VAN HAMEL

309

E DONATIONE

A. G. van HAMEL

PROFESSORIS ORDINARII INnbsp;ACADEMIAnbsp;RHENO-TRAIECTINAnbsp;1923-1946

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EDITOR’S PREFACE

Cervantes’ immortal work—El ingenioso hidalgo Don Quixote de la Mancha—has been described as at thenbsp;same time the most cosmopolitan and the mostnbsp;intensely national book in the world.

The first part of it was published in 1605 ; and almost immediately versions of it began to be made in thenbsp;principal languages of Europe. Beginning with thenbsp;first English version by Shelton, published in 1612,nbsp;there followed in chronological order translations intonbsp;French (1616), German (1621), Italian (1622), Dutchnbsp;(1657), Russian (1769), Danish (1776), Polish (1786),nbsp;Portuguese (1794), Swedish (1802), Hungarian (1848),nbsp;Modem Greek (i860), Bohemian (1866), Serbian {1882).nbsp;Not only so, but it has been translated several timesnbsp;into each of the most widely-spoken tongues ofnbsp;Europe; so that, in a sense, it may be said to havenbsp;been translated more frequently than even the Biblenbsp;or the Imitatio Christi. So far as I have been able tonbsp;ascertain, no version has hitherto appeared in anynbsp;of the Celtic languages; and so, to Irish belongs, mnbsp;this respect, the glory of precedence among thosenbsp;tongues; and to Canon O’Leary is due the undyingnbsp;gratitude of the Gael. More than twenty years ago, Inbsp;made the acquaintance of Downbsp;nbsp;nbsp;nbsp;in the original;

and I have read it several times since then. I have also, of set purpose, closely compared with it manynbsp;versions in English and other languages. Accordingly

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the Irish reader may rest assured that I have reasonable grounds for stating that, in my opinion, Canon O'Leary’snbsp;version is, taking it all in all, by far the best that Inbsp;have read. Nay more, I venture to assert that, in somenbsp;respects, it is superior to the original. This is partlynbsp;due to the wonderful flexibility of the Irish language—¦nbsp;especially when wielded by the greatest living writernbsp;of that tongue.

In what other language in Europe could a place-name like Taprobane become so readily naturalized as it does in the Irish Tiohruid Bhdn ? Or a personalnbsp;name like Alifanfaron yield Amhlaoibh-gan-fearann.nbsp;In the second place, the Canon’s versions and modernizations have always been characterized by judiciousnbsp;omissions and condensations; the residuum being alwaysnbsp;charmingly fresh and free from prolixity. For example,nbsp;in the present version, the long and tedious disquisitionnbsp;on the relative values of early Spemish romances isnbsp;wisely omitted, as containing no matter of ordinarynbsp;human interest, even for a Spaniard of the present day.nbsp;The version has gained—not lost—by such omissions.nbsp;Canon O’Leary has concentrated all the reader’s interestnbsp;on the central figure of the story: in a word, he hasnbsp;given us the Quintessence of Quixote. Thirdty, henbsp;has surpassed Cervantes in wisdom, by stopping shortnbsp;at the end of the First Part of the story. Of course,nbsp;Cervantes had no alternative, after the impudentnbsp;plagiarism of Avellanada, but to complete the Secondnbsp;Part. Yet, the Second Part is an acknowledged failure,nbsp;as compared with the First. Of it we can only exclaim,nbsp;“ What a falling-off was there quot;—“ Quantum mutatusnbsp;ab illo ” /

And so, notwithstanding the promise latent in the

EDITOR’S preface nbsp;nbsp;nbsp;v

closing sentence, I prefer to take as farewell words those immediately preceding—'p^sAnnlf AnnpAn iat)—nbsp;quot; Let us leave them there ” ! Leave the principalnbsp;characters on the stage as the curtain rings downnbsp;(for, although two of them are techni'ally-speakingnbsp;quot;off,” their reappearance is momentarily expected):nbsp;Sancho seeking Don Quixote in the Sierra Morena,nbsp;while the Priest and the Barber await the return ofnbsp;both. Leave them as Cervantes should have left them :nbsp;Immortals—¦“ deathless persons in an endless tale.”

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145 ¦A5«r if ceA^ic A CaBai]4c •00 Bón foitfe; Aguf Beitiim A Bm’öóAf teif Ati •n’OüiBrhAin gut' 1 quot;ocjieó Büji gcAif-le^m ‘00 CAfA'ó mé te tmn •ooiféeAócA tiA Vi-ortéenbsp;¦00 tuicim ó oéAtAiB Tieiriie a|\ éti.t\ Ati ¦ootfiAin ! ”nbsp;t)1 ATI Beipc óAilnii 45 péAéAinc Aip Agtif lt;*5 éip-150 ceAéc teif, Agtif oi, feA’OfA’OAf ó tAtAiti Ati •oorfiAinnbsp;CAXgt; é ATI i’AgAf ¦oume é, tiA ca'o é Ati b|ii$ a Bi Algenbsp;teif AH fAgAf fAti CAince “00 tABAifc teö. t)i a füitenbsp;Af teAtA’Ö ACU Ag féAéAlnC Alf, AgWf nfof tABAlf Aoititienbsp;Acu Aon focAt. Üi ’giof Acti gwf fAgAf éigin ¦ouitienbsp;155 é, mAf ¦o’Aifig’OAf A $tóf; aó ni fAiB ’giof acu ca’o énbsp;AH fAgAf ¦oume é, mAf Bi ah ceAttcAf ü’o cAffAigCenbsp;AllUAf Af A AgArt Alge. 'bi fgeÓtl Ag CeAÓC lonCA,nbsp;Aguf Bio’OAf Ag •ofui’oim tAifcig -oo’n •oofUf uai-ö.nbsp;Üug fé fó n-oeAfA An fgeón. “O’^fouig fé ah ceAtt-160 cAf Aguf Cug fé A AgArt te feifgmc ¦061B.nbsp;nbsp;nbsp;nbsp;“ A

fiogUA fó-uAifte,” Af feifeAn, quot; nA Bio’ö fjAt nA eAgtA ofAiB. rii öAogAt •0A01B. tliof CuiBe 'óótfi-fA, acA im’ fitiife fAin, mAftA nA cAfcuifne nA CAf-onöif A tABAifc ¦00 BAncfAéc UAfAit. A triAtAifc finnbsp;105 ¦Af fA’o acA ceAtigAitce ofm a 'óéAnAtfi, quot;oo féif quot;Otigtenbsp;AgUf flAgAtCA HA fl’OlfeAéCA.”

tluAif A CoTiTiAic 11A CAitini An AgAi’ö torn riii-titeAé, Aguf An 'Ofiuó A Bi Af An n’ouine Af fA'o, ó muttAónbsp;cAtArh, ifé fu-o A •óeineA’OAf nA fgeAfCA’ö Af SAifi.nbsp;170 tliof tAitn fATi teif. t^e n-A tmn fin tAmig fCAf ahnbsp;cige AmAó, féAóAinc ca’o a Bi Ag cuf nA goAiLini Agnbsp;gAifi. 'peAf móf beAtuigte aB’ eAii é, Agiif Botgnbsp;AnA-méf Alf. 11uAif 4 ConnAic fé ah fCfóinféif, Ba

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fió-AótMin 'oó pté^fs^t) Ap 5^11^1 ¦At' quot;öf HA gCAitïiii.

