted by,
Some moaning and some singing. So the years
Clustered abotlt me, till the hand of God
Let down the lightning from a sultry sky,
Splintered the pine and split the iron rock;
And from my odorous prison house a bird,
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1\'YTHAGORAS.
373
I in its bosom, darted ; so we fled,
Turning the brittle edge of one high wave,
Island and tree and sea-gods left behind !
Free as the air from zone to zone I tlew,
Kar from the tumult to the quiet gates
Of daybreak; and beneath me I beheld
Vineyards, and rivers that Hke silver threads
Ran through the green and gold of pasture-lands,
And here and there a hamlet, a white rosé,
And here and there a city, whose slim spires
And palace-roofs and swollen domes uprose
Like scintillant stalagmites in the sun;
I saw huge navies battling with a storm
By ragged reefs along the desolate coasts,
And lazy merchantmen that crawled like Mies,
Over the blue enamel of the sea
To India or the icy Labradors.
A century was as a single day.
What is a day to an immortal soul ?
A breath, no more. And yet I hold one hour
Above all price, — that hour when from the sky
I circled near and nearer to the earth,
Nearer and nearer, till I brushed my wings
Against the pointed chestnuts, where a stream
That foamed and chattered over pebbly shoals,
Fled through the briony, and with a shout
Leapt headlong down a precipice. And there,
Gathering wild flowers in the cool ravine,
Wandered a woman more divinely shaped
Than any of the creatures of the air,
Or river-goddesses, or restless shades
Of noble matrons marv"ellous in their time
For beauty and great suffering ; and I sung,
I charmed her thought, I gave her dreams, and then
Down from the dewy atmosphere I stole
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374
THOMAS BAILEY ALDRICH.
And nestled in her bosom. There I slept
From moon to moon, while in her eyes a thought
Grew sweet and sweeter, deepening like the dawn, —
A mystical forewarning ! When the stream,
Breaking through leafless brambles and dead leaves,
Piped shriller treble, and from chestnut boughs
The fruit dropped noiseless through the autumn night,
I gave a quick low cry, as infants do.
We weep when we are bom, not when we die !
So was it destined ; and thus came I here,
To walk the earth and wear the form of man,
To suffer bravely as becomes my state,
One step, one grade, one cycle, nearer God :
And, knowing these things, can I stoop to fret,
And lie, and haggle in the market-place,
Give dross for dross, or everything for nought ?
No ! let me sit above the crowd, and sing,
Waiting with hope for that miraculous change
Which seems like sleep; and though I waiting starve,
I cannot kiss the idols that are set
By every gate, in every street and park ;
I cannot fawn, I cannot soil my soul:
For I am of the mountains and the sea,
The deserts and the caverns of the earth,
The catacombs and fragments of old worlds.
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JOAQUIN MILLER.
The poetry of Joaquin Miller {born in Califomia ahout
.1840) is, like that of Walt Whitman, the* genuine growth
of Transatlantic soit, springing naturally front the wriler\'t
own feelings and experiences. Mr. Miller tas leJ a rough
adventiirous life in his native district and the regions of
Western and Central America,
1) and his poems possess a
rude vigour, a half barbaric splendottr, and a s/rong narra-
live interest not loo common among American poets.
ARIZONIAN.
"And I have said, and I say it ever,
As the years go on and the world goes over,
\'T were better to be content and clever
In tending of cattle and tossing of clover,
Tn the grazing of cattle and the growing of grain,
Than a strong man striving for fame or gain ;
Be even as kine in the red-tipped clover ;
For they lie down and their rests are rests,
And the days are theirs, come sun come rain,
1) W. 31. Rossetti.
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37°                                 JOAQUIN MILLER.
To lic, rise up, and repose again ;
While we wish, yeam, and so pray in vain,
And hope to ride on the billows of bosoms,
And hope to rest in the haven of breasts,
Till the heart is sickened and the fair hope dead;
Be even as clover with its crown of blossoms,
Even as blossoms ere the bloom is shed,
Kissed by kine and the brown sweet bee —
Kor these have the sun, and moon, and air,
— And never a bit of the burthen of care ;
And with all our caring, what more have we ?
I would court Content like a lover lonely,
I would woo her, win her, and wear her only,
And never go over this white sea wall
For gold or glory or for aught at all."
He said these things as he stood with the squire,
By the river\'s rim in the lields of clover,
While the stream flowed under and the clouds flew over,
With the sun tangled in and the fringes afire.
So the squire leaned with a kind desire
To humour his guest, and to hear his story ;
For his guest had gold, and he yet was clever,
And mild of manner; and, what was more, he,
In the morning\'s ramble, had praised the kine,
The clover\'s reach and the meadows fine,
And so made the squire his friend for ever.
His brow was browned by the sun and weather,
And touched by the terrible hand of time ;
His rich black beard had a fringe of rime,
As silk and silver inwove together,
There were hoops of gold all over his hands,
And across his breast in chains and bands,
Broad and massive as beits of leather;
And the beits of gold were bright in the sun,
But brighter than gold his black eyes shone
From their sad face-setting so swart and dun,
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ARIZONIAN.
377
Brighter than beautiful Santan-stone,
Brighter even than balls of fire,
As he said, hot-faced, in the face of the squire: —
"The pines bowed over, the stream bent under
The cabin covered with thatches of palm,
Down in a canon so deep, the wonder
Was what it could know in its clime but calm :
Down in a caTion so cleft asunder
By sabre-stroke in the young world\'s prime
It looked as broken by bolts of thunder,
Riven and driven by turbulent time.
And this in the land where the sun qoes down,
And gold is gathered by tide and by stream,
And maidens are brown as the cocoa brown,
And a life is a love and a love is a dream ;
Where the winds come in from the far Cathay,
With odour of spices and balm and bay,
And summer abideth for aye and aye, —
Nor comes in a tour with the stately June,
And comes too late and returns too soon
To the land of the sun and of summer\'s noon.
"She stood in the shadows as the sun went down,
Fretting her curls with her fingers brown,
As tall as the silk-tipped lasselled corn —
Stood strangely watching as I weighed the gold
We had washed that day where the river rolled;
And her proud lip curled with a sun-clime scorn,
As she asked, "Is she better or fairer than I ? —
She, that blonde in the land beyond,
Where the sun is hid and the seas are high —
That you gather-in gold as the years go on,
And hoard and hide it away for her
As a squirrel burrows the black pineburr?\'
"Now the gold weighed well, but was lighter of weight
Than we two had taken for days of late;
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378
JOAQU1N MILI.ER.
So I was fretted, and. brow a-frown,
I said, "She is fairer, and I lovcd her lïrst,
And shall love her last, come the worst to worst."
Now her eyes were black, and her skin was brown,
l!ut her lips grew livid and her eyes atire
And I said this thing : and higher and higher
The hot words ran, when the booming thunder
Pealed in the crags and the pinetops under,
While up by the clilT in the murky skies
It looked as the clouds had caught the fire —
The flash and lire of her wonderful eyes.
"She turned from the door and down to the river,
And mirrored her face in the whimsical tide ;
Then threw back her hair, as if throwing a quiver,
As an Indian throws it back far from his side
And free from his hands, swinging fast to the shoulder,
When rushing to battle ; and rising, she sighed
And shook, and shivered as aspens shiier.
Then a great green snake slid into the river,
Glistening, green, and with eyes of fire.
Quick, doublé hamled, she seized a boulder,
And cast it with all the fury of passion,
As with lifted head it went curving across,
Swift darting its tongue with a tiercé desire,
Curving and curving, lifting higher and higher,
Bent and beautiful as a river-moss.
Then, smitten, it turned, bent, braken, and doubled,
And licked, red-tongued, like a forked tire,
And sank, and the troubled waters bubbled,
And then swept on in their old swift fashion.
"I lay in my hammock. The air was heavy
And hot and threatening ; the very heaven
Was holding its breath ; and bees in a bevy
Hid under my thatch ; and birds were driven
In clouds to the rocks in a hurried whirr,
As I peered down by the path for her,
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379
ARIZONIAN.