A6 C0HTIAIC pê An peAUj aj cbaCc At\ ati fct'öniféit', 175 Aguf tfieAf fé 50 mb’t^éi'oiti 5«t' ö’pe^t't' beit pctiAwbA.nbsp;ï)i Ati i:eAt\, Ajuf A CuTO Aipm, Ajup a éroe, AipéifCAónbsp;50 mAit; Aó ï)i ATI cpteAg •rhöt' •fA’OA iro ’n-A Wirh Alge.nbsp;tluT) concAbAptAC Ab’ eAA 1. tliot' b’Aoti ’oóióin 1.nbsp;ttiof' rfiAit teir ATI btreAt» TiibeAüuigfce Aon TfiAjA* i8cnbsp;AéA-nArh pniti péin tiA pé’n c-é 'ha pAib pi ’n-A tAirhnbsp;Alge. Ipé t'b’o A Aein pé ni, LAbAipc 50 bpe^g péiAnbsp;uppAfnAThAit. quot;O’iJTtittiiJ pé ¦Do’n pinipe Agup 'oonbsp;tAbAip pé teip.

“A pTOipe uApAit,” Af peipcAn, “ Tn.i’p téipTjin 185 oiAée AzS UA1C Annpo pé te p^jAit ajac’ onöipnbsp;Agup p^itue. ZA 5AÓ Aon put) te p^jAit A^Ac’onóipnbsp;Aó AfhAin tCAbAiA. Ili’t Aon teApAóA AjAinn.”

“ tli AeineAnn pAu üeipp'SeAóc Ap bit, a ÓAipcite^nAig uApAit,” AppA quot;Oon Cioóócé. “ quot;DêAnpiA Aon put) mo 190nbsp;$nó-pA, óip ipiAA tn’Apm Agup m’éiwe m’ópn^it)', Agupnbsp;ni bionn t)e fuAufineAp AgAui aó au p^uAiAeAóc.”

CeAp AU peAp beAtuiJte, uuAip Aipig pé “ CAip-citelt;3gt;nAó” ’A CAbAipc Aip, 5up ineAp ah pcpóinpéip gup ó CApcitiA é. ï)i ’f'iop Alge péin TUp b’eAt), aó ó 195nbsp;Ant)AtüpiA, 6 bpuAó nA pApAije; Agup Apt)-óteApAit)enbsp;Ab’ eA* é, A^up ^pt)-üiCeAThnAó.

“ Aó,” Ap peipeAU teip An prpóinpeip, “ m^’p mAp pin ArA An pgéAt asac, a Auin’uAfAit, ni bionn xgt;enbsp;teAbAiA AgAc 50 mime aó au óAppAig, Agup ip pAipe 200nbsp;A AeineAiin cü nuAip a Aeinm t)Aoine eite cot)tAA.nbsp;T)’^ bpig pin pAii Annpo ASAinn ; Ajup geAttAim Auicnbsp;50 mbeiA t)o Aöióin t)e ótiip ajac óun ua pAipenbsp;tbéAUAtn, Ap peAA btiAtinA, ni Aipiji'm Ap peAA Aonnbsp;oiéóe ATfi^in.nbsp;nbsp;nbsp;nbsp;205

¦Qo pugAA ipceAó é, Agup ipé a bi 50 jAbtA puAp

aauivo apv9gi,ivvlvaJ uv Ump oa ‘ivlifS unp pipa uiptpau V Jitjo ‘avd vlv auivpvpj^ v JnSvgt;' ‘aaip u's^ Stipnbsp;UtiS tpoiq ‘ilviu‘ilvavuv4,a pvf; nov qvQnii ilvt uiJ iltvqonbsp;uv ip V aifi uv qivuvpo. avliyS uvS auivinuvi piujiivonbsp;viU oa Uivov0Q.-9il VQ 'ilipi oS vpUo aSiv uiJ aipiu ff£»nbsp;aatpivtiq ‘iisq ilm ‘iQ 'uiyd pvliatii uov^a avlivqvp y,nbsp;vlipuo^a utJ aipptaq v Uy Jyauno ‘qiyvlqyai yud aa uuyppnbsp;uoy-u i ‘iiaq uiijimp doju -vlyaoiq v Uyiu iliy qtyqyponljnbsp;Sy piaq y aiUtyti uiySoiU ya uy dtiSy ‘aSiy yaqySyinbsp;jq y ilipuo uy j ayo qipa autduui yS, Uiy pi uyaq oa o£znbsp;: iiaq yuitip yq py ‘aSiy qyqtiii ily iq y apyaaivdyai uynbsp;vlyayaSmp lioiu 'aqiiyn qiyuySoii aq ijiyuypa auiyonbsp;avlyap yq vlyiu paq auiyo Sy itiSy avqou» y$^ pi iqnbsp;'pa uti 0iqio-q yu qiyuypa Sy iyaoïq y aiyi u'p'

•avvlUyeS oa ayi iiaq 3ivui itz ioiu inSy ‘yiyaa qtutqii aq liilyqpyp u^aa aaqiySuyaonbsp;ilyaqqyao uy jq vlyoi Jaa auiyq y vliyqpyo uy qiga pinbsp;p,yiSoaq ju itiSy ‘aa iop uoy-u i auiyq y uyuvlpSi uynbsp;ypUo diap oq, -Svliaui aq uii apiyoqyo ijtpp Upa ijippnbsp;yuyaqima yu itiSy idiyuo yu itvSy jyqonq yu iq ‘p ozznbsp;qtpa aaitvlttii^q iloju itiSy ‘noy ap. aauiyq pyavlipqnbsp;uy IQ -aa auiyq aaip-q yu g^iyvlilyi^a y ayi iiiSynbsp;‘iipiuipvlai u^aa qoya pyS Uy noy autna jq inSy ; uyinbsp;yoyaa uy utn qoja Unp y uipaSi amoS y itp Uya luiqiypnbsp;aUiaq uy jq 'iiy-u Uyp pi Siuiyp uyiuu'p' ‘yqqyai Siznbsp;uy jaa oS qqydyo uy pi SnU oq, 'anU uoy pi aUiynbsp;-qna ju pypi yui 'pya uy Uy , uiyaqiiyp uy aUiaiU ,nbsp;01^94,0.nbsp;nbsp;nbsp;nbsp;„ i 4*'('iU auuioy Smpop oa „ ‘uyaiiai

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81

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Ï)) ^tAf A{\ feA1^ An ci$e ah -oitmeAf Cun imCigte Celt A^A feAti nA buite. X)o t^ug ha cAttiéAiumte teö Annbsp;Celtic A ÖÏ 50}\cui$te Aguf ¦o’imCi$‘OAi\. ”00 tAt\i\Ai5nbsp;peAti An cije teAttAp Cuige, Aguf C^iom r® ^ téigeAA.nbsp;ni 1AA1C 'fA teACA^A AÓ teAÖAI^ CÖnCAIfl ’n-A tlAlO CÜnCAf 315nbsp;cujitA flof Alge A1^ An mém péi^v Ajuf cui$e Agufnbsp;coifce A niotAA fé teif ha CAittéAttAiAtift. n?oii Cujnbsp;quot;Oon Cioóöcé pé n’oeApA cat) é An fA^Ap LeAöAip é.nbsp;nf cöncAifi péip ^gup cui$e Agup coipce quot;oo téignbsp;peAp An ci§e AmAó Ap, aC p^iméip éigin pmipeACcA 320nbsp;A tii ’n-A CeAnn péin Aije, nó pAiméip éisin a CeAp pénbsp;1 titAip HA Ji-«Aipe pin. 1!)5 buAóAitt Ag cimeAt) potuipnbsp;¦06, mAp ¦ö’eA’ö, Cun 50 CpeicpAii pé nA pocAit a öinbsp;’pA ICAïiAp. nuAip A CAinig pé 50 'ocl pAipc Aipi$tenbsp;¦oe’n téigCeöipeACc, b’éigeAn •00 quot;Oon CioCöcé é péin 325nbsp;¦00 teojAinc Ap A Jtüiniï). AnnpAn quot;oo téij An peApnbsp;eile An pAiméip 50 li-AnA-fotmAncA; mAp ti’eAt) gupnbsp;CAinc AnA-nAoïtitA a 61 Alge ti’A téigeAt». ÜAp éipnbsp;CAmAitt, •00 püAX) pé ¦oe’n téigteóipeACc, Agup 'oonbsp;buAit pé buitte mAit tAmip ti’A bAip ’pA teAt-CeAnn 330nbsp;Ap An proipe nuA. AnnpAn gt;00 tój pé ctAmeArfi aunbsp;pmipe nuA, Agup buAit pe buitte Pe’pAguAtAinn Aip:nbsp;Agup m'op buitte pó-tA5 é, Aó ni teip au bpAobAp anbsp;üuAit pé An buitte. AnnpAn •o’óp’ouig pé ¦00 Auinenbsp;¦oe pnA cAitinfb An ctAmeAifi quot;oo Cup Ap au pmipe nuA. 335nbsp;*00 Aein pi An jnó pAn wAp a ¦ouCpAt) téi, Agup binbsp;AtAp Agup möpAit AU •DorhAin Ap au pmipe nuA, anbsp;PaA gup Aein AU piogAU uApAt pAn a CtAmeAifi tio Cupnbsp;Aip te n-A tiiiifi uApAit péin !

“ CaT) ip Ainitn Tiuic, A piogAn ? ” Ap peipeAU. 340 “‘CotópA’ ip Ainim Aoir,. a Aum’uApAit,” Ap pipi.

t)on ctoCöce

“ nbsp;nbsp;nbsp;‘ ‘Dotiiuv Colóf^,’ A nïosAti,” At\ i'eii’eAT»,

“ ‘ 'OotlTIA CotÓpA,’ A ¦ÓUItl’uAfAlt,” Afl fifl, AJUf tlf féA’opA'ó A tjiöeAtb i óime^’o gAti fjeAfiCAt) Afnbsp;345 At Atl C-eAgtA üeiC Ulftl triAf geAtt Af At1 fUt» anbsp;CotiflAic fi A5 Atl bpeAf buite ¦öéAiiArh teif tiAnbsp;CAIféAfAI'Ótlt),

“OubAifc peAf Atl cige teif ati scAititi eite tia fpuif ¦oo óuf Af AT) ffotfe fltiA. “Oo ¦öein. t)i Ati tfióf^iLnbsp;350 óéAtitiA Af “Óoti Cïodöcé wAf geAtt Atf fiTi; fiosAtinbsp;fÓ-WAfAt A5 CfoniAt) ffof Agtlf Ag CUf tIA fpOf Af Anbsp;f^tAiï) “oö tö n-A tA tilirh «Aifte fiogA féiti. X)’fiAf-fAig fé fit), teif, cA-o Ab’ Aittim tji.

quot; ' triótitléfA,’ A ¦ÖUItl’uAfAlt,” Af fifl.

355 nbsp;nbsp;nbsp;” AbAif ‘ ’OotitiA triótiriéfA,’ A fiogAn,” Af

feifeAfi.

“'T)oniiA IDótïtiéfA,’” Af fifl, Agtif f 1 fAócAib ¦out 1 tAige te ticAfc fotiti gAif1, bioi!) ti^ teogfA'ó cAgtAnbsp;¦Ö1 Atl g^ife ‘OO ¦óéAUArii.

360 ’Öeiti fê A Wti cAince teif au quot;o^ fi'ogAiu, Ag luotA’ó A U-AltteAéCA AgUf A U-UA1fteACCA, AgUf ’gA ThAOl’Ó-eAtf) uAf cuifeA’ó gAifm froife Af aou feAf fiAtti tenbsp;b-oifeA‘0 ouófA; beifc fiogAU, ’Oouua üotófA Agtifnbsp;’OOUIIA ITlÓtïUéfA, Ag fflotAtATil A1f AU fATO A bl AUnbsp;365 gAlfUl ’A Ótlf Alf !

A(5 ï)i AUA-'öiClueAf óuu bótAif Aif. t)i' fé ’u-a fTOife 1 gceAfc fé ¦óeife, Aguf b’é b’fA-OA teif gonbsp;fAib fé Af fiuöAt, Ag tofg éAéc te ¦oéAUAtfi. Agufnbsp;tuA bi ¦oiCiueAf Aif-feAU éuu luitigce, öi 'oitiueAf bAnbsp;370 rhó ’uA fAu Af feAf au cige tuu beit fgAftA teif.nbsp;“Óeiu fé A tAu cAiuce, pé tuAf a ¦óeiueA'ö ua fitufi innbsp;fUA teAöfAiö, Ag gAbAit A burtPAif te feAf au cigenbsp;Aguf Ag fAgAiuc fLAu Alge. tieiu feAf au cige foiuiicnbsp;¦oe’u cfAgAf CéA’ouA CAiuce teif-feAu, aó m'of Caiuc

seo rriAR a CauIa

CiinóeAtt deitfve btiA^óriA -FideAt) ö ftti bJof t1A^^ 1 gCitt Caoi Ag AH fAite. “Oo öuAat urtiAm Atin, Ajufnbsp;mé AS fiuüAt 50 fél* AH bHUAó tia pAHAige, pCAH anbsp;fti AS fltlbAt AH ah SCWtHA SCéA’OHA. ‘Oo tAÖHA'T'AIH.nbsp;tlioH ö’frAT)A, ’fA ÓAIflC ¦DélHH, S«t' tUISeAf pélH SUI'nbsp;Sp^iHHeAé é. CnomAf ah tH'^óc ah ah Sp^inn ; ah

CtAIHH ttliteAt) A tülHIS so b-élH1HH HAt)Ó ö’n SpiilHH ;

AH ah soosAt) möH a bf ’fA Spi^niH 1 H-AimfiH üóHApAHc ; AH HA cféite Sp^iHHeAóA acA te peifsiHc,nbsp;AHoif féiH, 1 H-A tAn 'oe fHA ¦DAome a ho5^*nbsp;nbsp;nbsp;nbsp;a

cósaP ’fA óüiHHe fiH CiAH CeAf ¦oe’n oiteAn fo ha ti-GifCAHii ; As«f mAf fiH.

'3a 6aihc ¦oom teif CuifeAf ceifceAHA Cuis© 1 OCAOÖ HA SpAlHHIfe ; AHHfAH, 1 OCAOb fSf'ÖIHHl HAnbsp;SpAlHHIfe, ASUf 1 OCAoO télSlHH HA SpAlHHIfC, ASUtnbsp;I OCAOÖ HA teAÖAf ASUf HA H-Ü$OAH ACA ACU ’fAnbsp;SpAiHHif. ï)i fé AS ffOASAifc 11A sceifceAHA Oom,nbsp;ASUf öA rhAit éuise é Asuf öa CuifseAHAó. 'pé Oeipenbsp;éuifeAf ceifc éisiu éuise i ocaoö “ Don Quixote.”

quot; Don Quixote ; Don Quixote ; ” Af feifeAH Asuf é AS uiAóCHAm. “ tl! ti-eöt oom aoh üSoah SpAiu-hoaC, hA aoh teAöAH SpAinneAó, hA aoh focAtnbsp;SpAiHHeAó oe’n cfOfo fAH,” ah feifeAH Asufnbsp;IOHSUAO Atf. “ riiOH AlflSeAfnbsp;nbsp;nbsp;nbsp;AiH fOCAt fAH

‘ Quixote,’ ” ah feifeAH.

“ ö,” AHfA mife, quot; Hi fotAif hö o’Aifi^if. SséAt ifeAO é acA teACcA Af fuAio ha ii-6üH*ipo 50 téif-misuét CefDAHcéf AiHim ah fif 00 fSHïoö ah teAbAf.”