"She stood like a bronze bent over the river,
The proud eyes tixed, the passion unspoken —
When the heavens broke like a great dyke broken.
Then ere I fairly had time to give her
A shout of warning, a rushing of wind,
And the rolling of clouds, and deafening din,
And a darkness that had been black to the blind,
Came down as I shouted, "Come in ! come in !
Come under the roof, come up from the river,
As up from a grave, come now or come never !"
The tasselled tops of the pines were as weeds,
The red-woods rocked like to lake-side reeds,
And the world seemed darkened and drowned for ever.
"One time in the night as the black wind shifted,
And a tlash of lightning stretched over the stream,
I seemed to see her with her brown hands lifted —
Only seemed to see, as one sees in a dream —
With her eyes wide-wild, and her pale Ups pressed,
And the blood from her brow and the blood from her breast,
When the flood caught her hair as the flax in a wheel,
And wheeling and whirling her round like a reel,
Laughed loud her despair, then leapt long like a steed.
Holding tight to her hair, folding fast to her heel,
Laughing fierce, leaping far as if spurred to its speed : —
Now mind, I teil you all this did but seem —
Was seen as you see fearful sights in a dream:
For what the devil could the lightning show
In a night like that, I should like to know ?
„And then I slept, and sleeping I dreamed
Of great green serpents with tongues of lire,
And of death by drowning, and of after death —
Of the day of judgment, wherein it seemed
That she, the heathen, was bidden higher,
Higher than I; that I clung to her side,
And crying struggled, and struggling cried,
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3S0
JOAQUIN MILLER.
And crying wakened, all weak of my breath.
"Long leaves of the sun lay over the Hoor,
And a chipmonk chirped in the open door ;
Bat above on his crag the eagle screamed,
Screamed as he never had screamed before.
I rushed to the river; the flood had gone
Like a thief, with only his tracks upon
The weeds and grasses and warm wet sand ;
And I ran after with reaching hand,
And called as I reached and reached as I ran,
And ran till I came to the canon\'s van,
Where the waters lay in a bent lagoon,
Hooked and crooked like the hornèd moon.
"llere in the surge where the waters met,
And the warm wave lifted, and the winds did fret
The wave till it foamed with rage on the land,
She lay with the wave on the warm white sand.
Her rich hair trailed with the trailing weeds,
And her sinall brown hands lay prone or lifted
As the waves sang strophes in the broken reeds,
Or paused in pity, and in silence lifted
Sands of gold, as upon her grave.
And as sure as you see yon browsing kine,
And breathe the breath of your meadows fine,
When I went to my waist in the warm white wave,
And stood all pale in the wave to my breast,
And reached for her in her rest and unrest,
Her hands were lifted and reached to mine.
"Now mind, I teil you I cried, \'Come in !
Come into the house, come out from the hollow,
Come out of the storm, come up from the river!"
Ciied and called, in that desolate din,
Though I did not rush out and in plain words give her
A wordy warning of the flood to follow,
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ARIZONIAN.
Word by word and letter by letter :
She knew it as well as I and better.
Kor once in the desert of New Mexico,
When I sought frantically far and wide
r\'or the famous spot where Apaches shot
W\'ith bullets of gold their buffalo,
And she foliowed faithfully at my side,
I threw me down in the hard hot sand,
Utterly famished and ready to die,
And a speek arose in the red-hot sky —
A speek no larger than a lady\'s hand —
While she at my side bent tenderly over,
Shielding my face from the sun as a cover,
And wetling my face, as she watched by my side,
From a skin she had borne till the high noon-tide,
(I had emptied mine in the heat of the morning.)
When the thunder muttered far over the plain
Like a monster bound or a beast in pain,
She sprang the instant and gave the warning,
With her brown hand pointed to the hurning skies.
I was too weak iinto death to arise,
And I prayed for deatli in my deep despair,
And did curse and clutch at the sand in my rage,
And bite in the bitter white ashen sage
That covers the desert like a coat of hair.