¦oon cToCöcé

“6 1quot; Af feifCATi, Aguf Cug fé léifti ö’n ¦ocAtArii, “ ‘ ‘Don CloCöcé ’ Aci. Af fiuCAt a^ac !nbsp;nbsp;nbsp;nbsp;‘ quot;Oon

Cioöócé’; Af tióin ¦o’Aifig gAó Aomne ceAóc tAifif rin ! ”

tuigeAf-fA im’ Aigne An uAif fin guf “ quot;Don Cioóöcé” An Amim óeAfc, Aguf guf toic muinafnbsp;An 'öéAftA é n«Aif a 'óeineA’DAf ‘‘ Don Quixote ” ¦oe,nbsp;50nbsp;nbsp;nbsp;nbsp;An Loc óörh ciubAifceAó fAn n^f Aitin

An SpAinneAó féin é nuAif AifiJ fé é !

‘O’fAn An méit) fin fséiL im’ Aigne fiAtfi 6 fin, 50 ¦ocl LeAt-OLiAtiAin ö fin, nuAif a óuitfiniJeAf gufnbsp;tfiAit An fut) An fgéAL SpAinneAó fAn ¦00 óuf fiofnbsp;1 njAeLninn. AnnfAn “oo tuijcAf, quot;oS mbeAi!) Aonnbsp;CfCAnf 50 gcAffi An $Aetuinn fin Aguf An SpAinneAónbsp;öT) Af A CéiLe, suf riiAit au fut) “ Don Cioóócé,”nbsp;An Ainim a Cug fé Pom, a Heit mAf Ainim 'fA ^AeLuinnnbsp;Af An fgéAt.

Óuif t)uine éijm DéAfLA Af An fgéAt; Aguf, Cötfi fAt) A’f téiPeAnn mo tuAifim-fe, c^ feAöAf An f^éilnbsp;’fA DéAfLA éórh fAPA ö n-A feAbAf ’fA SpAinnif Agufnbsp;acA au focAL “ Don Quixote,” ó’n bfocAt “ Donnbsp;Cioóócé.”

pCADAf? VIA tAO$Aine.

CAifleAn Ha fiACAin DeAtcAine 5gt;nbsp;1912.

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NOTES

I.

HIMSELF, HIS PEOPLE, AND HIS FRIENDS.

I. nbsp;nbsp;nbsp;pomtic . . . i'in, ‘some hundreds of years ago.’

3- ^ cugci o^éA, ‘ they used to be called.’

II. nbsp;nbsp;nbsp;A)A biè, ‘ in existence.’

12-13. '°o_. . . mni'inc, ‘ wonderful stories began to be told.’

26. nit) rii.|v VionguAb, ‘ of course.’

28. tu6c . . . èumiti, ‘ the people who composed the books.’

32. fiuAOAii . . . teo, ‘they went to the wildest extremes with them.’

37-8. pé . . . ti-AnnppiAucAÓc, ‘according as the narration grew exaggerated '; 6uAitgt; . . . mém, ‘that class becamenbsp;more numerous.’

46. I'oip . . . Agup, ‘ both . . . and.’

55. Ap nóp Ati c., ‘like the horse.’

63. lAppAéc ¦oe 6., ‘ slight diarrhoea.’

73. pé buti, ‘ under.’

78. 'ti-A furóe, ‘ up.’

96. Cug . . . rignb, ‘ He neglected the business of.’

100. óp being unaccented is pronounced Ap in the phrase óp ctonn. 101-2. no . . . óuige, ‘ he used to be called to it.’

102. Ap . . . i6e, ‘ He scarcely gave himself time to eat it.’ 103-4. piut) . . . é, ‘ back he went to the books.’

118. nbsp;nbsp;nbsp;5up . . . t). 5., ‘that that man was D. G.

119. nbsp;nbsp;nbsp;Aj pAbAib 00, ‘ devoting himself to.’

121-2. Agup . . . UA, ‘ withcfut the slightest misgiving but.’

134. bpéAg . . . -rfió, ‘twice as big a lie.’

136. nbsp;nbsp;nbsp;HA cannot be translated: it only serves to introduce the

phrase pipitme bA óa thó. v. line 118.

137. nbsp;nbsp;nbsp;00 . . . meAbAip, ‘ his mind gave way.’ The Irish con

veys the idea of some commodity running short, a supply stopping; the American equivalent would be ‘ it peterednbsp;out.’

149-50. buAiteAÓ . . . ¦oAingeAti, ‘ he became firmly convinced.’ 159-60. nuAip . . . lAO. ‘ when he would meet them.’

161. cip A •b., 'his native land.’

164. óp being proclitic, i.e., throwing its accent forward on the following word, is pronounced Ap: cf. óp cioun.

171-2. Agup . . . bioDAp, ‘and all the rest.’

178. HAp ... 50, ‘ that there was no fear (lit. danger) but that

i

NOTES

II.

HIS FIRST SORTIE.

8. tiAÓ ' that there is no knowing.’

13. Ag . . . éoTMn, ‘ letting the time slip by.’

16. 5A11 . . . pigmy, ‘ without further delay.’

26. nbsp;nbsp;nbsp;óf A óóiiiAif, ‘ before him.'

27. nbsp;nbsp;nbsp;tAimg . . . 'óó, ‘his courage redoubled’ (lit. ‘as much

again of heart came to him ’).

31-2. fwo . . . beif, ' a thing to which he (i.e. the horse) had no objection.’

32. Ifé . . . fo, ‘ What caused the stop was this ’—

36. Ctng . . . Aigue, ‘ He realized.’

39. 50 . . . bpifeAt), ‘that he would be breaking the law of knight-errantry.’ The Irish is more graphic: lit. ‘henbsp;would have the law of k.-e. breaking it. ’ ’a = gA.

40; fmAócuigeAt) and •oeitieA'ó are imperf. subjunct.

42. ¦oóbAif treated as an adj. is really = o’fóhAip, ‘he attempted.’ bA . . . fé, ‘ he almost turned.’

45. 6eAtiA féiu, ‘ even already,’ stronger than éeAtiA alone. 6eAtiA (O.Ir. cenae) is the compound of ceu (= gAti) 4- énbsp;= lit. ‘ without it.’ ri. heAbAf AgAtn èeATiA = ‘ I havenbsp;a book without it ’ (i.e. without the one you are offeringnbsp;to me)—Whence ‘ already.’

58-9. 50 . . . gniiti, ‘until he would gain that sign as a result of action ’ (by virtue of knightly prowess).

63. bog . . . 6«ii 13., ‘ he slackened the bridle to R.’ TJo . . . bóéAip, ‘ R. started on his way.’

67-8. gup . . . ncpeó, ‘ that that was the most likely plan for some exploit to come their way.’

72-3. Ag . . . Aip, ‘ interfering with him in any way.’

88. A . . . cóitipAic, ‘his match as a fighting man.’

90. oip'óeipc is pronounced ‘ eipipic.’

94. ’tiA ’óéihe = ’ha a ééite.

97-8. Ag . . . «iob, lit. ‘putting the way from them,’ i.e. ^ ‘travelling quickly.’

99. bio* gup = ‘ although.’

102. buAibce AmAó, ‘exhausted.’

109-10. Cmp . . . Ap R., ‘ He made R. quicken his pace ’; cf. American, ‘he put a hustle on.’

127-8. A . . . 'DÓ, ‘that was due to him.’

137-8. go . . . cAifbeAu, ‘ who owned the castle.’

140. fCApéAib CAiuce, ‘ grandiloquent style.’

150. Aguf . . . 'ooiiiAin, ‘ not knowing on earth ’: the indirect negative ua is more expressive of their state of mindnbsp;than the direct neg. tii. The distinction is difficult tonbsp;convey to the English speaker. Contrast the continuousnbsp;‘ listening to him and not knowing, etc.’ with ‘ listeningnbsp;to him, and they did not know.'

*0011 CTOCÖÜÖ

151-2. CAT) . . . teó, ‘what he meant by addressing them with that kind of speech.’

158. hAifcig (not ifceA6) implies that they were already standing inside the door, or just in the doorway.

162. , tli bAogAb TJAOib, ‘ You are in no danger.’

164-5. A • • . fAT), ‘ The exact contrary to that.’

168-9. 6 thubt-Aé cAhAifi, ‘ from top to toe ’ : 50 is omitted.

170. le . . . pn, ' Just then.’

174. pó-'óóbAip, intensitive of ¦oóbAip (v. note line 42), ‘he very nearly burst out laughing.’

179. niop . . . f, ‘ It was no joke.’

186. AgAc’ = Ag T)o before a word beginning with a vowel.

190-1. TSéAnpi* . . . Jrió-fA, ‘ Anything will do me.’

192. nbsp;nbsp;nbsp;ni . . . fAt)Ai6eA6c, ‘the only rest I get is wandering.’

193. nbsp;nbsp;nbsp;CAircibeAtiA6 = Spanish ‘ Castellano,’ which may mean

erther ‘the owner of a castle,’ or ‘ a Castilian.’

198-9. wA’p . . . AjAc, ‘ if that is the state of affairs with you.’

204. ni Aipijiiti (Aipifiigim), ‘ not to mention ’ (lit. ' I don’t reckon ’).

206. gAbcA -ruAy, ‘ cramped.’

213-6. bi . . . Wob, ‘the two girls had recovered from their fright.’

230. xgt;o . . . Aip, ' he continued.’

240-1. a;; . . . oyiA, ‘calling them princesses.’

247. T)0 ¦óeAbpAitb ('according to appearance’), ‘it would appear.’

252. pulnn Acu, ‘ any of them ’; p. is very seldom used without a neg.

253-4. tgt;’a . . . é, ‘the sooner we get them the better.’

287. a6 . . . optA, ‘ but that they were afraid.’

288-9. bi . . . jCAititii, ‘ it was being impressed on the girls’ minds.’ tnupAp b’cAf), ‘ if not ’; past of luupAb eA*.

290. nbsp;nbsp;nbsp;riAp . . . é, ‘ that he was not very far from i-t.’

291. nbsp;nbsp;nbsp;beogAmc no, ‘allow.’

299-300. A . . . Aim, ‘ which gave the people of the house to understand that he was there.’

311. Ap . . . noiiiAin, ‘perfectly beautiful.’

312-3. coip5 . . . beip, ‘ because he had succeeded ’—in Irish the phrase is impersonal, ‘ it had succeeded with him.’

314-5. bi . . . póp, ‘ He had not been dubbed a knight yet.’

III.

HOW HE RECEIVED HIS CALL TO KNIGHTHOOD.

3-4. bAjAip pé Ap pBAp . . . , Ap pinipe. In Irish the prep, must be repeated.

6. nbsp;nbsp;nbsp;Agup . . . beipc, ‘ with only the two of them there.’

7. nbsp;nbsp;nbsp;Ap j . . . gWn, ‘ on his bare knees ’; lit. ‘ on the white

of his two knees.’

NOTES

7. At' aJai* . . . AinAè, ‘ straight in front of-’

15. At, ‘ Ach ! ' an exclamation of disgust or remonstrance.

28. ¦00 f'Oilt’e, ‘ your Highness.’

29- 30. go mjéAuyA . . . mé jA'ivm is equivalent to 50 ugAit'mfe^

mé,

30- 1. tllotv . . . mé, ‘ I have not been legally knighted yet.’

31- 2. UA . . . êAoi, ‘ if the opportunity should come my

way.’

35-6. ui . . . Ap, ‘ there will be nothing to hinder my facing-.’

47. pAf . . . meAbAip, ‘ a little bit astray in his mind ’: meAbAip (not Aigne) is the word used for ‘ mind,’ meaning ' reason.’

49. 'O0 . . . mbo6c, ‘ He humoured the poor gentleman to the top of his bent ! ’ ; lit. ‘ slackened his own rein to, etc.’nbsp;51. mAp b'eAt) = mAp bub eAb, ‘as it were,’ ‘by the way.’

64. ’u-A gACAp, ‘ in need of it.’

69-70. Agup . . . éipn, ‘and in found guilty of some crime.’

72-3. oipeATj . . . Agup, ‘ as much . . . as.’

74. '00 . . . pél, ‘he settled down.’

76- 7. tllop bAc pé . . . A b’innpinc -,

himself the trouble of telling ---’

77- nbsp;nbsp;nbsp;8. 'OA . . . péiu, ‘ Even if he did tell.’

81. '00 . . . pu'o, ‘he approved of everything.’

100. buèc . . . pgplobA'ö, V. note Chap. I., line 28.

103. péAé péiu, ‘ see here now.’ nbsp;nbsp;nbsp;,

109. A 'ó’A'oihAib = A A’omA'b : '0’ = '00 is usually prefixed

Munster) to verbal nouns beginning with a vowel p., e.g. A 'b’pAgAlUC, A ¦Ó’pAgAlbc.nbsp;no. ¦o’Ap téi$ pé ('o’Ap = •oe a po), ‘ of what he hadnbsp;read ’ = ‘ that he had ever read.’

117. nbsp;nbsp;nbsp;ceAun go mAi6, ‘ well filled ’nbsp;nbsp;nbsp;nbsp;with money).

118. nbsp;nbsp;nbsp;Ca . . . AmAö, ‘How could anyone know but that an

accident would happen.’

119. nbsp;nbsp;nbsp;pi'öe, ‘ a fairy mistress ’: pib originally meant the abodenbsp;of fairies, their ‘ seat ': the gen. sg., so frequently usednbsp;in peAp pibe, beAu pibe, has come to be felt as an adj.nbsp;meaning ‘fairy.’ If it were an adj. we should havenbsp;beAu pibe.

121-2. 6un . . . Aip, ‘to succour him.’

124. A^^ic 6 is equivalent to English ‘sonny,’ ‘my lad.’

134. 'o’A . . . bó, ‘that he was doing for him ’ : for construction cf. note on line 39. Chap. II.

139-140. gup . . . tiAriiAir), ‘that the enemy would have a poor chance.’

142. 'o’a . . . ipc'J, ‘to all who were inside.’

144. Ap é., ‘ light-headed,’ ‘ crazy.’

163. nbsp;nbsp;nbsp;Ó 6., ‘ a while ago.’

164. nbsp;nbsp;nbsp;hi . . . be, ‘ I should not be surprised at it.’

166-7. Ap . . . g’l'An, ‘ clean out of his mind,’

¦ooti cïoóöce

6. ’o’a . . . ¦pAii\e, ‘ the more keenly he reflected the more keenly he kept watch.'nbsp;p. b., ‘ a slippery thief.’

4. nbsp;nbsp;nbsp;pitié . . . ponrnp, ‘ that is the sort of enemy he wasnbsp;afraid of.’

5. nbsp;nbsp;nbsp;'OipeAé . . , Alge, ‘ Just as he had that thought beforenbsp;his mind.’

•7. Tliop ... 6aiuc, ' The poor carrier did not pay the slightest heed to the speech.’

’pA cpbige Aip, ‘ in his way.' pé, ‘ about.’

tfi’AHAtUA: the tn is aspirated, as the word is treated as as an adj. in the vocative. In the older language a was frequentlynbsp;prefixed to tiio, as a mo •jbopA= ‘O my father 1 ’ a iti’AnAmnbsp;= ‘ O my soul I '

be . . . 'ÖÓ, ‘ While he was uttering that speech.’ èomAin . . . péfö, ‘ he proceeded to walk quite leisurely.’nbsp;¦6. Ag . . . Aip, ‘ delaying him.’

¦8. Sifio AtnAè lAt), ‘ Out they rushed.’

Ap b., ‘ brandished.’ p . . . AmAè, ‘ Keep out from me.’nbsp;ip . . . meApA, ‘ it will be worse for you.’nbsp;mAiè go beóp, ‘ well enough.’