But she knew the peril, and her iron will,
With heart as true as the great North Star,
Did bear me up to the palmtipped hill,
Where the fiercest beasts in a brotherhood —
Beasts that had ried from the plain and far,
In perfectest peace expectant stood
With their heads held high, and their limbs a-quiver.
And ere she barely had time to breathe
The boiling waters began to seethe
From hill to hill in a booming river,
Beating and breaking from hill to hill —
Even yet while the sun shot fire,
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JOAQUIN MILLER.
Without the shield of a cloud above, —
Filling the canon as you would fill
A wine-cup, drinking in swift desire,
With the brim new-kissed by the lips you love.
"So you see she knew — knew perfectly well,
As well as I could shout and teil —
The mountains would send a flood to the plain,
Sweeping the gorge like a hurricane,
When the fire flashed, and the thunder feil,
Therefore it is wrong, and I say therefore
Unfair, that a mystical brownwinged moth
Or midnight bat should for evermore
Fan my face with its wings of air
And follow me up, down, everywhere,
Flit past, pursue me, or fly before,
Dimly limning in each fair place
The full fixed eyes and the sad brown face,
So forty times worse than if it were wroth.
"I gathered the gold I had hid in the earth,
Hid over the door and hid under the hearth ;
Hoarded and hid, as the world went over,
For the love of a blonde by a sun-browned lover.
And I said to myself, as I set my face
To the East and afar from the desolate place,
\'She has braided her tresses, and through her tears
Looked away to the West, for years, the years
That I have wrought where the sun tans brown.
She has waked by night, she has watched by day,
She has wept and wondered at my delay,
Alone and in tears, with her heed held down,
Where the ships sail out and the seas swirl in,
Forgetting to knit and refusing to spin.
She shall lift her head, she shall see her lover,
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AKIZONIAN.
She shall hear his voice like a sea that rushes,
She shall hold his gold in her hands of snow,
And down on his breast she shall hide her blushes,
And never a care shall her true hearl know,
While the clods are below, or the clouds are above her.
"On the fringe of the night she stood with her pitcher
At the old town-pump : and oh ! passing fair.
\'I am riper now,\' I said, \'bot am richer,\'
And I lifted my hand to my beard and hair;
\'I am burnt by the sun, 1 am browned by the sea ;
I am white of my beard, and am bald may-be ;
Yet for all such things what can her heart care ?\'
Then she moved; and I said, \'How marvellous fair!\'\'
She looked to the West, with her arm arched over,
\'Looking for me, her sun-browned lover,\'
I said to myself, with a hot heart-thump, —
And stepped me nearer to the storm-stained pump,
As approaching a friend : for \'t was here of old
Our troths were plighted and the tale was told.
"How young she was and how fair she was,
Ilow tall as a palm. and how pearly fair,
As the night came down on her glorious hair !
Then the night grew deep and the eye grew dim,
And a sadfaced tigure began to swim
And float in my face, flit past, then pause,
With her hands held up and her head held down,
Yet face to face ; and her face was brown.
"Now why did she come and confront me there,
With the mould on her face and the moist in her hair,
And a mystical stare in her marvellous eyes ?
I had called to her twice, \'Come in :\' \'Come in,
Come out of the storm to the calm within!\'
Now that is the reason that I make complain
That for ever and ever her face Ghould arise,
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JOAQUIN MILLER.
Facing face to face with her great sad eyes.
I said then to myself, and I say it again,
(Gainsay it you, gainsay it who will,
I shall say it ever and over still,
And will say it ever, for I know it true)
That I did all tliat a man could do
(Some good mens doings are done in vain)
To save that passionate child of the sun,
With her love as deep as the troubled main,
And as slrong and fierce as a troubled sea —
That beautiful bronze with its soul of tire,
lts tropical love and its kingly ire —
That child as lixed as a pyramid,
As tall as a tule and as pure as a nun :
And all there is of it the all I did,
As often happens, was done in vain,
So there is 110 bit of her blood on me.
"She is marvellous young and is wonderful fair",
I said again — and my heart grew bold,
And beat and beat a charge for my feet,
"Time that defaces us places and replaces us,
And trenches the faces as in furrows for tears,
Has traced here nothing in all these years.