6 . . . uAib, ‘ since they had failed to steal it from him.’ ¦3. Auoip . . . AgAc, ‘ now is your time.’

Ag . . . Aip, ‘ attacking him.’

¦2. 1 tro . . . 6tiib, ‘ backwards.’

Ap . . . AmAè, ‘ facing him.’

’6buig : the a’ (=An) is elided after a vowel.

Ap Ap p., ‘ at our ease.’ ui 1., ‘the quicker.’

¦12. All ... buibe, ‘ that the madman was in ahurry to depart.’ ni . . . a6, ‘ The book was only.’

1 . . . pm, ‘ impromptu,’ ‘ on the spur of the moment.’

•4. ni . . . jAipi, ‘ her best efforts would not enable her to keep from bursting into laughter.’

-8. 1 . . . gAipi, ‘ ready to faint from the violent desire to laugh ’; bio*, ‘ although.’

-8. b’é . . . piubAb, ‘he was impatient to get away.’

Ag . . , A ge, ‘ bidding him farewell.’ bom u. . . . ‘ in simple earnest.’

IV.

WHAT HAPPENED TO HIM THEN.

3-4. .ipuA, ‘ quarters ’ (‘airts’) : Agup nothing to prevent his facing.’

15. gAö . . . 'oi, ‘ every two.’

19. Aon . . . Ap, ‘ gather any sense from.’

NOTES

24-5. teH', ‘also’: nbsp;nbsp;nbsp;. . . Alge, ‘that he should have a

squire.’

35-6. cAimg . . . xgt;6, ‘ he developed such a trot.’

^47. 11. Jiiih, ‘ vehement crying.’

61. heog ¦oom, ‘ let me alone.’

70-1. gup . . . 6op, ‘that he nearly collapsed,’ (lit. ‘fell in the direction of his feet ’).

74. b. ètin g., ‘ prepared for action.’

77. b. botiM, ‘ on the spot,’ ‘there and then.’

79. Ag . . . óApbAb, ‘cleaving to the roof of his mouth.’

80-1. oipeAo Agiip, ‘as much as.’

91. A 6. p. I ‘ You churlish knight.’

96. ’n-A b. b., ‘ in his limbs.’

98. C. . . . opc! ‘ Spare my life ’ (lit. ' the protection of my life on you ’) : c. is another form of coniAipce.

103. g. Aip, ¦ to trounce him.’

106. cun . . . beip, ‘ for not paying him his wages ’ : ca . . . Aige ‘ he is a liar’ (lit. ‘ he has a false oath ’).

110. nbsp;nbsp;nbsp;puAp . . . béAb, ‘ to my very face.’

111. nbsp;nbsp;nbsp;Ap b. b., ‘for two pins’ (lit. ‘a yellow pin').

117. ACA . . . ntiic, ‘that is due to you.'

120. oo péip, ‘ at the rate of.’

123. Sin AtUAÓ, ‘Hand out.’

125-6. ATn’ b. th., ‘ on my solemn word ’ ; Agup . . . AnAtn, ‘ as I hope to see Heaven,’ {' without any evil thing on mynbsp;soul ’).

127. An ... éugAp, ‘ that oath that I swore ’ : to ‘ take the book ’ (to swear upon) comes to mean ‘ take an oath.’

130-1. tYlAp . . , bcAtAix), ‘ As I wish to live ’—a mild oath.

133. Ap c., ‘ on credit.’

140-1. ’n-Ap . . . Ap, ‘ for letting which you gave a real to the barber.’

142-3. Agiip . . . Aip, ‘ when he is not sick at all.’

151. Aon . . . beAC, ‘any assurance you wish.’

153-4. Ui . . . AihAin, ‘ The only assurance I shall ask of you in the matter is one—. ’

I75~b. CéAnAm . . . biom, ‘ Come along home with me ’ ; oo’n, not ¦oe nA, the whole amount is taken as a single sum ofnbsp;money, not as a number of coins.

186. ni . . . AgAC, ‘you will have no chance of escaping me.’

190. peAp . . . peibb, ‘ the man who subdues wrong-doers and traitors.’

203. 'oiobA'o, pres, subjunctive.

207-8. ni . . . help, ‘ more must be added to it ’: t)ó refers to the sum of money owing.

223. Ap . , . beip, ‘ for breaking your promise to him.’

225-6. Ag . . . '0Ó, ‘ as he departed ’: Agup . . . Aige, ‘ and with reason.’

232-3. ip . . . iiTOiu, ‘ it is you who may well be proud to-day.’

245-7. 116 .. . péiu, ‘ or perhaps the princess had no habitation anywhere but in the imagination of the knight.’

-oon cToCöce

THE FIRST DRUBBING.

2. nbsp;nbsp;nbsp;. . . céA'onA ; netice that the verbal noun is not followed

by the genitive in such a phrase ; cf. *5 gAbiib ah bóèAp. In fact Ati bócAp céATgt;HA is treated as an adverbialnbsp;phrase = * in the same direction.'

6. ’h-a pcoij’, ‘ on foot.’

- - A'otiió’mi’o, spoken form of A’oiüóèaiitii'O.

cAipbeAHAinti = imperf. subjunct. : there is an increasing tendency to use the conditional indicative instead,nbsp;pé beic, separately.’nbsp;jAii c., ‘ not to come.’

. . cAbAipc, ‘ not to swear falsely.’ tiA, ‘ How do I know but.’

. pic, ‘ making for him at full speed.’

. Aip, ‘ with a venomous poise of body.’

. niApcAt, 'R. stumbled, and down went both horse and rider.’

63. Ua . . . Aip, ‘ It was fortunate for.’

65. 5AU c., ' from coming.’

67-8. bA . , . liiuiniL, ‘his cervical vertebrae (‘bone of his neck ’) would very probably have been broken.’

Ap . . . bpotuA, ‘on the broad of his back’: 6uip . . .

éipijce, ‘ he attempted to rise.’ ieip Aip éipje, ‘ he fail to rise ’ (lit. ‘ rising failed onnbsp;him ’).

A 'o’iAppAi’6, ' to try ’: the a is adventitious as in a jah piop. 76. hi . . . Atm, ‘ It was no use ’: lit. ‘there was no profit fornbsp;him in it,’ i.e. in the attempt.

81. Ap . . . pél, ‘face downwards.’

88. Ap A bifieAbt, ‘ as hard as he could.’

91. tt’Amipig pé, ‘he reached for and seized’: Aimpigim combines two ideas; so in ¦o’AiiTipig pé be gunuA é= ‘he aimed at it with a gun and hit it.’

97. gbAti, ‘ completely.’

105. An . . . AgAib, ‘ every single one of you,’ ‘ every man Jack of you ’: the force of the piAtii cannot be accuratelynbsp;rendered in English.

no. AoubApc, 1st pers. sing, past indie., coming from the O. Ir. perfect Appubupc (I have said) as distinct from the preterite Apbupc (I said) : AoubpAp is a later formation.nbsp;coimAc = 6otmApc= cotioApc from O. Ir. perj. ACconoApe :

the OApe comes from the same root as ¦oeApcAitn. muriA . . . pél*, ‘Only for the stumble you would havenbsp;been (lit. ‘ were') done for.’ Note this use of péib;nbsp;cf. cAim pélt) Atioip, ‘ all is over with me now.’

123-5. ni . . . éipge, ‘ he had no chance of being able to

NOTES

rise.’ Tlioi\ . . . tuije, ‘ He did not attempt it.’

A pAib Aije. ‘ just as he was ’—lUAp a pAib pé, would mean ‘ where he was.’

127. ifgt;r • • • IseAuA, in every one of his limbs.

129. A . . . ATUAc, ‘ which had befallen.'

136. c. . . . péin, ‘recovering.’

144. ’neóppi = itineóppï, condit. auton. of ititiipim.