\'T is the hair of gold that I vexed of old,
The marvellous flowing flower of hair;
And the peaceful eyes in their sweet surprise
That I have kisscd till the head swam round,
And the delicate curve of the dimpled chin,
And the pouting lips and the pearls within,
Are the same, the same, but so young, so fair!
My heart leapt out and back at a bound,
As a child that starts, then stops, then lingers;
\'How wonderful young!\' I lifted my lingers,
And feil to counting the round years over
That I had dwelt where the sun goes down,
Four full hands, and a finger over!
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AR1ZONIAN.
\'She does not know me, her truant lover,\'
I said to rayself, for her brow was a-fro\\vn
As I stepped nearer, with my head held down,
All abashed and in blushes my brown face over;
\'She does not know me, her long-lost lover,
For my beard\'s so long and my skin\'s so brown
That I well might pass myself for another.\'
So I lifted my voice and I spoke aloud;
\'Annette my darling ! Annette Macleod!\'
"She started, she stopped, she turned, amazed,
She stood all in wonder with her eyes wild-wide,
Then turned in terror down the dusk way-side,
And cried as she fled, \'The man is crazed,
And calls the maiden name of my mother !\'
"From a scène that saddens, from a ghost that wearies,
From a white isle set in a wall of seas,
From the kine and the clover, and all of these,
I shall set my face for the fierce sierras.
1 shall make me mates on the storniy border,
I shall beard the grizzly, shall battle again,
And from mad disorder shall mould me order
And a wild repose for a vveary brain.
Let the world turn over, and over, and over,
And toss and tumble like a beast in pain,
Crack, quake, and tremble, and turn full over,
And die, and never rise up again ;
Let her dash her peaks through the purple cover,
Let her plash her seas in the face of the sun —
I have no one to love me now, not one,
In a world as full as a world can hold,
So I will get gold as I erst have done,
I will gather a coffin top-full of gold,
To take to the door of Death, to buy
Content when I doublé my hands and die.
25
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386                                      JOAQUIW MI1.I.KK.
There is nothing that is. be it beast or human,
Love of maiden or the lust of man,
Curse of man or the kiss of woman,
Kor which I care, or for which I can
Give a love for a love or a hate for a hate,
A curse for a curse or a kiss for a kiss,
Since life has neither a bane nor a bliss
To one that is cheek-by-jowl with 1\'ate ;
Kor I have lifted and reached far over
To the tree of promiso, and have plucked of all
And ate — ate ashes and myrrh, and gall.
Go down, go down to the fields of dover,
Down with the kine in the pastures line,
And give no thought or care or labour
For maid or man, good name or neighbour;
Kor 1 have given, and what have I ? —
Cïiven all my youth, my years, and labour,
And a love as warm as the world is cold,
Kor a beautiful, brighl, and delusive lie.
Gave youth, gave years, gave love, for gold,
Giving and getting ; yet what have I
But an empty palm and a face forgotten,
And a hope that\'s dead, and a heart that\'s rotten ?
Red gold on the waters is no part bread,
But sinks dull-sodden like a lump of lead,
And returns no more in the face of heaven.
So the dark day thickens at the hope deferred,
And the strong heart sickens, and the soul is stirred
Like a weary sea when his hands are lifted
Imploring peace, with his raiment dnfted
And driven afar and rent and riven.
"The red ripe stars hang low overhead ;
Let the good and the light of soul reach up,
Pluck gold as plucking a butter cup,
But I am as lead and my hands are red;
There is nothing that is that can wake one passion
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ARI/.ONIAX.
In soul or body, or one sense of pleasure, —
No fame or fortune in the world\'S wide measure,
Or love full-bosomed or in any fashion.
"The doubled sea, and the troubled heaven
Starred and barred by the bolts of fire,
In storms where stars are riven, and driven
As clouds through heaven, as a dust blown higher,
The angels hurled to the realms infernal
Down from the walls in unholy wars,
That man misnameth the falling stars ;
The purple robe of the proud Eternal,
The Tyrian blue with its fringe of gold,
Shrouding his eountenance, fold on fold —
All are dull and tame as a tale that is told,
For the loves that hasten and the hates that linger,
The nights that darken and the lays that glisten
I care not even the snap of my linger.