147, ’Sa . . nbsp;nbsp;nbsp;. 'DÓ.nbsp;nbsp;nbsp;nbsp;‘ In the course of his conversation.’

150. mo . . nbsp;nbsp;nbsp;. butiAp, ‘ my hereditary lord.’

151-2. cé . . . bócAp, ‘ who should travel along the road.’

155. ce h-é nbsp;nbsp;nbsp;ÉupA,nbsp;nbsp;nbsp;nbsp;‘ quot;Who are you ? ’ (lit. ‘ Who is henbsp;nbsp;nbsp;nbsp;thatnbsp;nbsp;nbsp;nbsp;you

are ?) nbsp;nbsp;nbsp;: caonbsp;nbsp;nbsp;nbsp;. . . opc, ‘ What has happened tonbsp;nbsp;nbsp;nbsp;you ? ’

169. A . . . nbsp;nbsp;nbsp;'pcig,nbsp;nbsp;nbsp;nbsp;‘ my dear Sir.’

176. nbsp;nbsp;nbsp;. . . é, ‘ as well as he could ’ : note the use of é which

refers to the operation of loosing the armour.

182. nbsp;nbsp;nbsp;Aè óóiii beAj, ‘ either ’: lit. ‘ but as little (as he found on

his back).’

183. nbsp;nbsp;nbsp;6uig6 implies that he quot; stowed him away ” in the load of

wheat.

191. Cao . . . puTJA, ‘What infernal thing.’

197. Cao ’ca opc, ‘What is wrong with you ? ’

203. CApipA: Xarifa or Jarifa (Spanish x and j are pronounced alike as Irish aspirated c) was the heroine in the romanticnbsp;tale of Abindarraez and Xarifa. The name is Arabic,nbsp;and means a ‘ palm-tree.’

216. An n. oipbeipc, ‘the Famous Nine.’

219. nbsp;nbsp;nbsp;• • • eibe, ‘ The other man remained silent.’

229. Di . . . öipéip, ‘ The house was in confusion.’

235-6. be, ‘ for ’; beip . . . Aimpipe, ‘ during that period of time.’

244-5. 5«pAb . . . beip, ‘May the devil carry off those books ' (lit. ‘the son of malediction’); ah . . . Aipne, ‘thenbsp;gentleman with the finest intellectual capacity.’

249. bó, older form of dative case of 1a, retained in this phrase and in bó 50 n-oiüée (a day and a night).

255. nbsp;nbsp;nbsp;• . . beip, ‘ that it was not perspiration that was

dripping from him ’ ; note this force of be ; it is also used of a woman’s hair flowing down loose.

280. pAtiAib . , . piAp, “ Keep back, all of you ! quot;

281-2. 50 . . . beigeAp, ‘ until he examines and heals my wounds ’: note this use of ’oeitnm with the verbal nouns,nbsp;'oeitii'ó is pres, subj,

283. Flo ... fiiib, ‘How well I knew! ' Lit. ‘my affection is my eye,’ i.e. I congratulate my eye for having detectednbsp;the cause of the trouble.

296-7. mupA . . . Tl., ‘ only that R. stumbled.’

299. Sgeithbe . . • beAbpAib 1 ‘ Confound them for books 1'

¦oon cToóöcé

VI.

HOW HE COAXED SANCHO AWAY WITH HIM.

5. Siné ACA UAitn, ‘That is what I need.’

12. cAtgt; . . . AijA, ‘ what condition he was in.’

18-19. ’’¦A . . . héip, ‘the books were the cause of the whole mischief.’

21. ceitie óiiAih, a bonfire.’

28. nbsp;nbsp;nbsp;’ti-A . . . jceATiti, ‘ one by] one.’

29. nbsp;nbsp;nbsp;-peiceAo, isi sing. pres. subj.

37. nbsp;nbsp;nbsp;A hi optA, ‘that were amongst them.’

38. nbsp;nbsp;nbsp;An . . . AmA6, ‘ out of the window.’

46-7. Annpo . . . n’o., ‘ Here you have occasion to wield the strength of your arms.’

62. nbsp;nbsp;nbsp;Cuppin : Turpin was Archbishop of Reims and chaplain to

Charlemagne; according to the old French epic. La Chanson de Roland, he was killed at the battle of Ron-cesvalles.

63, nbsp;nbsp;nbsp;Agup gup pinn, ‘ considering that we are.’

65. nbsp;nbsp;nbsp;An . . . teó, ‘ to gain the victory ’ (bear away the palm).

66. -8, Tll’h . . . Anoip, ‘ That cannot be helped now ’: An . . ,

gcomnih, ‘that this day should go against us.’

77-8. Agup . . . Aip, ‘ while he has nothing against me, except titat he is choke-full of envy.’

82. ini’ pui6e, ‘up.’

85. p. fum p., ‘ let it be left to myself.’

89. A pA*, ‘ to say ’ (lit. ‘ its saying ’) : the a is the anaphoric poss. pronoun, i.e., introduces the whole phrase following

pAt),

94. hAn, gen. pi.

97. A . . , tjdgA*, ‘ a lot of books which should not have been burnt; lit. ‘ its full of books which its burning was notnbsp;right ’: the a before •bógAó refers to bin and is consequently singular.

98-9. An puAt... An c-eAgAh ; the use of the article in intensive. 102. pi nA pA*, ‘ luck nor grace.’

122. CAT) . . . heAhAip, ‘ What room ? or what books ? ’

125. Aippeoip= Aifibeippeoip from Lat. adversarius.

128. 6nn p., ‘away.’

139-41. hi .. . Ann ! ‘ There was no room there any more than if it had never existed ! ’

: pun—pup, ‘anything — something.’

142. Ca . . . teip, ‘ I hate the person who owns.’

145. c, 6Aipip, ‘ mention of it.’

150-1. oibce . . . Ap 6, ‘ highly trained in wizardry.’

155-6. Siné . . . móp, ‘ That is why he is attacking me so much.’ 159. po . . . neAirinlf), ‘to bring to nought.’

165-6. Agup . . . béip, ' when we all know.’

NOTES

171. nbsp;nbsp;nbsp;«5in= itigiiAti.

172. nbsp;nbsp;nbsp;boAUpATó, pres. subj.

182. n- f'» ‘ knight-errantry.'

184. CAgA’ö . . . 'n-A c., ‘The priest used to oppose him.’

193' ¦*5 • • • nbsp;nbsp;nbsp;quot; pressing him to go along with him.’

196. tiA h-uii^c a’p tia h-Ai|\c (a proverVhal expression), ‘ any mortal thing ; anything under the sun ’: tiipc meansnbsp;‘ pigs,’ and there is a word eApc meaning ‘ heifer,’ butnbsp;more probably the last word is only a jingle on the uipr.nbsp;AÖ uub, ‘ provided that he went,’ ‘ if he would only go.’nbsp;’tia TnAp, ' than ’; note this use of iuAp; pAtiAó, imperf. siihj.nbsp;peAppA, form of peAppA used before a word beginning withnbsp;a consonant: cf. pé uueAp 6, but pé tiueApA ¦öuic.

206. ¦oe é., ‘ as the result of.’

208-9. 1 ¦ocpeo ... pi, ‘ so that you would be like a king.

212. riiop beAg pAti, ‘ That was enough.'

220-1. Cuip . . . njeAhl, ‘He pawned some other things.’

231. Hi . . . biom, ‘ It does not agree with me.’

233. tiA6 nióp, ‘ almost.’

239. Ap m. A., ‘ mounted on an ass.’

25Ó. btiöc c., ' search party ’: Ap a ¦oc., ‘ in pursuit of them.' 257-8. ó’n . . . pATi, ‘free from that danger : cf. ó bAojAt, ‘ outnbsp;of danger’; uibA péibe, past of niop péibe {niop =nbsp;nib ip) : Ap a f., ‘ at his ease.’