"So the sun climbs up, and on, and over,
And the days go out and the tides come in,
And the pale moon rubs on the purple cover,
Till worn as thin and as bright as tin ;
liut the ways are dark and the days are dreary,
And the dreams of youth are but dust in age,
And the heart gets hardened, and the hands grow weary
Holding them up for their heritage.
"And the strained heartstrings wear bare and brittle,
And the fond hope dies when so long deferred ;
Then the fair hope lies in the heart interred,
So stifT and cold in its coffin of lead,
For you promise so great and you gain so little;
For you promise so great of glory and gold,
And gain so little that the hands grow cold;
And for gold and glory you gain instead
A fond heart sickened and a fair hope dead.
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JOAQUIN M1LLKK.
"So I have said, and I say it over,
And can prove it over and over again,
That the four-footed beasts on the red-crowned clover,
The pied and hornèd beasts on the plain.
That He down, rise up, and repose again,
And do never take care or toil or spin,
Nor buy, nor build, nor gather-in gold,
Though the days go out and the tides come in,
Are better than we by a thousand-fold ;
For what is it all, in the words of fire,
But a vexing of soul and a vain desire ?"
F i N i s.
I
lil*.
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CONT E N T S.
B O O K I.
POETS OF THE FIRST GENEKATIÜN.
l\'age.
WlLLIAM WORDSWORTH...........7
To the Cuckoo. — To the Skylark. — The Educa-
tion of Nature. — The Lost Love. — The Sailor\'s
Mother. — We are Seven. — England and Swit-
zerland. The World.
SlR Wai.ter Scott............17
Jock o\' Hazeldean. — A Serenade. — Rosabelle. —
Gathering Song of Donald The Black.
Samuel Taylor Coleridge.........25
Love. — Youth and age.
ROBERT SOUTIIEY.............31
After Blenheim. — Mary the Maid of the Inn. —
The Scholar in his Library.
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VI                                                 CONTENTS.
Page.
Waltkr Savage Landor..........39
Faesulan Idyl. — Twenty years Hence. — On Himself.
Charles Lamb..............43
To Hester — The Old Familiar Kaces.
Thomas Campkeli.............46
Hohenlinden. — A Soldier\'s Dream. — Lord Ullin\'s
Daughter.
Thomas Moore.............51
Pro Patria Mori. — The Living to the Dead.
Leigh Hunt . .         ...........53
To the Grasshopper and the Cricket. — Abou Ben
Adhem and the Angel.
Lord Byron..............56
AH for Love. — Llegy on Thyrza. — Fare-Thee-
Well. — Stanzas to Augusta. — The Destruction
of Sennacherib.
Percv Bysshe Shelley..........65
The Poet\'s Dream. — The Poet\'s Worship. — Invo-
cation. — Stanzas Written in Dejection Near Na-
ples. — To a Skylark. — Invocation to Night. —
Hymn To the Spirit of Nature.
John Keats..............77
Ode to Autumn. — Ode to a Nightingale. — La Belle
Dame Sans Merci.
Thomas Hood..............83
Past and Present. — The Death-bed. — The Song
of the Shirt. — The Bridge of Sighs.
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CONTENTS.
Vil
B O O K II.
POETS OF THE SECOND GENERATION.
Page.
Lord Tennyson.............95
Lady Clara Vere de Vere. — The May Queen. —
The Sisters. — Godiva. — The Victim. — Lady
Clare. — In the Garden at Swainston. — The
Charge of the Light Brigade. — The Brook. —
Bugle Song. - - Tears, Idle Tears. — Edward
Gray. — Break, Break, Break! — Love and
Death. — "A Small Sweet Idyl." — Life Trans-
figured by Love (from Maiui). — Rizpah.
Lord IIoughton.............130
The Brook — Side. — Shadows. — The Letters of
Youth. — A Child\'s Song.
Elizabeth Barrett Browning........133
The Cry of the Children. — Bertha in the Lane. —
Bianca Among the Nightingales. — Mother and
Poet. —• To Flush, my Dog. — A Musical In-
strument.