261-2. nbsp;nbsp;nbsp;. . . Aip, ‘ D. C. had gone in the same direction.’

284-5. A5_. . . b-AOip, ‘ getting old.’

289-90. tli . . . AgAc, ‘ Perhaps you would only have passed one week.’

294-5. puoAi . . . beó, ‘ things which are quite unexpected ’: pAitieó6’= pAineóóA-ó, ^rd sing, condii. of pigiTn, ‘ I reach ;nbsp;come about, happen.’ It is a new formation developednbsp;from the past tense pAuiig which contains the samenbsp;root as tAinig and C15 (|\o am 15, co An 15, co nbsp;15). For new present v. line 298.

Cao . . , Apoó ? ‘ Why so ? ’ Cao is only an etymological spelling: the pronunciation is ca, and the word probablynbsp;is CA which means ‘what’ as well as ‘where.’ Ap'oó=:ipnbsp;¦DÓlg.

6un b., ‘ for a queen.’

1p . . . 1, ‘ She was reared as Siobhé,n.’

¦oetncA, and sing, imperf. suhjunct. of 'oeinim : the n-prefixed to «Aipe originally belonged to peAóc which was once septn., cf. Lat. septem.

314-5. Tli . . . '01, ‘ You could not possibly make a queen of her.’ 316. pig . . . ’peA'6, ‘ Leave her to God, then.’

3r8. peAp mio piog, ‘a viceroy ’ (lit. ‘a man of the place of a king.’).

320-r. 6 . . . AjAm, ‘ Since I have such a distinguish man as you for my master.’

NOTES

174-5. Tllop . . . ’tii, ‘There was no other business he would rather be engaged in than.'

186. uuA'P . . . CAbaipc, ‘ when they used to be passingthe night.’ 187-8.nbsp;nbsp;nbsp;nbsp;. . . opcA, ‘ not to allow a wink of sleep to fall on

them.’

pé’p b’l péiti, ' whoever she might be ’: the addition of the péiu makes it jocose.

TIiop . . . S., ‘ It was not so in Sancho’s case.’

’n-A gc., ‘ in hundreds ’ (lit. ‘ in their hundreds ’). pomi, hardened from poitti, probably under the influencenbsp;of poinipi, pómpA.

205-6. tiAp . . . pAibce, ‘ they were by no means indifferent as to who might express the welcome the loudest.’

Aon cppAtiti : the spurious eclipsis of p after words which aspirate other consonants is due to analogy with thenbsp;def. art., e.g. •00’n pApAtL, but ¦00’ti cpAogAt, where thenbsp;c belongs to the art. and the p is really aspirated.

211. 50 'oci : ci is really pres, subjunct. of cigim, but from phrases like 50 ¦oci TlooLAig, ‘until Christmas come’—‘untilnbsp;Christmas,’ the 50 oci has become stereotyped as meaningnbsp;‘ until ’ or ‘ to.’

214- 5. poiiTie pit! ifromthis phrase, falsely divided as poitn ip pm^

the form poimip has arisen.

215- 6. ujop... Ann, ‘ there was no knowing where an opportunity

might be got of putting more into it.’

225. nbsp;nbsp;nbsp;SeA* ! ‘ Well I ’

226. nbsp;nbsp;nbsp;connAic . , . beApnA, ‘ he saw the gap in the distance.’nbsp;234. ni’b. . . iopAinc, ‘ there is nothing to prevent your defending me.’

237. ¦OéAupA'o put) opc, ‘ I will obey you.’

238-9. tiA . . . cnip, ‘ that there is nothing I detest more than to be thrusting myself into a quarrel without cause.’nbsp;ATii’ = oom’,

240-2. coipg . . . Ap, ‘ because I know that, whoever escapes or does not escape, the man who interposes does notnbsp;escape.’

243-4- P®’cu . . . eAt), ‘ whether he be a knight or not.’

252. Au cpAoipe, ‘ the Sabbath.’

262. THAp . . . peAp, ‘ where her husband was.’

269. tlA . . . h-Aoititie, ‘anyone would think.’

271-2. CA . . . nó, ‘ Unless I am mistaken.’

279-81. tli’h . , , tiiAiiAc, ‘ Those two in black are only two monks.’

be . , . cóipce, ‘ The coach belongs to some travellers.’ 282-3. ’'A . . . opc, ‘ do not let the Devil play a trick onnbsp;you.’

290-1. pé . . . pémig, ‘ whatever business they themselves were responsible for.’

295. A beipc cuippceAé, ‘ You pair of rascals.’

305. 1 mbuti, ‘ in charge of.’

306-7. ni’t . . . AjAimie, ‘ we know nothing at all about it.’

*0011 cïoCócé

308. CujAif •o’éit6A6, ' You are a liar I ’ (Ut. ‘ You gave your false oath ’).

321-2. An . . . ¦oe, ‘ to make ofi rapidly across the field ’: 50 ... Aip, ‘ that he would overtake the wind before him, andnbsp;that the wind behind him would not overtake him.'

¦DO . . . Aigne, ‘ he realized,’

CAV ... bAitic, ‘ What do you mean by stripping ? ’

7. An . . . SAnchó, ‘ whether S. was joking or in earnest.’ •oAipipib is really a phrase containing ne a ^ipib {dot.nbsp;pi. of pipe, ‘ truth ’) = ‘ of its truth ’—‘ in truth.’ UpiAnbsp;pipib is also found with the same meaning, and thenbsp;simple oe f ip, ‘ of a truth.’ The first p is not easy to explain. It has been suggested that pipib is for po-fipibnbsp;(which is doubtful). More probably nA fipib developednbsp;into 'oApipib by assimilation, as cAoöbóó became cIaoó-bót). In the modern language it is treated as a singlenbsp;noun at times, hence ’n-A •b., 1. 339.

CAniAit UACA, ‘ some distance away from them.’

•3. Ag . . . Ann, ‘ belabouring him with kicks and fists.’

Agup . . . bótAp, ‘ incapable of rising from the road.’

’n-A pcAo, ‘ standing still.’

An nothAn is for ’e’n 'o.='oe’n ¦o. cép’'b’é=cé po bA 4. x)o po§A bóéAp, ‘ your choice of roads,’ —‘ any road younbsp;please.’

’5Ac’=ASAn’=Ag ¦00.

-8. ’n-A ... 'D1, ‘ whom I serve.’ go . . . •out, ‘ that a return to T. would have to be made ’;nbsp;cAiépi is auton.

¦o’éipij . . . buite, ‘ he grew furious.’ peAöc n-uAipe, ‘ seven times; a’ 6buig is usually addednbsp;when UAip means ‘ hour.’nbsp;put) uAó cAt», ‘ which is not the case.’nbsp;cé’cu CAC, ‘ which of the cats,’ ‘ which cat.’nbsp;gAé ceAun, ‘ each end.’nbsp;ni . . . Ap, ‘ he had not confidence in.’nbsp;ni Mpigim, ‘ I do not count not to speak of.’

-5. mupA . . . pm, ‘ Only for the rapidity with which he did that ’; bi, ‘ would have been.’nbsp;t)o . . . pAop, ‘ the head escaped.’

puAip . . . Ap, ‘he got a chance at,’ b.= ‘an unprotected spot.’

nAp . . . t)., ' that the B. was no joke.’

‘ t)o . . . pm ’ : a proverbial saying, when a reciter comes to a stop through lapse of memory ; as when street singersnbsp;excused themselves by saying quot; There’s a hole in thenbsp;ballad.quot;

Ap . . . pAn, ‘ in that way,’ ‘ at that juncture.’ ceme èpeApA, ‘ flying sparks,’ such as are struck from steelnbsp;and flint.

2. Ap . . . Ap, ‘ whether both of them escaped.’

4. Ag . . . pém, ‘ excusing himself.’

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