Hobert Browning............161
Home Thoughts from Abroad. — Song from "Pippa
Passes." —JSong from "A Blot in the \'Scutcheon." —
Hervè Riel. — Incident of the French Camp. —
The Patriot. — How They Brought the Good
News from Ghent to Aix. — The Last Ride To-
gether — Evelyn Hope. — Prospice.
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CONTENTS.
VIII
Page.
Artiiür Hugh Ci.ougii..........180
The Stream of Life. - An Incident. — Dipsychus\'
Vision. — Song in Absence.
Jean Incelow..............184
High Tide on the Coast of Lincolnshire. — The
Bashful Lover. — Song.
Matthew Arnoi.d............195
Lines Written in Kensington Gardens. — To Mar-
guerite. — Requiescat. — Philomela. — The Nee-
kan. — The Forsaken Merman.
Coventrv Patmore............206
The Prodigal. — Love\'s Perversity.
B O O K III.
POETS OF THE THIRD GENERATION.
Dante Gabriei. Rossetti..........213
The Blessed Damozel. — The Staff and Scrip. — The
Card Dealer. — The Cloud Confines. — Lost Days. —
New-born Death. — The One Hope.
WlLLIAM ALLINGHAM...........233
A Wife. — Lady Alice. - Morning Plunge.
Christina Georgina Rossetti........237
Noble Sisters. — Maude Clare. — Amor Mundi. —
Uphill. — Dream Land. — After Death.
William Morris.............245
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CONTENTS.                                                 IX
Page.
Prologue to The Ëarthly I\'aradise (opening lines). —
Riding Together.
Lewis Morris..............249
The Organ Boy.
Algernon Charles Swinburne........256
Chorus from Atalanta in Calydon, I — II. — A Child\'s
Laughter. — A Match. — The Rejected Lover to
the Sea. — A Forsaken Garden. — Herse — Pro-
serpine.
Henry Austin Dobson..........272
Good Night, Babette. — The Child Musician. —
Before Sedan. — The Kiss. — The Wanderer. —
With Pipe and Flute.
Robert Williams Buchanan........279
The Summer Pool. — The First Glimpse of Green
Fields.
Arthur O\' Shaughnessy..........285
The Fountain of Tears. — Sown Seed.
Andrew Lang..............290
Ballade of Sleep. — Ballade of True Wisdom. —
Romance.
Edmund William Gosse..........294
On Certain Critics. — Euthanasia. — The Return of
the Swallows. — I-ying in the Grass.
Philip Bourke Marston..........300
The Rosé and the Wind. — My Love. — Worth
Remembrance.
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CONTENTS.
B O O K IV.
REPRESENTATIVE AMERICAN POETS.
Tage.
Wll.I.IAM Cui.LEN BrYANT..........306
Thanatopsis. — O Mother of a Mighty Race.
Ralph Waldo Emerson..........310
Each and All. - The Hrnnble Bee. - The World
Soul. — Eros.
Henrv Wadsworth Longfei.low.......319
Excelsior. — The Bridge. — The Brook and the
Wave. - Killed at the Ford. — The Bells of Lynn.
John Greenleaf Whittier.........326
The Robin. — Barbara Frietchie. — Telling the Bees.
Edgar Au.an Poe............333
The Raven. — Aimabel Lee. — Ulalume.
Oliver Wendei.l FIolmes..........344
The üld Man Dreams. — The Voiceless.
James Russell Lowei.i...........347
Rosaline. — The Fleritage. — The Sower.
Walt Whitman.............356
A Song. — Envy. — There Was a Child Went Forth. —
Vears of the Modern. — Aboard, at a Ship\'s Helm. —
Beat! Beat! Drums! — Rise, O Days, From Your
F\'athomless Deeps. — A Letter From Camp. —
Reconciliation. — O Captain ! My Captain!
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CONTENTS.                                          XI
Page.
Thomas Bailbv Ai.drich..........371
December. 1863. — Pythagoras.
Joaquin Mii.i.er.............375
Arizonian.